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Roger Freeing Angelica (Böcklin)

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Year
  
1873

Artist
  
Arnold Böcklin

Period
  
Symbolism

Medium
  
Oil on canvas

Created
  
1873

Roger Freeing Angelica (Böcklin)

Location
  
Alte Nationalgalerie, Berlin

Similar
  
At Alban Hills, Diana sleeping with two f, Odysseus und Kalypso, Self‑Portrait with Death Playing th, Roman Landscape

Roger Freeing Angelica is an oil painting by Swiss symbolist painter Arnold Böcklin, from 1873. The painting illustrates a scene from Ariosto's epic Orlando Furioso, in which the Muslim knight Roger (Italian: Ruggieri) saves the pagan princess Angelica from a sea monster. The motif is closely related to the mythological theme of Perseus saving Andromeda.

Contents

Background

Symbolist art was a late nineteenth-century art movement, mainly originating in German and French speaking countries, with Brussels as one of the leading centers. Since the movement was initiated by and closely related to literature, poetry and music, symbolist painters often chose their motives from these areas. The style is characterized as: "refined, elegant, subtle, intellectual, and elitist".

Theme

The motif is inspired from one of the main characters in Orlando Furioso, Roger (Ruggiero) the 16th century Italian romantic epic poem by Ludovico Ariosto, a poem that has exerted a wide influence in the European literature. In love with the Christian woman Bradamante, who is a warrior and knight herself. The two lovers are separated many times in the story. Roger, originally a Muslim warrior fighting the Franks, has himself baptized to be able to marry Bradamante, who refuses otherwise to marry him. Both Roland (Orlando) and Rinaldo are in love with the Chinese princess Angelica.

In the tenth canto of the poem, Roger is riding in Brittany on a hippogriff when he discovers Angelica, naked and chained to a rock, who has been bound there a sacrifice to a water-dwelling orc and saves her.

References

Roger Freeing Angelica (Böcklin) Wikipedia