Roger Doyle

Education

Doyle studied piano from the age of nine. After leaving school he attended the Royal Irish Academy of Music for three years, studying composing, during which time he was awarded two composition scholarships. He also studied at the Institute of Sonology at the University of Utrecht in the Netherlands and the Finnish Radio Experimental Music Studio on scholarships.

Early work

Doyle began as a drummer with Supply Demand and Curve and Jazz Therapy, playing free improvisatory and fusion music. He composed the album Rapid Eye Movements, including the work Fin-estra, as his attempt at a "masterpiece before the age of thirty". He released his first LP, Oizzo No, in 1975, and his second, Thalia, in 1978 on CBS Classics. Rapid Eye Movements (1981) was his third LP.

Electro-acoustic and other work

Doyle began his magnum opus, Babel, in 1989 – a 5-CD set that took ten years to compose. Each track corresponds to a 'room' or place within an imagined giant tower city, a kind of aural virtual reality. It celebrates the multiplicity of musical language. 103 pieces of music were composed for it and he worked with 48 collaborators. From 2002 to 2007 he worked on the three-volume electronic work Passades. 21 albums of his music have been released.

Doyle has also composed scores for several films including Budawanny, Pigs and the documentary Atlantean by Bob Quinn.

In 2013 he founded META Productions with opera director Eric Fraad, committed to exploring new forms of opera for the 21st century and creating works that live within the best traditions of opera and reformulating these in innovative and unique ways. His most recent work is the opera Heresy. Originally titled The Death by Fire of Giordano Bruno, act I was performed as part of a fully staged concert of Doyle's works at both the Kilkenny Arts Festival and in the Dublin Theatre Festival 2013. Heresy will be presented as part of 'Project 50', a season of work celebrating 50 years of Project Arts Centre 28 October – 5 November 2016. Heresy is an ambitious, contemporary electronic opera based on episodes from the life and works of Giordano Bruno and the first opera by Doyle, with a libretto by noted playwright and dramaturg Jocelyn Clarke and directed by Eric Fraad, with set and costume design by Bruno Schwengl and lighting design by Kevin McFadden. The cast includes Caitríona O'Leary, Daire Halpin, Morgan Crowley, and Robert Crowe.

Theatre

Doyle founded the music theatre company Operating Theatre with Irish actress Olwen Fouéré. They produced many important site-specific productions, including Passades, Here Lies and Angel/Babel, all featuring Doyle's music as equal partner in the theatrical environment. With Icontact Dance Company, Doyle produced Tower of Babel – Delusional Architecture, featuring as much of Babel as he had composed by then. This work was originally performed in a whole wing of the Irish Museum of Modern Art in 1992. Arguably Doyle's most famous theatre work is the music he wrote and performed for the Steven Berkoff version of the Oscar Wilde play Salome which played in Dublin's Gate Theatre, in London's West End and on three world tours. The Irish Times noted that "his name is revered in the realm of theatre".

Critical reception

Doyle's works Four Sketches and All the Rage were awarded second and first prizes in the Dublin Symphony Orchestra composition competition in 1970 and 1974 respectively. He has won the Programme Music Prize (1997) and the Magisterium Award (2007) at the Bourges International Electro-Acoustic Competition in Bourges, France. He also received the Irish Arts Council's Marten Toonder Award in 2000 in recognition of his innovative work as a composer. Doyle is a member of Aosdána, and has recently been made Adjunct Professor of Music at Trinity College Dublin.

The Irish Times described his album Chalant – Memento Mori as "a richly rewarding work that runs the full, glorious gamut of human emotion". It was Album of the Week on 30 March 2012 in the same paper.

Babel was re-released in 2013 and received this review from Fanfare Magazine (USA), January 2014: "This is a phenomenal listening experience of Wagnerian dimensions ─ and, arguably, Wagnerian ambitions. The whole concept is amazing [...] an impeccably imagined alternative world experience. Fascinating, and well worth the time required to properly immerse oneself in the weird and wonderful contents of Roger Doyle's head."

Influences

As a teenager Doyle was influenced by Stravinsky, Debussy, Pierre Henry and The Beatles.

Selected discography