Red Cross (EP)

Background

On August 29, 1979, the day after Ron Reyes joined them on drums, replacing Johh Stielow, McDonald brothers' middle school punk rock band, the Tourists, changed their name to Red Cross. A few days later, they went into a recording studio for their first time, accompanied by Joe Nolte, leader of Los Angeles rock band the Last, who produced their session at Media Art Studio in Hermosa Beach, California on September 6, 1979. However, when Red Cross signed with Posh Boy Records, its owner, Robbie Fields, didn't like the Nolte recordings, and insisted that most of the songs be redone.

Only one of the cuts from the Nolte session would be later released. "Rich Brat" was featured on the 1982 New Underground Records compilation album Life Is Ugly So Why Not Kill Yourself.

"By September [1979], Red Cross had saved up enough money to record a demo, booking some time at Media Arts for their first recording session. "I came home one night, real tired, and all I wanted to do was curl up and go to sleep," ... "They said, 'We're going to the studio tonight, and we don't know what to do.' So I ended up producing the session, after drinking three cups of coffee. We had fun, and they sounded good, and I sorta liked the recordings. Their label, Posh Boy, hated them though, and made them record everything again."

In 1980, six tracks from the Posh Boy recording session were included on The Siren, a sampler LP shared with San Francisco power pop band 391, and Salt Lake City punk rock act Spittin' Teeth. The album, released on Posh Boy, was the recording debut for Red Cross. The Red Cross EP would be a re-release of their six songs featured on The Siren compilation.

Production

All songs on Red Cross were recorded with producer and engineer Roger Harris at the Shelter Studios in Hollywood, California on October 1, 1979. The mixing was done at Paradise Studios in Burbank, California.

Release

Red Cross was first released in 1980 on Posh Boy Records, in 12-inch vinyl disc format. The first pressing, without any cover art, came with pinkish-red labels and packaged in a generic, multicolored die-cut record sleeve.

Reissues

In 1981, Red Cross was included, in its entirety, on the rare cassette tape version of the Beach Blvd compilation issued by Posh Boy Records.

By 1985, Red Cross was re-released featuring its own cover art, and disc labels printed in black and red on a silver background. This same edition was repressed the year after.

A new repressing was released in 1987, featuring disc labels printed in black on a silver background and packaged in a generic record company sleeve as the original release.

In 1987, Posh Boy repackaged The Future Looks Bright, a sampler album originally produced by the label, jointly with SST Records, in 1981. Retitled as The Future Looks Brighter, this edition featured only artists from the Posh Boy roster. The complete Red Cross EP was added to the CD version.

In late 1987, the EP was reissued under the title Annette's Got the Hits, featuring alternate cover art but keeping the same catalog number and the old disc labels from the 1985 re-release.

In 1990, Posh Boy issued the single "Cover Band", bundled with "Burn Out" on its flip side.

In 1991, Annette's Got the Hits was included in the numbered 3-EP box set The Posh E.P.'s Vol. 1, in conjunction with Stepmothers' 1981 EP All Systems Go and an untitled six-track EP featuring Social Distortion's early songs recorded in 1981.

Cover art

The original album cover of Red Cross, also referred to as "the red cover", shows the band's name on a red background, written, with its original spelling, in uppercase white letters resembling strips of medical tape.

On the cover art for Annette's Got the Hits, a photomontage in sepia, portraying the four band members performing live, is displayed on a dark grey background. The original spelling of the group's name is changed to "Redd Kross".

Re-recordings

After Greg Hetson left Red Cross to join the Circle Jerks in December 1979, a controversial alternate version of his song "Cover Band", reworked with new lyrics by Keith Morris, was featured as "Live Fast Die Young" on his new band's first studio album, Group Sex, released in October 1980 on Frontier Records.