6.4 /10 1 Votes
Written by Nicholas Udall Original language English Setting London Place premiered London | 3.2/5 Goodreads Date premiered 1550s Playwright Nicholas Udall Genre Comedy | |||||||||||||||||||||||||||||||||
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Characters Ralph Roister Doister; Matthew Merrygreeke; Dobinet Doughty; Harpax; Christian Custance; Madge Mumblecrust; Tibet Talkapace; Annot Alyface; Trupenny; Gawyn Goodluck; Tristram Trustie; Sym Suresby; Scrivener Similar Gorboduc, The Spanish Tragedy, Every Man in His Humour, Friar Bacon and Friar Bungay, Tamburlaine | ||||||||||||||||||||||||||||||||||
07 ralph roister doister part 1
Ralph Roister Doister is a play by Nicholas Udall, which was once regarded as the first comedy to be written in the English language.
Contents
- 07 ralph roister doister part 1
- Roister doister act 1 scene 1
- Plot
- Characters
- Performance History
- References
The date of its composition is disputed, but the balance of opinion suggests that it was written in about 1552, when Udall was a schoolmaster in London, and some theorize the play was intended for public performance by his pupils - who were all male, as were most actors in that period. The work was not published until 1567, eleven years after its author's death.
Roister doister act 1 scene 1
Plot
The play is written in five acts. The plot of the play centres on a rich widow, Christian Custance, who is betrothed to Gawyn Goodluck, a merchant. Ralph Roister Doister is encouraged throughout by a con-man trickster figure (Matthew Merrygreeke) to woo Christian Custance, but his pompous attempts do not succeed. Ralph then tries with his friends and servants (and Merrygreek's behest) to break in and take Christian Custance by force, but they are defeated by her maids and run away. The merchant Gawyn arrives shortly after and the play concludes happily with reconciliation, a prayer and a song.
Characters
Performance History
A generally accepted theory is that the play was first written for public performance by boys at the London school where Udall was master, though no recorded historical afterlife for the play in performance exists. Though amateur and student groups have presented readings and edited stagings sporadically throughout the 20th century (specifically a 1953 presentation by Oxford University students at the Edinburgh festival), and three heavily edited adaptations of the play appeared in the 1930s, 1960s, and 1980s, respectively, the play did not have a full professional revival until 2015, when Brice Stratford directed an uncut production under original performance conditions for the Owle Schreame theatre company, also playing the title character.