Girish Mahajan (Editor)

Ragas in the Guru Granth Sahib

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A raga is a complex structure of musical melody used in the Indian classical music. It is a set of rules of how to build a melody which can ignite a certain mood in the reciter and listeners. The Sikh holy book, Guru Granth Sahib, is composed in and divided by 31 ragas. Each raga is a chapter or section in the Guru Granth Sahib starting with Shree raag, and all the hymns produced in Shree raag are found in this section ordered chronologically by the Guru or other Bhagat that have written hymns in that raga.

Contents

List of ragas used in the Guru Granth Sahib

The following are the ragas that are used in the Guru Granth Sahib:

Raga: melodic scales

Ragas have a direct relationship to human moods and the following are the connections between Ragas and feeling:

  1. Soohi – joy and separation
  2. Bilaaval – happiness
  3. Gaund – strangeness, surprise, beauty
  4. Sri – satisfaction and balance
  5. Maajh – loss, beautification
  6. Gauri – seriousness
  7. Aasa – making effort
  8. Gujri – satisfaction, softness of heart, sadness
  9. Devgandhari – no specific feeling but the Raag has a softness
  10. Bihaagra – beautification
  11. Sorath – motivation
  12. Dhanasari – inspiration, motivation
  13. Jaitsree – softness, satisfaction, sadness
  14. Todi – this being a flexible Raag it is apt for communicating many feelings
  15. Bhairaagi – sadness, (The Gurus have, however, used it for the message of *Bhakti)
  16. Tilang – this is a favourite Raag of Muslims. It denotes feeling of beautification and yearning.
  17. Raamkali – calmness
  18. Nat Narayan – happiness
  19. Maali Gaura – happiness
  20. Maaru – giving up of cowardice
  21. Tukhari – beautification
  22. Kedara – love and beautification
  23. Bhairav – seriousness, brings stability of mind
  24. Basant – happiness
  25. Sarang – sadness
  26. Malaar – separation
  27. Jaijawanti – viraag
  28. Kalyaan – Bhakti Ras
  29. Vadhans – vairaag, loss (that is why Alahniya is sung in this Raag when someone passes away)
  30. Parbhati – Bhakti and seriousness
  31. Kaanra – Bhakti and seriousness

In addition to raag names, there exists an indication in the titles of hymns called ghar. The precise meaning of ghar is not fully understood, although recent research proposes it refers to raag variants.

References

Ragas in the Guru Granth Sahib Wikipedia