Opened 2003 Phone +1 213-237-2800 Architect Frank Gehry | Capacity 270 (est.) Founded 2003 Parent organization Tank Sports Inc | |
Type Theatre, gallery, art center Address 631 W 2nd St, Los Angeles, CA 90012, USA Similar Walt Disney Concert, Museum of Contemporary Art - Los A, Hammer Museum, Dorothy Chandler Pavilion, Mark Taper Forum Profiles | ||
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REDCAT (Roy and Edna Disney/CalArts Theater) is an interdisciplinary contemporary arts center for innovative visual, performing and media arts in downtown Los Angeles, located inside the Walt Disney Concert Hall complex. Opened in November 2003 as the initial professional presenting arm of CalArts, REDCAT has since garnered a reputation for groundbreaking theater and a worldwide arts following as a launching platform for up-and-coming local artists, and for introducing internationally acclaimed productions and exhibitions to L.A. audiences that are often premiering on the West Coast for the first time.
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Programs
Facility
The art center consists of a 3,000-square-foot (280 m2) gallery space with revolving exhibitions, a 200–270-seat flexible black box theater, and a lounge cafe/bar hosting public conversations and a bookstore offering diverse art publications.
History
As the Walt Disney Concert Hall came under construction in 1992, Roy E. Disney, son of Roy O. and Edna Disney, saw an opportunity for California Institute of the Arts in Valencia, CA to have a presence downtown. With the approval of The Walt Disney Company's Board of Directors and support from the County of Los Angeles, the project's lead architect, Frank Gehry, whose children also graduated from CalArts, was tasked to design the new venue. Roy Disney and his wife Patty personally matched the Disney Company gift for REDCAT's construction and, to extend the memory of Roy O. Disney who built The Walt Disney Company with Walt and oversaw the construction of CalArts' campus, dedicated the new art center to his parents' name. CalArts President Steven D. Lavine cites the pairing of high caliber renegade experimentation and a social space for artist-community engagement, especially those in London (e.g. The Cottesloe Theatre as part of the Royal National Theatre), as a pointed consideration for the venue design and its conception as an institutional laboratory.
Mark Murphy was brought on board as executive director of REDCAT to guide the vision of the new organization. He observed a dearth of interdisciplinary art spaces in Los Angeles the likes of Yerba Buena Center for the Arts, Wexner Center for the Arts, and the Walker Art Center, or the Alte Oper in Frankfurt and the Hebbel am Ufer in Berlin. This impetus propelled initiatives for commissioned works, artist residencies, collaborations, and public programs to facilitate dialogue on the creative city within the world arts arena.