Rundata ID Ög 136 City/Village Rök Runemaster Varinn Region Östergötland | Country Sweden Produced 800 Address V, Ödeshög, Sweden | |
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Similar Alvastra Abbey, Omberg, Ellen Keys Strand, Grabado Ramsund, Karlevi Runestone Profiles | ||
The r k runestone with english translation theodoric the great
The Røk Runestone (Swedish: Rökstenen; Ög 136) is one of the most famous runestones, featuring the longest known runic inscription in stone. It can now be seen beside the church in Rök (between Mjölby and Ödeshög, close to the E4 and Lake Vättern and Tåkern), Östergötland, Sweden. It is considered the first piece of written Swedish literature and thus it marks the beginning of the history of Swedish literature.
Contents
Are the poneglyphs based of the nordic r k runestone one piece theory
About the stone
The stone was discovered built into the wall of the church in the 19th century and removed from the church wall a few decades later. The church was built in the 12th century, and it was common to use rune stones as building material for churches. The stone was probably carved in the early 9th century, judging from the main runic alphabet used ("short-twig" runes) and the form of the language. It is covered with runes on five sides, all except the base part that was to be put under ground. A few parts of the inscription are damaged, but most of it remains readable.
The name "Rök Stone" is something of a tautology: the stone is named after the village, "Rök", but the village is probably named after the stone, "Rauk" or "Rök" meaning "skittle-shaped stack/stone" in Old Norse.
The stone is unique in a number of ways. It contains a fragment of what is believed to be a lost piece of Norse mythology. It also makes a historical reference to Ostrogothic king (effectively emperor of the western Roman empire) Theodoric the Great. It contains the longest extant pre-Christian runic inscription - around 760 characters, and it is a virtuoso display of the carver's mastery of runic expression.
The inscription is partially encrypted in two ways; by displacement and by using special cipher runes. The inscription is intentionally challenging to read, using kennings in the manner of Old Norse skaldic poetry, and demonstrating the carver's command of different alphabets and writing styles (including code). The obscurity may perhaps even be part of a magic ritual.
Recently, it has been proposed that the inscription has nothing at all to do with the recording of heroic sagas and that it contains riddles which refer only to the making of the stone itself.
Inscription
This is a transliteration of the runes:
aft uamuþ stonta runaʀ þaʀ n uarin faþi faþiʀ aft faikion sunu sakum| |mukmini þat huariaʀ ualraubaʀ uaʀin tuaʀ þaʀ suaþ tualf sinum uaʀin| |numnaʀ t ualraubu baþaʀ somon o umisum| |monum ' þat sakum onart huaʀ fur niu altum on urþi fiaru miʀ hraiþkutum auk tu miʀ on ub sakaʀ raiþ| |þiaurikʀ hin þurmuþi stiliʀ flutna strontu hraiþmaraʀ sitiʀ nu karuʀ o kuta sinum skialti ub fatlaþʀ skati marika þat sakum tualfta huar histʀ si kunaʀ itu| |uituoki on kunukaʀ tuaiʀ tikiʀ suaþ o likia ' þat sakum þritaunta huariʀ tuaiʀ tikiʀ kunukaʀ satin t siulunti fiakura uintur at fiakurum nabnum burnʀ fiakurum bruþrum ' ualkaʀ fim ra=þulfs| |suniʀ hraiþulfaʀ fim rukulfs| |suniʀ hoislaʀ fim haruþs suniʀ kunmuntaʀ fim (b)irnaʀ suniʀ * nuk m--- (m)-- alu --(k)(i) ainhuaʀ -þ... ...þ ... ftiʀ fra sagwm| |mogmeni (þ)ad hOaʀ igOldga Oaʀi gOldin d gOonaʀ hOsli sakum| |mukmini uaim si burin| |niþʀ troki uilin is þat knuo knati| |iatun uilin is þat (n)(i)(t) akum| |mukmini þur sibi uiauari ul niruþʀ
This is a transcription of the runes in early 9th century Old East Norse (Swedish and Danish) dialect of Old Norse:
Aft Wǣmōð/Wāmōð stąnda rūnaʀ þāʀ. Æn Warinn fāði, faðiʀ, aft fæigjąn sūnu. Sagum mōgminni/ungmænni þat, hwærjaʀ walraufaʀ wāʀin twāʀ þāʀ, swāð twalf sinnum wāʀin numnaʀ at walraufu, bāðaʀ sąmąn ą̄ ȳmissum mąnnum. Þat sagum ąnnart, hwaʀ fur nīu aldum ą̄n urði/yrði fjaru meðr Hræiðgutum, auk dō meðr hann umb sakaʀ. Rēð Þjoðrikʀ hinn þurmōði, stilliʀ flutna, strąndu Hræiðmaraʀ. Sitiʀ nū garwʀ ą̄ guta sīnum, skjaldi umb fatlaðʀ, skati Mǣringa. Þat sagum twalfta, hwar hæstʀ sē Gunnaʀ etu wēttwąngi ą̄, kunungaʀ twæiʀ tigiʀ swāð ą̄ liggja. Þat sagum þrēttaunda, hwariʀ twæiʀ tigiʀ kunungaʀ sātin at Sjolundi fjagura wintur at fjagurum nafnum, burniʀ fjagurum brø̄ðrum. Walkaʀ fimm, Rāðulfs syniʀ, Hræiðulfaʀ fimm, Rugulfs syniʀ, Hāislaʀ fimm, Hāruðs syniʀ, Gunnmundaʀ/Kynmundaʀ fimm, Bjarnaʀ syniʀ. Nū 'k m[inni] m[eðr] allu [sa]gi. Æinhwaʀʀ ... [swā]ð ... æftiʀ frā. Sagum mōgminni/ungmænni þat, hwaʀ Inguldinga wāʀi guldinn at kwą̄naʀ hūsli. Sagum mōgminni/ungmænni, hwæim sē burinn niðʀ dræ̨ngi. Wilinn es þat. Knūą/knyią knātti jatun. Wilinn es þat ... Sagum mōgminni/ungmænni: Þōrr. Sibbi wīawæri ōl nīrø̄ðʀ.
This is a transcription of the runes in the classic 13th century Old West Norse (Norwegian and Icelandic) dialect of Old Norse:
Eptir Vémóð/Vámóð standa rúnar þær. En Varinn fáði, faðir, eptir feigjan son. Sǫgum múgminni/ungmenni þat, hverjar valraufar væri tvær þær, svát tolf sinnum væri numnar at valraufu, báðar saman á ýmissum mǫnnum. Þat sǫgum annat, hverr fyrir níu ǫldum án yrði fjǫr með Hreiðgotum, auk dó meðr hann umb sakar. Réð Þjóðríkr hinn þormóði, stillir flotna, strǫndu Hreiðmarar. Sitr nú gǫrr á gota sínum, skildi umb fatlaðr, skati Mæringa. Þat sǫgum tolfta, hvar hestr sé Gunnar etu véttvangi á, konungar tveir tigir svát á liggja. Þat sǫgum þrettánda, hverir tveir tigir konungar sæti at Sjólundi fjóra vetr at fjórum nǫfnum, bornir fjórum brœðrum. Valkar fimm, Ráðulfs synir, Hreiðulfar fimm, Rugulfs synir, Háislar fimm, Hǫrðs synir, Gunnmundar/Kynmundar fimm, Bjarnar synir. Nú'k m[inni] m[eð] ǫllu [se]gi. Einhverr ... [svá]t ... eptir frá. Sǫgum múgminni/ungmenni þat, hvar Ingoldinga væri goldinn at kvánar húsli. Sǫgum múgminni/ungmenni, hveim sé borinn niðr drengi. Vilinn er þat. Knúa/knýja knátti jǫtun. Vilinn er þat ... Sǫgum múgminni/ungmenni: Þórr. Sibbi véaveri ól nírœðr.
Translation
The following is one translation of the text: most researchers agree on how the runes have been deciphered, but the interpretation of the text and the meaning are still a subject of debate. The first part is written in ljóðaháttr meter, and the part about Theoderic is written in the fornyrðislag meter. (See alliterative verse for an explanation of these meters.)
Interpretation
Apart from the mentioned Theodoric, Gunnr and the Norse god Thor, the people and mythological creatures mentioned are unknown to us. Some interpretations have been suggested:
The two war-booties are likely to be two precious weapons, such as a sword and a shield or a helmet. Several stories like these exist in old Germanic poems.
The Hreidgoths mentioned are a poetic name for the Ostrogoths, appearing in other sources. To what sea the name Hreiðsea referred is unknown. Considering the location of the Ostrogoths at the time of Theoderic, it should be a name for the Mediterranean.
The part about Theodoric (who died in 526 A.D.) probably concerns the statue of him sitting on his horse in Ravenna, which was moved in 801 A.D. to Aachen by Charlemagne. This statue was very famous and portrayed Theodoric with his shield hanging across his left shoulder, and his lance extended in his right hand. The Mærings is a name for Theodoric's family. According to the old English Deor poem from the 10th century, Theodoric ruled the "castle of the Mærings" (Ravenna) for thirty years. The words about Theodoric may be connected to the previous statement, so the stone is talking about the death of Theodoric: he died approximately nine generations before the stone was carved, and the church considered him a cruel and godless emperor, thus some may have said that he died for his guilt. The dead person may just as well be someone else though.
Gunnr whose "horse sees fodder on the battlefield" is presumably a Valkyrie (previously known from Norse mythology), and her "horse" is a wolf. This kind of poetic license is known as kenning in the old Norse poetry tradition.
The story about the twenty kings says that the twenty were four groups of five brothers each, and in each of these four groups, all brothers shared the same names, and their fathers were four brothers (4 × 5 = 20). This piece of mythology seems to have been common knowledge at the time, but has been totally lost. The Sjólund is similar to the name given to Roslagen by Snorri Sturluson but it has often been interpreted as Sjælland (nowadays a part of Denmark).
Starting with the Ingold-part, the text becomes increasingly hard to read. While the first part is written in the 16 common short-twig runes in the younger fuþark, Varinn here switches over to using the older 24-type elder fuþark and cipher runes. It has been assumed that this is intentional, and that the rows following this point concern legends connected specifically to Varinn and his tribe.
After the word It is Vélinn ... follows the word Nit. This word is yet uninterpreted, and its meaning is unclear.
In the last line, the carver invokes the god Thor and then he says that Sibbi "of the shrine" got a son at the age of ninety. Since Thor is evoked before telling about Sibbi's connection with the sanctuary and his potency at old age, it may be a recommendation that being a devout worshipper is beneficial.
Although much in the inscription is difficult to understand, its structure is very symmetrical and easy to perceive: it consists of three parts of (roughly) equal length, each containing two questions and one more or less poetic answer to those questions. As Lars Lönnroth and, after him, Joseph Harris have argued, the form is very similar to the so-called "greppaminni", a sort of poetic riddle game presented by Snorri Sturluson in his Prose Edda.
Speculation
There have been numerous speculations written about the stone and its purpose. The most common include: