|Name Qu Yuan|
|Died 278 BC, Miluo River|
|Occupation Poet, government minister|
Poems Li Sao, The Nine Songs, Yuan You, Bu Ju, Lament for Ying
Books Li Sao, Chu Ci, Tian Wen: A Chinese Book of O, The Nine Songs, Li Sao and Other Poems
Similar People Zhang Yi, Song Yu, Guo Moruo, Liu Xiang, Arthur Waley
Qu yuan father of chinese poetry
Qu Yuan (c. 340–278 BC) was a Chinese poet and minister who lived during the Warring States period of ancient China. He is known for his patriotism and contributions to classical poetry and verses, especially through the poems of the Chu Ci anthology (also known as The Songs of the South or Songs of Chu): a volume of poems attributed to or considered to be inspired by his verse writing. Together with the Shi Jing, the Chu Ci is one of the two greatest collections of ancient Chinese verse. He is also remembered as the supposed origin of the Dragon Boat Festival.
- Qu yuan father of chinese poetry
- Dragon boat festival customs in zigui birthplace of chinese poet qu yuan
- Chu Ci
- Dragon Boat Festival
Historical details about Qu Yuan's life are few, and his authorship of many Chu Ci poems have been questioned at length. However, he is widely accepted to have written Li Sao, the most well-known of the Chu Ci poems. The first known reference to Qu Yuan appears in a poem written in 174 BC by Jia Yi, an official from Luoyang who was slandered by jealous officials and banished to Changsha by Emperor Wen of Han. While traveling, he wrote a poem describing the similar fate of a previous "Qu Yuan." Eighty years later, the first known biography of Qu Yuan's life appeared in Han Dynasty historian Sima Qian's Records of the Grand Historian, though it contains a number of contradictory details.
Dragon boat festival customs in zigui birthplace of chinese poet qu yuan
Sima Qian's biography of Qu Yuan in the Records of the Grand Historian (Shiji), though circumstantial and probably influenced greatly by Sima's own identification with Qu, is the only source of information on Qu's life. Sima wrote that Qu was a member of the Chu royal clan and served as an official under King Huai of Chu (reigned 328–299 BC).
During the early days of King Huai's reign, Qu Yuan was serving the State of Chu as its Left Minister. However, King Huai exiled Qu Yuan to the region north of the Han River, because corrupt ministers slandered him and influenced the king. Eventually, Qu Yuan was reinstated and sent on a diplomatic mission to the State of Qi. He tried to resume relations between Chu and Qi, which King Huai had broken under the false pretense of King Hui of Qin to cede territory near Shangyu.
During King Qingxiang's reign, Prime Minister Zilan slandered Qu Yuan. This caused Qu Yuan's exile to the regions south of the Yangtze River. It is said that Qu Yuan returned first to his home town. In his exile, he spent much of this time collecting legends and rearranging folk odes while traveling the countryside. Furthermore, he wrote some of the greatest poetry in Chinese literature and expressed deep concerns about his state. According to legend, his anxiety brought him to an increasingly troubled state of health. During his depression, he would often take walks near a certain well to look upon his thin and gaunt reflection in the water. This well became known as the "Face Reflection Well." On a hillside in Xiangluping (at present-day Zigui County, Hubei Province), there is a well that is considered to be the original well from the time of Qu Yuan.
In 278 BC, learning of the capture of his country's capital, Ying, by General Bai Qi of the state of Qin, Qu Yuan is said to have collected folktales and written the lengthy poem of lamentation called "Lament for Ying". Eventually, he committed suicide by wading into the Miluo River in today's Hunan Province while holding a rock. The reason why he took his life remained controversial and was argued by Chinese scholars for centuries.Typical explanations including martyrdom for his deeply beloved but falling motherland,which was suggested by the philosopher Zhu Xi of Song Dynasty, or feeling extreme despair to the situation of the politics in Chu while his lifelong political dream would never be realized.But according to Yu Fu, widely considered to be written by Qu himself or at least, a person who was very familiar with Qu, his suicide was an ultimate way to protect his innocence and life principles.
Qu Yuan is regarded as the first author of verse in China to have his name associated to his work, since prior to that time, poetic works were not attributed to any specific authors. He is considered to have initiated the so-called sao style of verse, which is named after his work Li Sao, in which he abandoned the classic four-character verses used in poems of Shi Jing and adopted verses with varying lengths. This resulted in poems with more rhythm and latitude in expression. Qu Yuan is also regarded as one of the most prominent figures of Romanticism in Chinese classical literature, and his masterpieces influenced some of the greatest Romanticist poets in Tang Dynasty such as Li Bai. During the Han Dynasty, Qu Yuan became established as a heroic example of how a scholar and official who was denied public recognition suitable to their worth should behave.
Chu was located in what is now the Yangzi River area of central China. At this time, Chu represented the southern fringe of the Chinese cultural area, having for a time been part of both the Shang Dynasty and the Zhou Dynasty empires; however, the Chu culture also retained certain characteristics of local traditions such as shamanism, the influence of which can be seen in the Chu Ci.
The Chu Ci was compiled and annotated by Wang Yi (died AD 158), which is the source of transmission of these poems and any reliable information about them to subsequent times; thus, the role which Qu Yuan had in the authoring, editing, or retouching of these works remains unclear. The Chu Ci poems are important as being direct precursors of the fu style of Han Dynasty literature. The Chu Ci, as a preservation of early literature, has provided invaluable data for linguistic research into the history of the Chinese language, from Chen Di on.
Following his suicide, Qu Yuan was sometimes revered as a water god, including by Taiwanese Taoists, who number him among the Kings of the Water Immortals.
In the People's Republic of China, Qu Yuan came to be regarded as a prime example of patriotism. His social idealism and unbending patriotism have served as the model for Chinese intellectuals to this day, particularly following the establishment of new China in 1949. For example, in the 1950s China issued a postage stamp bearing an image of Qu Yuan.
Dragon Boat Festival
Popular legend has it that villagers carried their dumplings and boats to the middle of the river and desperately tried to save Qu Yuan after he immersed himself in the Miluo but were too late to do so. However, in order to keep fish and evil spirits away from his body, they beat drums and splashed the water with their paddles, and they also threw rice into the water both as a food offering to Qu Yuan's spirit and also to distract the fish away from his body. However, the legend continues, that late one night, the spirit of Qu Yuan appeared before his friends and told them that he died because he had taken himself under the river. Then, he asked his friends to wrap their rice into three-cornered silk packages to ward off the dragon.
These packages became a traditional food known as zongzi, although the lumps of rice are now wrapped in leaves instead of silk. The act of racing to search for his body in boats gradually became the cultural tradition of dragon boat racing, held on the anniversary of his death every year. Today, people still eat zongzi and participate in dragon boat races to commemorate Qu Yuan's sacrifice on the fifth day of the fifth month of the traditional lunisolar Chinese calendar. The countries around China, such as Vietnam and Korea, also celebrate variations of this Dragon Boat Festival as part of their shared cultural heritage.