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Psalm 19 is the 19th psalm in the Book of Psalms (the 18th in the Septuagint numbering). It is ascribed to David.
Contents
- Background and description
- Verses 16 The glory of God
- Verses 711 The law sweeter than honey
- Verses 1214 Davids prayer to the LORD
- Musical settings
- Judaism
- In the Catholic Church
- References
The psalm considers the glory of God in creation, and moves to reflect on the character and use of "the law of the LORD". A comparison is made between the law and the sun, which lends a degree of unity to the psalm. C. S. Lewis suggested that in verse 7, the Psalmist starts talking about something else, "which hardly seems to him like something else because it is so like the all-piercing, all-detecting sunshine." Like the Sun, the law is able to uncover hidden faults, and nothing can hide from it. As the Psalmist meditates on the excellencies of the law, he feels that his sins have been laid open before God's word, and asks for forgiveness and help.
Background and description
According to the text, Psalm 19 was composed by king David. Psalm 19 is said as part of the preliminary Jewish service on Saturday (Sabbath) mornings and also at festivals. Parts of it are quoted in the New Testament Epistle to the Romans. Even though there only are 14 verses, they cover topics of central importance to the author's faith. He uses similes and metaphorical phrases to describe the purity of the law. C. S. Lewis said of Psalm 19: "I take this to be the greatest poem in the Psalter and one of the greatest lyrics in the world."
Verses 1–6: The glory of God
(Note: Some Hebrew versions number the title or preface text as verse 1, with other verses one number higher, for a total of fifteen verses. This article follows the numbering used in most English translations.)
The opening verses of Psalm 19 present the heavenly bodies and their movement as a universal witness to the glory of God that is understood by people of every language. The language connects day and night as a continuous presentation. The words suggest energy, strength, joy, and light.
Some commentators have suggested that the author may have used ideas from the literature of the proto-Phoenicians, who worshiped heavenly bodies such as the Sun. However, others point out that the belief in one God is not in doubt here because the author specifically says that the heavens and the things in them were made by his God.
This idea is recalled in the book of Romans: "For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse:" (Romans 1:20) Paul the Apostle later cites Psalm 19:4 as a prophecy about the universal spread of the awareness of Jesus Christ as the expected Messiah.
Verses 7–11: The law – sweeter than honey
In verses 7–11 the law of the LORD, that is the Torah, is presented as another source of revelation about God's character and expectations. The instructions are referred to as "direct" from the Hebrew yesharim meaning to make straight, smooth, right or upright. One commentator's interpretation indicates that since this law shows a person what to do and keep in mind, what to avoid, how to please God, and what help he can expect from God, they are highly desirable and valuable.
The description of the law as radiant and enlightening ties the earlier references to the lights of nature to the character of God and to his laws as revealing truths. The Torah is associated with light in other passages as well, such as Proverbs 6:23 "For the commandment is a lamp; and the law is light; and reproofs of instruction are the way of life:"
Verses 12–14: David's prayer to the LORD
Verse 14 is used as part of the conclusion of the Amidah, the main daily prayer in Judaism.
As the author spends time thinking about God's demands, he realizes that his own actions and thoughts fall short of this law that he loves. The author prays to be kept from sins of ignorance as well as deliberate sins. He also asks that his words and thoughts be pleasing to God.
Musical settings
Psalm 19 has been set to music several times. Notable settings to the German text include Heinrich Schütz in Die Himmel, Herr, preisen Dein göttliche Macht und Ehr, SWV 115 (1628), Johann Sebastian Bach in the cantata Die Himmel erzählen die Ehre Gottes, BWV 76 (1723), Joseph Haydn in the chorus at the end of part 1 of his oratorio The Creation (1798), Ludwig van Beethoven in his 1803 song for voice and piano, "Die Himmel rühmen des Ewigen Ehre".
Judaism
In the Catholic Church
In the Rule of Saint Benedict, the psalm was to be recited at Prime on Saturdays.