Year 1610 (1610) Accession 267 Created 1610 | Medium Oil on canvas Artist Frans Hals | |
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Catalogue Hofstede de Groot, Catalog 1910: #382 Dimensions 94.2 cm × 71,1 cm (37.1 in × 280 in) Location Chatsworth House, Derbyshire Frans Hals artwork Cunera van Baersdorp, Catharina Brugmans, Hylck Boner, Portrait of a Man in a Yellowish, Maritge Claesdr Voogt | ||
Portrait of a Woman Standing is a painting by the Dutch Golden Age painter Frans Hals, painted in 1610–1615 and now in Chatsworth House. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Contents
Painting
This painting was documented by Hofstede de Groot in 1910, who wrote: " PORTRAIT OF A WOMAN STANDING. B. 145 ; M. 197. Almost three-quarter-length. She is turned three-quarters left, and looks at the spectator. Her left hand grasps her gold chain ; the right hand is extended before her. She wears a lace-trimmed cap, a black silk dress, a ruff, and lace wristbands. To the left is a coat-of-arms, which has been repainted. This is not, as has been assumed, a pendant to 287. It was painted about the years 1630-35. Inscribed near the coat-of-arms, "aeta suae 37" ; panel, 37 inches by 28 inches (within the frame). Exhibited at the Whitechapel Art Gallery, London, 1904, No. 284. In the collection of the Duke of Devonshire, London.
In 1974 Seymour Slive listed the painting as the pendant of A Man Holding a Skull and claimed then that despite cleaning of the coat of arms and recent documents the provenance was still inconclusive, and he read the inscription as "aeta suae 31", leading him to conclude the woman was aged 31 at marriage rather than 37. Slive felt the painting could be dated to Hals' earliest period but felt there was too little "Hals juvenalia" to date it with certainty before 1610. In 1989 Claus Grimm listed it again as a pendant of the Man Holding a Skull but felt that it may have been painted somewhat later, but agreed with Slive that the period was before 1620.
Possible pendants
The possible pendants of this painting are