Plaza Suite (film)

Plot

Like the play, the film is divided into three acts, all set in Suite 719 of New York City's Plaza Hotel. The first focuses on not-so-blissfully wedded couple Sam and Karen Nash, who are revisiting their honeymoon suite in an attempt - by Karen - to bring the love back into their marriage. Her plan backfires and the two become embroiled in a heated argument about whether Sam is having an affair with his secretary Miss McCormack. Sam eventually walks out, allegedly to attend to urgent business, and Karen is left to reflect on how much things have changed since they were newlyweds.

The second act involves a meeting between Hollywood movie producer Jesse Kiplinger and his old flame, suburban housewife Muriel Tate. Muriel - aware of his reputation as a smooth-talking ladies' man - has come to the hotel for nothing more than a chat between old friends, promising herself she will not stay too long. Jesse, however, has other plans in mind and repeatedly attempts to seduce her.

The third act revolves around married couple Roy and Norma Hubley on the wedding day of their daughter Mimsey, who has locked herself in the suite's bathroom and stubbornly refuses to come out. The segment is filled with increasingly outrageous slapstick moments depicting her parents' frantic attempts to cajole her into attending her wedding while the gathered guests await the trio's arrival downstairs.

Cast

Production

In the Broadway production of the original play, all three couples were played by George C. Scott and Maureen Stapleton. For the film adaptation, director Arthur Hiller decided to cast Walter Matthau in the three male roles; he again used Stapleton, but only in the first segment, and instead used Barbara Harris in the second segment and Lee Grant in the third. Screenwriter Neil Simon was unhappy with the results. "I didn't like the cast. I didn't like the picture. I would only have used Walter in the last sequence and probably Lee Grant. I think Walter Matthau was wrong to play all three parts. That's a trick Peter Sellers can do." He continued, "I have to accept some of the blame for the film. I kept all the action in one room. It was rather confining. We could have gone into other suites. I didn't think it out, but I learned from that." Matthau would work with Lee Grant's daughter and future actress Dinah Manoff a decade later in I Ought to Be in Pictures

Critical reception

Channel 4 calls the film "a fine, if rather dated comedy, a kooky document of its times, and a clever meditation upon the effects of time upon love."

Awards and nominations

The film was nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy but lost to Fiddler on the Roof. Maureen Stapleton was nominated for the Golden Globe Award for Best Supporting Actress – Motion Picture but lost to Ann-Margret in Carnal Knowledge.

DVD release

The film was released on Region 1 DVD on November 25, 2003. It is in anamorphic widescreen format with audio tracks in English and French and subtitles in English.