Name Pietro Guglielmi | Role Opera composer | |
![]() | ||
Compositions Debora e Sisara, Debora e Sisara, La pastorella nobile, La pastorella nobile, La sposa fedele, La sposa fedele, Artajerjes, Artajerjes, Siroe - rey de Persia, Siroe - rey de Persia, Aecio, Aecio, La olimpiada, La olimpiada, Semiramis reconocida, Semiramis reconocida, Demetrio, Demetrio, Adriano en Siria, Adriano en Siria, Le vicende d'a, Le vicende d'a, Lo spirito di contradizione, Lo spirito di contradizione, Il ratto della sposa, Il ratto della sposa, Demofonte, Demofonte Similar People Pasquale Anfossi, Antonio Sacchini, Niccolo Piccinni, Valentino Fioravanti, Niccolo Antonio Zingarelli |
Pietro alessandro guglielmi 1728 1804 toccata per cembalo in do
Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer.
Contents
- Pietro alessandro guglielmi 1728 1804 toccata per cembalo in do
- Pietro alessandro guglielmi sonata i op iii in do mag
- Operas
- Oratorios cantatas serenatas
- References
Guglielmi was born in Massa. He received his first musical education from his father, and afterwards studied under Francesco Durante at the Conservatorio di Santa Maria di Loreto at Naples. His first operatic work, produced at Turin in 1755, established his reputation, and soon his fame spread beyond the limits of his own country, so that in 1762 he was called to Dresden to conduct the opera there. He remained for some years in Germany, where his works met with much success, but the greatest triumphs were reserved for him in England.
He went to London, according to Charles Burney, in 1768, but according to Francesco Florimo in 1772, returned to Naples in 1777. He continued to produce operas at an astounding rate, but was unable to compete successfully with the younger masters of the day. In 1793 he became maestro di cappella at St Peter's, Rome, where he died in 1804.
He was a very prolific composer of Italian dramma giocoso and commedia per musica operas, and there is in most of his scores a vein of humour and natural gaiety not surpassed by Domenico Cimarosa himself. In opera seria he was less successful. But here also he shows at least the qualities of a competent musician. Considering the enormous number of his works, his unequal workmanship and the frequent instances of mechanical and slipshod writing in his music need not surprise us.
He also wrote oratorios and miscellaneous pieces of orchestral and chamber music. Of his eight sons two at least acquired fame as musicians: Pietro Carlo Guglielmi (1763-1827), a successful imitator of his father's operatic style, and Giacomo Guglielmi, an excellent singer.
Pietro alessandro guglielmi sonata i op iii in do mag
Operas
See List of operas by Guglielmi.