The Piccirilli Brothers were a family of renowned marble carvers and sculptors who carved a large number of the most significant marble sculptures in the United States, including Daniel Chester French’s colossal Abraham Lincoln (1920) in the Lincoln Memorial, Washington, D.C.
In 1888, Giuseppe Piccirilli (1844–1910), a well-known stone carver and a veteran of Garibaldi's Unification war, brought his family to New York City from Massa di Carrara, in Tuscany, Italy. The entire family, father and six sons—Ferruccio (1864–19??), Attilio (1866–1945), Furio (1868–1949), Masaniello (1870–1951), Orazio (Horatio) (1872–1954) and Getulio (1874–1956)—were trained as marble cutters and carvers.
Although the Piccirilli Brothers were known primarily as architectural modelers and the carvers of other sculptors’ works, Attilio and Furio would further distinguish themselves as sculptors in their own right.
The family lived in a brownstone on 142nd Street in the Mott Haven section of the Bronx and set up a workshop next to their home that would eventually occupy an entire city block.
At that time most prominent sculptors would create their original work in clay. From that clay model a caster would generate a plaster model. The model would then be sent to the Piccirilli Brothers who would carve it from stone, typically marble, although limestone and granite were also used. The brothers became the carvers of choice for a large number of American sculptors of the time including Daniel Chester French and Paul Wayland Bartlett.
Besides their work as carvers the Piccirilli Brothers also created architectural detailing and embellishments for a large number of public and private buildings.
One of the great losses in American art history occurred when the Piccirilli Brothers studio quietly closed its doors and no move was made to secure their records, so the accounts of much of what they had accomplished was lost.
USS Maine National Monument, H. Van Buren Magonigle, architect, Atillio Piccirilli, sculptor 1913; Columbus Circle, New York City.
Firemen's Memorial, H. Van Buren Magonigle, architect, Atillio Piccirilli, sculptor figures of Courage and Duty 1913: Riverside Park at 100th Street, New York City
Much of the stonework on the California Building and the attached buildings at the Panama-California Exposition (1915).
Manitoba Legislative Building, 1919, Simon and Boddington, architects, figures of Sieur de La Vérendrye and Lord Selkirk, plus many architectural figures and details, Winnipeg, Manitoba
Riverside Church, Riverside Drive, NYC 1931
Washington Square Arch (1895), Stanford White, architect, New York City.
Spandrel figures (1895), Frederick MacMonnies, sculptor.
George Washington as Commander-in-Chief, Accompanied by Fame and Valor (1916), Hermon Atkins MacNeil, sculptor.
George Washington as President, Accompanied by Wisdom and Justice (1918), Alexander Stirling Calder.
New York Stock Exchange (1903), George B. Post , architect, New York City.
Pedimental sculpture: Integrity Protecting the Works of Man (1904), John Quincy Adams Ward and Paul Bartlett, sculptors
U.S. Custom House, Cass Gilbert, architect, New York City.
The Four Continents (1907), Daniel Chester French, sculptor
12 cornice statues (1907), Charles Grafly, Frederick Ruckstull, Augustus Lukeman, and other sculptors
Civic Virtue Fountain (1909), Frederick MacMonnies, sculptor, Thomas Hastings, architect. Originally created for New York City Hall Park, moved in 1941 to Queens Borough Hall, moved to Green-Wood Cemetery in 2012.
Pennsylvania State Capitol sculpture groups (1911), George Grey Barnard, sculptor, Joseph Miller Huston, architect, Harrisburg, Pennsylvania.
Brooklyn Museum, McKim, Mead, and White, architects, Brooklyn, New York City.
Pedimental sculpture: Science and Art (1913), Daniel Chester French and Adolph Alexander Weinman, sculptors
30 cornice figures (1913), Augustus Lukeman, Karl Bitter, Charles Keck, Janet Scudder, Herbert Adams, Carl Heber and others, sculptors,
Pedimental sculpture: Apotheosis of Democracy (1916), House of Representatives Wing, United States Capitol, Paul Bartlett, sculptor, Thomas U. Walter, architect, Washington, D.C.
New York Public Library, (1916) Carrère and Hastings, architects, New York City.
Pedimental sculptures: The Arts (1917) and History (1917), George Grey Barnard, sculptor
6 cornice figures (1917), each 11-foot-tall (3.4 m), Paul Wayland Bartlett, sculptor
2 lions (1911), flanking the entrance, Edward Clark Potter, sculptor.
Death and the Sculptor (1917), Daniel Chester French, sculptor, Metropolitan Museum of Art. Carved from French's 1893 plaster model.
Abraham Lincoln (1920), Daniel Chester French, sculptor, Lincoln Memorial, Washington, D.C.
DuPont Circle Fountain (1921), Daniel Chester French, sculptor, Henry Bacon, architect, Washington, D.C.
Tomb of the Unknowns (Tomb of the Unknown Soldier) (1931), Thomas Hudson Jones, sculptor, Lorimer Rich, architect, Arlington National Cemetery, Arlington, Virginia
