Suvarna Garge (Editor)

Philippine Center

Updated on
Share on FacebookTweet on TwitterShare on LinkedInShare on Reddit
Covid-19
Opened  10 May 1973
Philippine Center
Location  New York, New York 10036, United States
Ambassador  Maria Theresa B. Dizon-de Vega
Website  http://philippinecenterny.com http://www.newyorkpcg.org
Address  556 5th Ave, New York, NY 10036, USA
Hours  Open today · 9AM–5PMThursday9AM–5PMFriday9AM–5PMSaturdayClosedSundayClosedMonday9AM–5PMTuesday9AM–5PMWednesday9AM–5PMSuggest an edit
Similar  San Lorenzo Ruiz Cha, Deno's Wonder Wheel A, Ayala Museum, Cultural Center of the Philip, Our Lady of Pompeii Church

Philippine center stage dance company


The Philippine Center is a building that primarily houses the offices of the Philippine Consulate General in New York City. It is located at 556 Fifth Avenue, Manhattan, three blocks south of Rockefeller Plaza and north of the New York Public Library Main Branch in Bryant Park. In addition to housing the offices of the Consulate General, the Philippine Center also houses the Permanent Mission of the Philippines to the United Nations as well as the New York offices of both the Department of Trade and Industry and the Department of Tourism.

Contents

Since its early days, the Philippine Center been a venue for the Filipino-American community as well as hosting business meetings, forums, receptions and weekly art exhibits featuring Filipino art.

Philippine center stage brgy batasan hills ll


History

The Philippine Center was established by Presidential Decree No. 188 on May 10, 1973. It was purchased by the Philippine Government from the Knights of Columbus on October 29, 1973 at the cost of $2,250,000.00, with an additional $1,500,000.00 to buy out an existing lease on the building.

The building's legal owner is the Republic of the Philippines; offices of its national government housed within regularly began paying rentals to the Philippine Center in 1993, including nominal fees for the use of its function rooms.

On September 15, 2005, President of the Philippines HE Gloria Macapagal-Arroyo made a historic official visit to the Philippine Center, the first by a ruling Filipino head of state.

Structure

The Philippine Center has seven floors, with the Kalayaan Hall (Freedom Hall) which is the main reception hall. It also houses a hall annexe, an art exhibit area at the first floor lobby, and a library at the second floor. The upper floors are rented by offices belonging to the Government of the Republic of the Philippines.

Purpose

The Philippine Center was created to:

  • free up the old townhouse premises of the Philippine Consulate and Mission to the UN on East 66th Street so that then First Lady Imelda R. Marcos could buy the townhouse in a "closed sale;" and she could have her own prime Manhattan Upper Eastside residence at a privileged/insider price (i.e., it did not go to open bidding on the market).
  • consolidate, integrate and coordinate all activities in the New York area for all Philippine Government offices and agencies
  • nurture, promote and propagate Philippine culture
  • encourage foreign tourists to visit the Philippines
  • expand foreign markets of Philippine products
  • enhance the image of the Philippines
  • house within its premises all the offices and agencies in New York of the Philippine Government
  • Philippine Government offices

    The following government offices are housed in the New York Philippine Center:

  • The Philippine Consulate General in New York
  • The Philippine Mission to the United Nations
  • The Special Trade Representative
  • The Tourism Attache
  • The Commission on Audit (International Audit Division)
  • Art Collection

    From June 3–15, 2007, the Philippine Consulate-General and the Philippine Center Management Board exhibited the building's art collection for the first time in its 34 years of existence. The collection includes works by National Artists such as Hernando R. Ocampo, Vicente Manansala, Cesar Legaspi, Arturo Luz, Ang Kiukok and Jose Joya.

    The works of Manuel Rodriquez, the Father of Philippine Printmaking, Venancio C. Igarta, Hugo C. Yonzon II, Malang, Federico Aguilar Alcuaz, Angelito Antonio, Norma Belleza, Eduardo Castrillo and Juvenal Sanso were also displayed. The art collecting project of the New York Philippine Center begun since its opening on November 14, 1974. Some art masterpieces were donated by the artists themselves. The public exhibit was officially presented as Pamana: Modernong Sining (A Heritage of Modern Art), to celebrate the 109th anniversary of the Philippine Declaration of Independence.

    References

    Philippine Center Wikipedia


    Topics
     
    B
    i
    Link
    H2
    L