Name Philippe Destouches Libretti Les amours de Ragonde | Role Playwright | |
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Died July 4, 1754, Melun, France Books Le glorieux: Comedie en Vers 5 Actes, The Triple Marriage: A Comedy of One Act | ||
Philippe Nericault Destouches (9 April 1680 – 4 July 1754) was a French playwright who wrote 22 plays.
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Biography
Destouches was born at Tours, in today's department of Indre-et-Loire.
When he was nineteen years of age, he became secretary to M. de Puysieux, the French ambassador to Switzerland. In 1716 he was attached to the French embassy in London, where he remained for six years under abbe Dubois.
He later contracted a marriage with Dorothea Johnston, Lancashire lady; however, the marriage was not avowed for some years. In 1727 he portrayed his domestic circumstances in Le Philosophe Marie (The Married Philosopher).
Upon returning to France in 1723, he was elected to the Academie francaise. In 1727 he acquired considerable estates, the possession of which conferred the privileges of nobility.
He spent his later years at Fortoiseau, his chateau near Melun, and died July 4, 1754.
Destouches wished to revive the comedy of character as understood by Moliere, but he thought it desirable that the moral should be directly expressed.
His early comedies were:
The most highly regarded of these is L'Irresolu (The Irresolute Man), in which Dorante, after vacillating throughout the play between Julie and Climene, marries Julie, but concludes the play with the reflection, "J'aurais mieux fait, je crois, d'epouser Climene" ("I would have done better, I think, to marry Climene").
After eleven years of diplomatic service, Destouches returned to the stage in 1727 with Le Philosophe Marie, followed in 1730 by Les Philosophes Amoureux and in 1732 by Le Glorieux, a picture of the struggle then beginning between the old nobility and the wealthy parvenus who found opportunity in the poverty of France.
He then wrote:
His later comedies were:
His last three plays were produced posthumously. They were:
Memorable phrase
Destouches's 1717 dramatic comedy L'Obstacle Imprevu (Act I, sc. vi) was the origin of the oft-quoted maxim, “The absent are always in the wrong.” Bergen Evans, in his Dictionary of Quotations, said:
“Though Nericault ... is credited with the first statement of this thought in this form, the idea is old and, in other forms, universal.”