Name Philip Krumm | Role Composer | |
![]() | ||
People also search for Donald Scavarda, John W. Morgan, Bertram Turetzky |
Music for clocks philip krumm
Philip Krumm (born April 7, 1941 in Baltimore, Maryland) is an American composer who was "a pioneer of modal, repetitive pattern music". Krumm studied orchestration and composition with Raymond Moses in high school, with Frank Sturchio at Saint Mary's University, with Ross Lee Finney at University of Michigan, and with Karlheinz Stockhausen at University of California at Davis.
Contents
- Music for clocks philip krumm
- Live june 2 2010 with philip krumm
- Compositions
- Discography
- Other works
- References
In 1960, as a high school student, Krumm began producing an early concert series of major modern works by John Cage, Richard Maxfield, Philip Corner, La Monte Young, Terry Riley, himself and others at McNay Art Institute, San Antonio. He recruited "Blue" Gene Tyranny, also in high school at the time, to perform in this series. Krumm then moved to Ann Arbor, MI where he was a performer and composer in the ONCE Festival in 1962–64. While touring with the ONCE Group, he participated in a Carnegie Hall performance with Yoko Ono, George Brecht, and Terry Jennings. In 1963 he met Jerry Hunt while performing at Roger Shattuck's 'Pataphysics Festival in Austin, Texas, and the two composers toured together and collaborated on several projects.
Live june 2 2010 with philip krumm
Compositions
Discography
Other works
Work in television: Music Hour (with Jerry Hunt, 1964), Sampler (with Robert Wilson, 1964).
Publications: Music Without Notes (1962), Action Art: A Bibliography of Artists' Performance from Futurism to Fluxus and Beyond (1993).