Type Sculpture Created 2009 Materials Steel, gold leaf | Medium Steel, gold leaf Year 2009 | |
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Dimensions 5.2 m × 2.1 m × 2.1 m (17 ft × 7 ft × 7 ft) Location Portland, Oregon, United States Owner City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council Artists Brian Borrello, Vanessa Renwick | ||
People's Bike Library of Portland, also known as Zoobomb Pyle or simply "the pile", is a 2009 steel and gold leaf sculpture by local artists Brian Borrello and Vanessa Renwick, located in Portland, Oregon, in the United States. It was erected in collaboration with Zoobomb and serves as a bicycle parking rack, a "lending library" for weekly bike riders, and a monument to the city's bike culture. The sculpture features a two-story spiral pillar with a bicycle on top; bicycles intended for Zoobomb riders are locked to the pillar and base, which has metal loops which act as hooks.
Contents
The sculpture is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council, which commissioned the work with funds from the Portland Department of Transportation. According to BikePortland.org, Mayor Sam Adams helped make the sculpture possible though his "Art on the Streets" program, a collaboration between the Bureau of Transportation and the Regional Arts & Culture Council.
Background and description
In the early 2000s, "fun-seeking mini-bike lovers" began gathering for weekly bicycle rides down a hill, starting near the Oregon Zoo. Prior to the sculpture's installation, bikes were stored at the "Holy Rack", located at Southwest 10th and Oak.
People's Bike Library of Portland, a steel and gold leaf sculpture designed by local artists Brian Borrello and Vanessa Renwick, was installed at the intersection of West Burnside Street and Southwest 13th Avenue in downtown Portland in 2009. Erected in collaboration with Zoobomb, the sculpture is multi-purpose, serving as a functional bicycle parking rack, a bike "lending library", and a monument to Portland's bike culture. It measures 17 feet (5.2 m) x 7 feet (2.1 m) x 7 feet (2.1 m) and features a two-story spiral-shaped pillar, topped with a gold-platted miniature bicycle, which Renwick has referred to as the "cherry on top!" A collection of bikes for children, intended for use by riders at weekly Zoobomb meetings, are locked to the sculpture. It includes a base with metal loops which act as hooks for the bicycles.
The work is part of the City of Portland and Multnomah County Public Art Collection courtesy of the Regional Arts & Culture Council, which commissioned the project for $10,000 with funds from the Portland Department of Transportation. According to BikePortland.org, Mayor Sam Adams helped bring the sculpture to fruition though his new program known as "Art on the Streets", a collaborative effort by the Bureau of Transportation and the Regional Arts & Culture Council.
History
On May 29, 2009, Adams and other community leaders hosted an event to commemorate the sculpture. Participants, which included a variety of cyclist enthusiasts and current and former Zoobombers, gathered at the former "Holy Rack" before parading to the sculpture. The parade had been promoted by the Bicycle Transportation Alliance and City Repair, and featured miniature and tall bikes, chopper bicycles, and homemade bakfiets. At the ceremony, long-time Zoobomber Shannon Palermo introduced the Regional Arts & Culture Council's public art manager, who spoke about the work. One of Zoobomb's "most active and effective diplomats" then thanked those who made both Zoobomb and the sculpture possible. "Handsome Dave" introduced Adams, who cut the ribbon after a countdown and spoke about the work's origins, saying:
It was three or four years ago that Mr. Handsome said, 'you know what, we need a place to catalog and store our bikes'... He said we want to do a sculpture... and he said, 'Oh and we want you to pay for it!'… Portland's bike culture is not only fun, it's absolutely necessary for the future success of this city, to reduce our footprint on the environment, to make ourselves a lot more healthy... and it's great, quirky stuff like this that makes Portland, Portland, and I was really proud be a little part of it.
Following Adams' speech, attendees created the first pile of small bicycles. One participant, who was one of the first women of Zoobomb, said about the creation of the first new pile: "I pushed through the crowd and handed it forth, bowing in honor of the golden b(eye)cycle winking in the sun. As I retreated to the crowd, my whole body was shaking. My hands were in disbelief. I paced in a circle and half-sigh/half-laughed and this darn smile was holding me so tight, I felt like the kiln was burning it into my clay, smile-shaped cheeks forever." A long chain was wrapped through each of the nearly twenty bicycles, which were locked to the sculpture by Adams. Event attendees then posed for a group picture, then sang a song called "16" Rims", a parody of Janis Joplin's "Mercedez Benz". The commemoration ended with "dancing in the streets" and music by The Sprockettes.
Reception
Jonathan Maus of BikePortland.org described the sculpture as a "functional work of public art that will serve not just as a place to store Zoobomb bikes and equipment, but as a visual testimony to what makes Portland, Portland", and called the day of its installation one that "will live forever in Portland's bike-cultural history". Furthermore, he said the work recognizes Zoobomb as a tradition, a "civic and cultural institution with deep connections" to the city. In his coverage of the dedication ceremony, Maus wrote: "It's important to remember that this is not just for Zoobomb. It's for all of us. It's from a City that encourages and recognizes the power of creative expression and activism embodied not just in a physical monument, but in the spirit of every Portlander."
In Frommer's: Portland Day by Day, author Julian Smith called the sculpture a "pile on a pole" and included it in a list of "offbeat" city attractions.