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Pedro Muñoz Seca

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Occupation
  
Writer, dramatist

Name
  
Pedro Seca

Genre
  
Astracanada


Nationality
  
Spanish

Language
  
Role
  
Playwright

Pedro Munoz Seca wwwspainisculturecomexportsitesculturamultim

Born
  
Pedro Munoz Seca21 February 1879Puerto de Santa Maria, Andalusia, Spain (
1879-02-21
)

Spouse
  
Maria Asuncion Ariza Diez de Bunes

Died
  
November 28, 1936, Paracuellos de Jarama, Spain

Movies
  
Anacleto se divorcia, El colmillo de Buda, A Lucky Man

Books
  
Anacleto se divorcia, El verdugo de Sevilla

Similar People
  
Benito Perojo, Joselito Rodriguez, Juan Bustillo Oro, Rene Barberis, Carlos Orellana

Los Libros: Pedro Muñoz Seca - 29/11/16


Alfonso Ussia: "Si Pedro Muñoz Seca hubiera sido de izquierdas el PP lo recordaría"


Pedro Muñoz Seca (born February 20, 1879 in El Puerto de Santa María, Spain; died November 28, 1936 in Paracuellos de Jarama, Madrid, Spain ) was a Spanish comic playwright. He was one of the most successful playwrights of his era. He wrote approximately 300 dramatic works, both sainetes (short vignettes) and longer plays, often in collaboration with Pedro Pérez Fernández or Enrique García Álvarez. His most ambitious and best known play is La venganza de Don Mendo (Don Mendo's Revenge, 1918); other major works include La barba de Carrillo (Carrillo's Beard, 1918) and Pepe Conde (1920).

Contents

Pedro Muñoz Seca La palabra es mgica Pedro Muoz Seca La venganza de Don Mendo

Early life and career

Pedro Muñoz Seca Muoz Seca ingenio y tragedia de un gran humorista

Muñoz Seca was born into a large family in El Puerto de Santa María, Cadiz, Spain, on February 20, 1879. (Because Muñoz Seca loved palindromic numbers, however, he often claimed that he was born in 1881. He also claimed to have been born at 10:15 pm, "the normal time for shows to start".) Muñoz Seca attended primary school in the Jesuit school of San Luis Gonzaga in El Puerto de Santa María. He then moved to Seville to study philosophy and law; he graduated in 1901. While Muñoz Seca was still a student, his first plays premiered in El Puerto de Santa María (República estudiantil, Un Perfecto de pasivas, and El señor de Pilili) and in Seville (Las Guerreras).

Pedro Muñoz Seca httpsuploadwikimediaorgwikipediacommonsthu

After his graduation, Muñoz Seca moved to Madrid. There, he taught Latin, Greek, and Hebrew and later would work as a lawyer. He often attended literary society meetings, and there met Sebastian Alonso. The two collaborated on the play El Contrabando, which premiered in 1904. Muñoz Seca entered public service in 1908, taking a post in the Ministry of Public Works and Transport. Soon thereafter, he married María Asunción Ariza Díez de Bulnes; they would have nine children.

Career as playwright and death

Pedro Muñoz Seca Quin mat a Muoz Seca en Paracuellos los asesinatos que an

His work often employed "slang, puns, plays on words, caricature, parody, and dramatic tricks". He was the inventor of a new genre of comic theatre, the astracanada, the most celebrated example of which is La venganza de Don Mendo, a satire of the romances popular in Spain at the turn of the century.

Pedro Muñoz Seca PEDRO MUOZ SECA JuanBerPor39s Blog

Muñoz Seca's popularity grew after the premiere of La venganza de Don Mendo. Many of his later plays were very successful, including La pluma verde (1922), Los chatos (1924), La tela (1925), and Los extremeños se tocan (1927) (all written in collaboration with Pedro Pérez Fernández, but who contributed little to the works). These works shifted away from costumbrismo toward Muñoz Seca's trademark astracanada.

After the establishment of the Second Spanish Republic in 1931, Muñoz Seca was at the height of his career, though his dramatic output slowed. Major works during this period include La voz de su amo (1933), Anacleto se divorcia (1932), La EME (1934), and La plasmatoria (1935). Muñoz Seca was a royalist and friend of Alfonso XIII, and his plays La oca (1931) and Jabalí (1932) sharply criticized the Second Republic. In July 1936, after the outbreak of the Spanish Civil War, he was arrested in Barcelona; he was later transported to Madrid. On November 28, 1936, he was executed by a Spanish Republican Army firing squad in the Paracuellos massacre. A humorist to the end, he said to the firing squad, "You can take my hacienda, my land, my wealth, even--as you are going to do--my life. But there is one thing that you cannot take from me--the fear that I have!"

Legacy

The Pedro Muñoz Seca Municipal Theater in El Puerto de Santa María and the Muñoz Seca Theater in Madrid are named in Muñoz Seca's honor.

In 1995, the Pedro Muñoz Seca Foundation (Fundación Pedro Muñoz Seca) was established; it is sponsored by descendants of the author and by the government of El Puerto de Santa Maria. The foundation maintains a small museum devoted to the author in his former family home in El Puerto de Santa Maria.

Muñoz Seca is the grandfather of Spanish writer and journalist Alfonso Ussía.

Works cited

  • Alejo Fernández, Francisco; Juan Diego Caballero Oliver (2003). Cultura andaluza: geografía, historia, arte, literatura, música y cultura popular (in Spanish). MAD-Eduforma. ISBN 978-84-665-2913-6. 
  • Azcune, Valentín (2007). Biblioteca Teatral. CSIC. ISBN 978-84-00-08548-3. 
  • Chandler, Richard Eugène; Kessel Schwartz (1991). A new history of Spanish literature. LSU Press. ISBN 978-0-8071-1735-4. 
  • Gómez García, Manuel (1998). Diccionario del teatro. Ediciones AKAL. ISBN 978-84-460-0827-9. 
  • Gonzalez-López, Emilio (revised by Harold L. Boudreau). "Muñoz Seca, Pedro". In Jean Albert Bédé; William Benbow Edgerton (eds.) (1980). Columbia dictionary of modern European literature. Columbia University Press. ISBN 978-0-231-03717-4. 
  • Mainer, José-Carlos. Historia de la literatura española. Editorial Critica. ISBN 978-84-9892-068-0. 
  • Pascual Martínez, Pedro (1994). Escritores y editores en la Restauración canovista, 1875-1923 (in Spanish). Ediciones de la Torre. ISBN 978-84-7960-101-0. 
  • References

    Pedro Muñoz Seca Wikipedia


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