Origin India Role Musical Artist | Instruments Mridangam Name Palghat Iyer Albums Paddhatti | |
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Awards Sangeet Natak Akademi Award for Carnatic Music - Instrumental (Mridangam) Similar People Semmangudi Srinivasa Iyer, Palghat R Raghu, Madurai Mani Iyer, Ariyakudi Ramanuja Iyengar, Palani Subramaniam Pillai |
Art of carnatic music vol i semmangudi srinivasa iyer l subramaniam and palghat mani iyer
Palghat T. S. Mani Iyer (1912–1981) was one of the leading mridangists in the field of Carnatic music. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1966. Mani Iyer was the first mridangist to win the Sangeetha Kalanidhi and Padmabhushan awards of the Government of India. He received the Sangeet Natak Akademi Award in 1956. He, along with his contemporaries Palani Subramaniam Pillai and Ramanathapuram C. S. Murugabhoopathy, are revered as the "Holy Trinity of Mridanga".
Contents
- Art of carnatic music vol i semmangudi srinivasa iyer l subramaniam and palghat mani iyer
- Thani avarthanam by mridangam maestro palghat mani iyer
- Early life and background
- Career
- Personal life
- References

Thani avarthanam by mridangam maestro palghat mani iyer
Early life and background

He was born and raised in the old Kalpathy village of Palakkad, Kerala. Mani Iyer came into prominence after accompanying Chembai Vaidanatha Bagavathar in a music concert at Madras (now called Chennai).
Career
Mani Iyer accompanied all the leading vocal artists of his era. He was also the guru for later mridangam players such as Late Palghat R. Raghu, Late Mavelikkara Velukkutty Nair, Umayalpuram K. Sivaraman, Kamalakar Rao, Palghat Suresh, and Anand Subramaniam. He also taught mridangam to children at the Rishi Valley School started by Jiddu Krishnamurti.
Before Mani Iyer’s arrival in the music scene, the three mridangists Nagercoil S.Ganesa Iyer, Alaganambi Pillai and Dakshinamurthy Pillai (who played the kanjira also), dominated the art of percussion playing. The innovations of Mani Iyer changed the style of mridangam playing from just keeping beat for the main artist's music to being an instrument in its own right. A comment from Y. G. Doraisamy: "It was Mani Iyer who started the now prevalent trend of the mridangam, not just keeping the time with tekkas and moras, but actively accompanying the musical phrasing, so as to be a rhythmic running commentary, reproducing on the drum all the subtleties and rhythmic complexities of the musical composition."
Palghat R. Raghu, a disciple of Mani Iyer, describes his guru as a genius in that he showed music followers the manner of blending with the music of the main artist in handling the kritis of every conceivable mood and tempo. By his consistent excellence he could raise the concert to thrilling heights. He also took his arangetram at age of 8
Personal life
He was the father of the noted Carnatic musician Lalitha Sivakumar and was the grandfather of the noted singer Nithyasree Mahadevan. Palghat Dr R Ramprasad, another noted singer is his grandson through his son, also a noted artist T R Rajaram.