 | ||
Orgelbau Vleugels is a pipe organ company producing organs in modern design and restoring historic instruments. The workshop is located in Hardheim, Germany. The owner is master pipe organ builder Hans-Georg Vleugels. The company has a history spanning over 150 years.
Contents
History
Pipe organ manufacturing in Hardheim has existed since 1855, when organ-builder Ignaz Dörr startet his own workshop. In 1958 Orgelbaumeister Hans Theodor Vleugels (born 1931) took over Maximilian Bader's workshop and two years later his brother's Wilhelm Bader. From 1960 to 1966 Paul Mund and Hans Theodor Vleugels led the company together. In 1967 Hans Theodor Vleugels founded the Orgelbau-Vleugels GmbH. While following traditional south German models, the company initially built instruments incorporationg modern technologies such as electric stop action. Cases had very contemporary designs, such as the organ in Cologne-Gremberg, set on a mushroom-shaped concrete pedestal, or in another organ that has free hanging steel frame with plexiglass used for the swell box and rollerboards, thus enabling a free view into the workings of the instrument. During the 1970s the firm abandoned the use of tropical woods and laminates in favour of solid woods, and electric action likewise was discarded in favor of mechanical action. While continuing to build new organs in the 1980s the firm began to devote attention to the restoration of older instruments, including organs of the South German Baroque, and Romantic instruments with valve chests and pneumatic actions. in 1988 the company moved into a large, open, and modern shop; that same year, Hans-Georg Vleugels (born in Stuttgart in 1958) became director of the firm. In 1991 Hans-Georg Vleugels took over the company chair and currently runs the company together with his son Johannes D.C. Vleugels (born 1983) in the second and third generation. Today there are three generations of master pipe organ builders in the Vleugels family working together.
Developments during the 1990s included the restoration of several important concert hall organs: Görlitz Stadthalle (1910 Sauer organ; 1991; 4/71); Heidelber Stadthalle (4/56); and Prague, Smetana-Saal (1912 Voit und Söhne, 1995–96; 3/70). The construction of large instruments in a late-nineteenth-century sttyle was also completed at Aschaffenburg, Herz-Jesu Kirche (1995; 4/63); Munich, Bürgersaalkirche (1994; 3/50); Kitzingen, Stadtpfarrkirche St. Johannes (1996; 3/54); and Jülich, Probsteikirche (1998; 3/45). The Jülich organ contains accessories including thunder rolls, rain machine, and a croaking bullfrog. Vleugels also built new organs in the South German style in historic cases at Würzburg, Käppele (1991; 2/31) and Schäftlarn Benediktinerabtei (1996; 2/31). There were new directions in constructing cases using spedial materials - a glass case for the Christopherus-Kapelle of the Franz-Josef-Strauss airport in Munich (1/6) - and dramatic artistic effects with contemporary painting as in Kitzingen, Stadtpfarrkirche St. Johannes (1996; 3/54) and Runding, St. Andreas (1998, 2/36). Finally the 1990s saw the restoration of several historic organs in Germany: Gaibach, Heilig-Kreuz-Kapelle (1699 Schleich organ; 1989–90; 1/7); Gaibach, Pfarrkirche (1748 Seuffert organm 1997; 1/12); Mainz Budenheim (1747 Kohlhaas organ); and Laumersheim in der Pfalz (1717 Hoffmann organ).
Works
Initially, the majority of Hans Theodor Vleugels Organs were produced for the Southern German and Swedish markets. In addition to the production of instruments in accordance with classical principals, organ building in Hardheim stepped into new territories and established new accents in the field of organ building. Milestones include organs with electric action, the organ from Cologne-Gremberg, which set on a concrete mushroom shaped pedestal; a new smaller console (i.e. in Sinsheim III/36); and stops set on the side of the console which can be moved around (i.e. in Stuttgart-Möhringen III/37). Another highlight was the restoration of a decaying, but priceless baroque organ case (Walldürn, Basilika III/40). The positioning of a free-hanging organ in a steel frame, the use of Plexiglas for a swell box (expansion chamber), roller boards, and a transparent console were only a few of the features that often caused surprised and sometimes shocked reactions.
In the 1970s the company returned to the use of solid local woods and thus greatly reduced the use of tropical woods and laminates. The use of electric actions was also reduced. In Assamstadt (III/28), the artistic side of the company was further developed with creative pipe placement and paintings.
The 1980s followed with a specialization in the restoration sector. Ever since the end of the 1970s, restoring valve chest organs and pneumatic actions had become fashionable again. In the fight against timber worm and other natural enemies more environmental friendly and material safe techniques, such as gassing, were being used. Also in the 1980s, the company concentrated in voicing in the Southern German baroque style. This characteristic of the instruments was enhanced by restoring old baroque organ pipes. However, organs with a strong, "romantic"-like sound were also inherited.
In 1988 the company moved to a larger and more modern workshop and prepared to change leadership. Positive developments under master organ builder Hans-Georg Vleugels (born in Stuttgart 1958) shaped organ building in Hardheim in the 1990s and into the 21st century:
The company currently operates out of a contemporary workshop and uses optimized work-processes consisting of modern machines and CAD. Employees in the design and construction departments produce designs with the latest 3D-software. Special construction techniques allows for quick disassembly in order to save expenses later on.
Organs
The opus list, started in 1958, includes more than 400 instruments. These are new instruments as well as extensive restorations: