Name Noni Jabavu | Role Writer | |
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Died June 19, 2008, East London, South Africa Books The Ochre People: Scenes from a South African Life, Drawn in color: African contrasts Similar Winston Ntshona, Elsa Joubert, John Tengo Jabavu | ||
Helen Nontando (Noni) Jabavu (20 August 1919 – 19 June 2008) was a South African writer and journalist, one of the first African women to pursue a successful literary career and the first black South African woman to publish books of autobiography. Educated in Britain from the age of 13, she became the first African woman to be the editor of a British literary magazine when in 1961 she took on the editorship of The New Strand, a revived version of The Strand Magazine, which had closed in 1950.
Contents
- Early years and education in England
- Post war life visits to South Africa and memoirs
- Later years
- References
In the words of poet Makhosazana Xaba: "One only has to read her two books (Drawn in Colour and The Ochre People) to realize just how skilled she was as a memoirist. Her journalistic column editorials demonstrate a reflective style that must have been unusual for her times. While interviewing Wally Serote who was living in Botswana during the same time as Noni, I learned something that confirmed my initial thoughts on her. 'We men, she said, did not know how to relate to her (Noni). She was a woman living far ahead of our times.' This speaks volumes considering Serote himself is a world-wise literary and cultural giant."
Early years and education in England
Noni Jabavu was born in Middledrift in the Eastern Cape into a family of intellectuals, the marriage of her parents forging a union between two of the most prominent Christian families in the Eastern Cape at the time. Her mother was Thandiswa Florence Makiwane, founder of Zenzele Woman's Self-Improvement Association; her father was the activist and author Davidson Don Tengo Jabavu, and her grandfather John Tengo Jabavu, was an editor of South Africa's first newspaper to be written in Xhosa. Noni was educated in England from the age of 13, under the guardianship of Margaret and Arthur Bevington Gillett (alongside Mohan Kumaramangalam and his sister Parvati Krishnan) and continued to live there for many years.
She studied first at The Mount School, York, and later at London's Royal Academy of Music. Before the Second World War she had become disinterested in the Royal Academy of Music and concentrated mostly on left-wing student politics. In 1938, she was at a prom in the Queen’s Hall that was interrupted to be told of Neville Chamberlain's "peace for our time" settlement.
Post-war life: visits to South Africa and memoirs
On the outbreak of the Second World War, she gave up studying to be a film technician and trained to become a semi-skilled engineer and oxyacetylene welder, working on bomber engine parts. After the war, she remained in London, becoming a feature writer and television personality, and working for the BBC as a presenter and as a producer. She paid extended visits to South Africa until her marriage to the English film director Michael Cadbury Crosfield in 1951. Their marriage broke South Africa's miscegenation laws and because of the Immorality Act then in force, he could not accompany her. Thereafter, she also travelled and lived in Mozambique, Uganda and Zimbabwe.
In 1955, Jabavu returned to South Africa for a three-month stay. Her first book, Drawn in Colour: African Contrasts (1960), derives from that trip. In the Author's Note, Jabavu writes:
I belong to two worlds with two loyalties: South Africa, where I was born, and England, where I was educated. When I received a cable sent by my father, I flew back to South Africa to be amongst my Bantu people, leaving my English husband behind in London. Later that year, he and I went to live in East Africa, to be near my only sister who had married out there. I've told here something of my own background and circumstances. This is a personal account of an individual African's experiences and impressions of the differences between East and South Africa in their contact with Westernization.
Drawn in Colour was well reviewed on both sides of the Atlantic. As Kirkus Reviews wrote: "This book richly deserves the high praise it has received in England where it was first published. The author, who is married to a British film director, tells of a voyage home to South Africa for the funeral of her brother who had been murdered by a gangster in Jo'burg, and of her vain attempts to save the marriage of her sister to a man in Uganda. Although concerned with two family tragedies, the story is neither sad nor morbid. A wealth of detail about African life and custom and graphic descriptions of the country itself keep the reader engrossed whenever the principal actors leave the scene temporarily. It is strongly flavored with the Xhosa language, which translates most nearly into poetic Elizabethan English. The author spares neither herself nor her people in dealing with racial issues, for prejudice exists on all sides, even between lighter and darker members of the same tribe. The reader will surely share in a great human experience and at the same time gain a greater understanding of emerging autonomous nations." Drawn in Colour was reprinted five times within the first year of its publication.
In 1961, she and her husband moved to Jamaica where he worked as films adviser to the government, returning to London in 1963. (A review she would write two decades later of V. S. Naipaul's travelogue The Middle Passage reveals her discomfort during this Caribbean sojourn: "...I was disturbed, dismayed to find myself haunted by an inability to enjoy living in this reputedly most beautiful of enchanting islands. ... Rootlessness, a historical sense of dereliction, absence of tradition, search for identity-- these characteristics impressed me during conversations with West Indians. As an African, I possessed a heritage embedded in my language, tribal loyalties, stored treasures of legends, events. Do not these give any African a fortunate sense of continuity? Whatever deprivations apartheid imposes on us in my own country, these can never efface the strengths and traditions of our people.")
Jabavu's second book, The Ochre People: Scenes from a South African Life, published in 1963, was also a memoir, of which she said: "It is a personal account of an individual African's experiences and impressions of the differences between East and South Africans in their contact with Westernization." It too received acclaim, hailed by critics as “brilliant” and “fascinating”.
Later years
During time spent in South Africa in 1976–77, researching a book about her father, Jabavu published a weekly column in the East London (Eastern Cape) newspaper Daily Dispatch, under the editorship of Donald Woods.
She was awarded a lifetime achievement award by former Arts and Culture Minister Pallo Jordan, as well as a best literature award in the Eastern Cape by the then sports, art and culture minister, Nosimo Balindlela.
Noni Jabavu died at the age of 88 in June 2008 and was buried in East London, South Africa.