Ned Poins

In the plays

Poins appears early in Henry IV, Part I to inform Falstaff that at Gads Hill there will be unprotected "pilgrims going to Canterbury with rich offerings, and traders riding to London with fat purses". He suggests that they organise a robbery. When Falstaff and the others agree, Poins says to Hal that the pair of them should play trick on Falstaff by letting them rob the travellers, but then robbing the robbers of their haul. The point of the jest will be to hear the "incomprensible [i.e. enormous] lies" Falstaff will tell to excuse himself. Poins and Hal disguise themselves. When they surprise Falstaff, he and his followers instantly run away.

Poins is with Hal when Hal plays a joke on Francis, a drawer (waiter) at the Boar's Head. He also listens to Falstaff's increasingly ridiculous lies.

In Part 2 Poins discusses the illness of Hal's father the king, expecting Hal to be pleased at the prospect of his father's death. Hal gets a letter from Falstaff, in which Falstaff tells him not to trust Poins because he has been telling people that Hal will be marrying Poins' sister Nell. Poins denies it. Bardolph and a boy arrive with news that Falstaff is metting Doll Tearsheet at the tavern. Poins suggests that they disguise themselves again, this time as waiters, to overhear the conversation. At the tavern, Doll asks why Hal likes Poins, Falstaff says that they are both similar in size and shape, and equally empty headed: "His wit’s as thick as Tewkesbury mustard. There’s no more conceit in him than is in a mallet [i.e. he's got no more brains than a hammer]."

Character role

Poins' principal role is to act as Hal's confidant. In Part 2 especially he is little more than a sounding board for Hal's views. In Part 1 he is presented as the more assertive of the two, being the "mastermind" of both the Gads Hill robbery and its comeuppance. In this respect Poins is an ambiguous figure, who is both part of the criminal underworld and also of the superior social world that looks down on it and undermines it. He is "of uncertain social standing", but his comment that his only problem is that he is a "second brother" implies that he is "a gentleman with no inheritance, his gentility making him an appropriate companion for Hal". He represents wayward tendencies within the upper class, closely linked to Hal's own behaviour.

The fact that Poins disappears from the narrative after the end of Henry IV, Part 2 suggests that his identity cannot be incorporated into the continuing story; he is neither a "low life" character, nor a participant in the high politics of the new regime. He is effectively a "shadow" side of Hal himself. In Part 2 in particular, Hal appears to become visibly embittered by his association with the world of Falstaff and Poins, using increasingly open derogatory language about both of them, but Poins is never explicitly rejected, unlike Falstaff.

Throughout both plays the tension between Poins and Falstaff beneath the apparent bonhomie represents their competition for Hal's favour and each one's willingness to undermine the other. However, while Poins' accusations against Falstaff are proven correct, it is never clear whether Falstaff's accusation about Poins' sister is true or a lie.

Poins' ambiguous role is further implied by the reference to him in The Merry Wives of Windsor, in which Anne Page's suitor Fenton is said to have been a companion of "the wild Prince and Poins". According to Giorgio Melchiori, "the mention of Poins is meant to place Fenton in a separate category from Falstaff and the other companions of the Prince", since Poins is the Prince's confidant, and implicitly a member of the gentility, albeit a wayward one. This implies that Fenton has had a bit of a wild youth, but is not directly tainted with criminality.

In other literature

The mystery of Poins' fate is explained in William Kenrick's play Falstaff's Wedding (1760) in which it is revealed that Hal really did have a relationship with Poins' beautiful sister Eleanor. His love for Nell Poins led him to spare Poins the fate of the other former companions, but he was removed from the king's company by being given an administrative position in the north of England.

Robert Brough's 1858 novel The Life of Sir John Falstaff also says that Poins escaped the fate of the other companions. Poins is depicted as a slavish follower of Hal:

This was a young gentleman of good family, but bad morals; that is to say, for the present. He was one of those loyal natures who, in all ages, are to be found attaching themselves instinctively to some great man, taking their tone and colour in all things from the illustrious model. Mr. Poins cut his hair and his conscience in exact imitation of the Prince of Wales. The existing court fashions, as established by the Prince, were long hanging sleeves, pointed shoes, late hours, intoxication, and roystering. Mr. Poins followed them all with scrupulous fidelity; but was quite ready to change them for sad-coloured doublets, square toes, early rising, temperance, and respectability, at a moment's notice.

When Hal becomes king, Poins is rewarded for his loyalty with a knighthood. The now "Sir Edward Poins" writes a dismissive letter to Falstaff informing him that he will only be allowed in the royal palace when it is open to the public for viewing tapestries.

In Robert Nye's 1976 novel Falstaff, written as the autobiography of the knight, Falstaff refers to Poins as Hal's squire. He says "I never liked Ned Poins. He didn't like me either", calling him "a greasy little prick". After saying that Poins was homosexual, he adds that he once spent the night with Mistress Quickly to win a bet, but was terrified by her body. He was first disturbed by the sight of her pubic hair, but ended up "shitting in the bed" when she tried to arouse him sexually. Mirroring Shakespeare's unexplained dropping of Poins, Falstaff says he will show his contempt for him by simply omitting him from the rest of the narrative: "it will give me great pleasure to write him right out of my book", as "one of the pleasures of authorship" is simply "forgetting a character".