Mount Vernon Arts Lab

History

Taking inspiration from Joe Meek, and from Daniel Miller's work as The Normal, Mulholland began creating avant-garde/post-rock recordings in 1996, and soon found the support of independent labels such as Via Satellite and Earworm, who between them issued a series of vinyl-only releases during 1997 and 1998. Mulholland used a range of electronic and acoustic instruments including Moog synthesizers, theremin, and a specially-built unit which he calls a "Turbine Generator". The debut mini-album, Gummy Twinkle, was issued in September 1998, featuring guest appearances from Pete Kember (aka Sonic Boom) and Norman Blake of Teenage Fanclub. He then signed a deal with Ochre Records, who issued his second mini-set, a collaboration with Adrian Utley of Portishead, featuring a single 23-minute track, "Warminster". A second mini-set followed for Ochre, this time recorded 100 feet below ground in the abandoned nuclear bunker at Troywood. A final album as Mount Vernon Arts Lab was released in 2001 on Via Satellite; The Séance at Hobs Lane was inspired by "Victorian skullduggery, outlaws, secret societies and subterranean experiences", and featured guest appearances from Blake, Utley, Isobel Campbell, and Barry 7 (of Add N to (X)). It has been described as "a music distilled from the nuclear age". Mulholland released further work under the name Mount Vernon Astral Temple, including Musick That Destroys Itself (2003), Bent Sinister By Sound (2005).

Many of MVAL's tracks are inspired by historical locations, and Mulholland has been described as the "godfather" of psychogeographic rock, and the inspiration for the Ghost Box Music record label.

Mulholland went on to become the composer-in-residence at Glasgow University's geography department.

In 2009, Mulholland and Utley again collaborated, with a performance at the Le Weekend festival in Stirling.

Singles, EPs

Albums

Compilation appearances, split releases