Mount Eerie (album)

Mount Eerie is the last studio album from the band The Microphones. Microphones frontman Phil Elvrum began working on "Mount Eerie" after taking a long tour of Europe and North America. Released by K Records in 2003, the album is named after the mountain on Fidalgo Island where Elvrum spent much of his childhood.

Contents

• The microphones mount eerie full album
• Personnel
• Precipice Carolers
• Songs
• References

Fans, critics, and Phil himself often consider the album to be one of Phil's most ambitious releases both musically and conceptually. The music and words found on the album are heavily referential to books, poems, and even other songs by popular artists and Phil's friends' music alike. A booklet entitled 'Headwaters' was released some time after the album's first pressing that went into exhaustive detail describing almost every single lyric's meaning and origin. The booklet could not be published more than once because a mini-disc CD containing a 'mixtape' of every song that Phil was influenced by or referenced on the album was included, which of course went against modern music copyright laws. The CD included songs by Neil Young, Dinosaur Jr., Julie Doiron, Little Wings, among others. Despite the album's heavy usage of references the end product is still widely thought of as an imaginative and explorative album that pushed many boundaries regarding what was normal for so-called indie rock at the time.

Lyrically the album delves into a fantasy-laden story of Phil wandering through a dangerous landscape, being killed by an evil spirit known as "The Big Black Death" (played by Kyle Field of Little Wings), being eaten by a group of vultures (played by Karl Blau), and ascending into the cosmos after death. To fit the massive lyrical story the music ranges from jittering experimental rock to subtle layered folk music to huge natural reverb laden chorus sections set to slow drum rhythms. Though the album is compositionally reminiscent of previous Microphones records, Mount Eerie stands out amongst them as being the most conceptually driven and unrelentingly dark as the album progresses.