First performance 13 November 2015 Language German | Librettist Jon Fosse Composer Georg Friedrich Haas | |
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Similar Król Roger, L'étoile, Der ferne Klang, Œdipe, Die ägyptische Helena | ||
Georg friedrich haas morgen und abend opera 2015
Morgen und Abend (German: Morning and Evening) is an opera by Georg Friedrich Haas to a libretto by the Norwegian writer Jon Fosse. It is based on Fosse's 2000 novel Morgon og kveld.
Contents
- Georg friedrich haas morgen und abend opera 2015
- Composer georg friedrich haas on his new opera morgen und abend the royal opera
- Synopsis
- Critical reaction
- References
The opera was jointly commissioned by the Royal Opera House, London, and the Deutsche Oper Berlin. It was premiered on the main stage of the Royal Opera House on 13 November 2015. The director of the production is Graham Vick.
The composer has said "'Don't expect melodies, don't expect harmonies, just expect soundscapes". The vocal lines include microtones, including quarter-tones and sixth-tones.
Composer georg friedrich haas on his new opera morgen und abend the royal opera
Synopsis
The opera, which lasts about 90 minutes, outlines the birth and death of a fisherman, Johannes. In the first section, Johannes's father Ollai waits for his birth, imagining what his wife and the child are experiencing, until the Nurse announces the birth has been successful and invites him to see the child. In the next section Johannes meditates on his child Signe and speaks with his friend Peter and his wife Erna, but eventually realizes that as the latter two have long since died, he himself must also be dead.
Critical reaction
Richard Morrison, writing in The Times, opined that although the piece was slow to develop "By the end...I felt I was watching a very weird masterpiece". Rupert Christiansen, writing in The Daily Telegraph found the work "hypnotically beautiful yet turgidly tedious...Yet Haas’s music casts a spell...it moves like Scandinavian weather – clouds scudding, mists thickening, wind keening, thunderclaps crashing – through a glacial landscape of shimmering microtonal sound that is both precisely calibrated and eerily atmospheric". Tim Ashley, in The Guardian, felt that "beautiful though it sounds, it is weak as drama".