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Straight as the Pine - Sturdy as, Betsy and I Killed the Bear, Dearie: The Louis Betts Port
Michael Huey (born September 21, 1964) is an American contemporary artist based in Vienna, Austria. He often employs found photography and archival resources to create new photographic images, objects, installations, and videos. His work has been shown in Vienna, Berlin, Rome, London, Lisbon, and New York City, and written about in Art in America, Artforum, and The New Yorker.
Huey was born in Traverse City, Michigan. He graduated from Amherst College in 1987 with a degree in German Studies. He has lived in Vienna since 1989, and received a master's degree in art history at the University of Vienna in 1999. He is married to the Viennese art historian Christian Witt-Dörring.
Alongside his artistic practice, Huey has also published extensively, first as a staff member of The Christian Science Monitor, and more recently as a memoirist writing at length about his family's roots in Chicago and Leelanau County, Michigan. He is a regular and longtime contributor to the London-based magazine The World of Interiors and has written frequently about art and design for exhibition catalogues, newspapers, and magazines in both Europe and the United States.
Work
Huey's artistic practice has been closely tied by critics to his interest in family history and inventories. A common technique of his is to re-photograph and re-use existing, vintage photos and papers. The arts magazine EIKON has written that Huey's works "are like news that reaches us from the past and are kept as poetry in time."
According to Artforum magazine, "Huey's process defamiliarizes...objects to the extent that they become alien, worthy of scrutiny."
Huey's images have been likened by The New Yorker to the work of early photography pioneer William Henry Fox Talbot.
2008 - Lost + Found, Schloss Hollenburg, curated by Maximilian von Geymüller
2006 - Drawing Room, Newman Popiashvili Gallery, New York
2006 - The Image is Gone, Galerie Lisa Ruyter, Vienna
2004 - The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna
Publications
(Huey as author unless otherwise indicated)
2013 - Straight as the Pine, Sturdy as the Oak: Skipper & Cora Beals and Major & Helen Huey in the Early Years of Camp Leelanau for Boys, the Leelanau Schools, and the Homestead in Glen Arbor/Volume One: 1921-1963 (Schlebrügge.Editor, Vienna)
2012 - Archivaria (editor and author, with an essay by Catharina Kahane) (Schlebrügge.Editor, Vienna)
2011 - Dearie — The Louis Betts Portrait of Harriet King Huey (Schlebrügge.Editor, Vienna)
2011 - China Cupboard/Houseguests (editor and author, with essays by Jennie Hirsh and Philipp Blom) (Schlebrügge.Editor, Vienna)
2008 - ASH, inc. (editor and author, with essays by Abraham Orden and Jasper Sharp)(Schlebrügge.Editor, Vienna)
2007 - Betsy and I Killed the Bear (editor and author, with an essay by J.S. Marcus)(Schlebrügge.Editor, Vienna)
2006 - Josef Hoffmann Interiors 1902-1913 (contributor) (Prestel Verlag/Neue Galerie New York)
2003 - Viennese Silver — Modern Design 1780-1918 (editor) (Hatje Cantz Verlag, Ostfildern for the Neue Galerie New York and the Kunsthistorisches Museum Wien)
2001 - The Place of Beginning: On the Huey, Mautz, Lebzelter, McGowan Families and Their Kin