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Michael Diers

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Assume Astrid Vivid Focus: Open Call

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Situation room franz reimer im gespr ch mit michael diers


Michael Diers (born 15 March 1950, in Werl, West Germany) is a German art historian and professor of art history in Hamburg and Berlin.

Contents

Diers studied art history, literature, and philosophy in Münster and Hamburg, where he received his doctorate with a thesis on Aby Warburg. He also received his postdoctoral lecture qualification in 1994. From 1990 to 1992 he was assistant professor at the Kulturwissenschaftliches Institut, Essen, and subsequently at the Department of Art History, Universität Hamburg, in the joint research project "Politische Ikonographie". In 1994 he became lecturer at the Universität Jena, in 1999 at the Humboldt-Universität zu Berlin, where he also served as Director of the Department of Art History (2000–2002).

In 2004, Diers was appointed professor of art history and visual studies at the Hochschule für bildende Künste Hamburg. In the same year, he was also appointed adjunct professor of art history at the Humboldt-Universität zu Berlin. Apart from his academic affiliations, Diers has also worked extensively as a free-lance art critic and curator. In his teaching practice and in his art historical research, Diers follows a motto he first encountered in a neon sculpture by Maurizio Nannucci: "All art has been contemporary".

Diers' research interests are the art of the Renaissance and modern and contemporary art (photography, film, new media), focusing on political iconography, intellectual history, picture theory, and media theories. In 1991 Diers became first editor, and subsequently chief editor, of the renowned pocketbook series "Kunststück" (Fischer Verlag, Frankfurt, 1991–2001, 102 vols). From 2005 to 2007 he edited the series "FUNDUS" (Philo Fine Arts, Hamburg). He currently serves as co-editor of the "Studienausgabe Aby Warburg, Gesammelte Schriften" (Akademie Verlag, since 1998) and the monograph series "Humboldt-Schriften zur Kunst- und Bildgeschichte" (Gebr. Mann Verlag, Berlin).

Diers is a regular contributor to the Frankfurter Allgemeine Zeitung and to the Süddeutsche Zeitung.

Haus der kunst symposium discussion michael diers and w j t mitchell 09 06 12


Books

  • Warburg aus Briefen. Kommentare zu den Kopierbüchern der Jahre 1905–1918, Weinheim 1991
  • Schlagbilder. Zur politischen Ikonographie der Gegenwart, Frankfurt/M. 1997
  • Fotografie Film Video. Beiträge zu einer kritischen Theorie des Bildes, Hamburg 2006
  • As editor

  • Aby Warburg. Akten des internationalen Symposiums Hamburg 1990, Weinheim 1991 (gemeinsam mit Horst Bredekamp u. Ch. Schoell-Glass)
  • Porträt aus Büchern. Bibliothek Warburg & Warburg Institute, Hamburg - 1933 - London, Hamburg 1993
  • Mo(nu)mente. Formen und Funktionen ephemerer Denkmäler, Weinheim 1995
  • Martin Warnke, Nah und fern zum Bilde. Beiträge zu Kunst und Kunsttheorie, Köln 1997
  • Aby Warburg, Gesammelte Schriften. Studienausgabe, Bd. I,1.2 (= Reprint der zweibändigen Ausgabe Leipzig/Berlin 1932), neu hg. und eingeleitet (gemeinsam mit H. Bredekamp), Berlin 1998
  • "Der Bevölkerung". Aufsätze und Dokumente zur Debatte um das Reichstagsprojekt von Hans Haacke, Köln 2000 (gemeinsam mit K. König)
  • Rudolf Arnheim, Stimme von der Galerie - 25 kleine Aufsätze zur Kultur der Zeit, Berlin 2004
  • Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart, Berlin und Nürnberg 2005 (gemeinsam mit R. Kudielka, A. Lammert u. G. Mattenklott)
  • Dissimulazione onesta oder Die ehrliche Verstellung. Von der Weisheit der versteckten Beunruhigung in Wort, Bild und Tat. Martin Warnke zu Ehren. Ein Symposium, Hamburg 2007 (gemeinsam mit H. Bredekamp, R. Tesmar u. F.-J. Verspohl)
  • Topos Atelier. Werkstatt und Wissensform. Berlin 2010 (gemeinsam mit M. Wagner)
  • Das Interview. Formen und Foren des Künstlergesprächs, Hamburg 2011
  • References

    Michael Diers Wikipedia