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Mesías Maiguashca

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Name
  
Mesias Maiguashca

Role
  
Composer




Education
  
Eastman School of Music

Mes as maiguashca ayayayay 1971


Mesías Maiguashca (born 24 December 1938), is an Ecuadorian composer, an advocate of the new music, especially electroacoustic music.

Contents

Mesías Maiguashca Universidad de las Artes UArtes

Mesi as maiguashca expresarte reportaje


Biography

Mesías Maiguashca httpswwwlatinoamericamusicanetbioimagesma

Born in Quito, Maiguashca studied music at the Conservatorio Nacional de Quito, at the Eastman School of Music in Rochester, NY (1958–65), with Alberto Ginastera at the Instituto di Tella in Buenos Aires, and at the Hochschule für Musik in Cologne. In 1965–66 he returned to Quito to teach at the National Conservatory, but then moved back to Germany to attend the Internationale Ferienkurse für Neue Musik in Darmstadt, and the Fourth Cologne Courses for New Music in 1966–67, where he studied with Karlheinz Stockhausen (Béhague 2001; Stockhausen 1971, 201–202). He is regarded as one of the central figures of the Cologne School, active since the mid-1970s (Kapko-Foretić 1980, 50).

Mesías Maiguashca Blog

Maiguashca worked closely with Stockhausen in the Electronic Music Studio of the Westdeutscher Rundfunk in Cologne from 1968 to 1972, and joined Stockhausen's ensemble for performances at the German Pavilion at Expo '70 in Osaka. He also prepared the recording of the collective composition Ensemble, organized by Stockhausen for the Darmstadt Courses in 1967. In 1971 he became a founding member of the Oeldorf Group of composers and performers, as well as beginning work at the Centre Européen pour la Recherche Musicale in Metz, at IRCAM in Paris, and at the ZKM, Zentrum für Kunst und Medientechnologie in Karlsruhe (Béhague 2001). He has taught in Metz, Stuttgart, Basel, Quito, and Győr, amongst other places. From 1990 to 2004 he was Professor of Electronic Music at the Musikhochschule of Freiburg im Breisgau, the town where he has lived since 1996.

Compositions

Mesías Maiguashca Mesas Maiguashca EXPRESARTE Reportaje YouTube

  • Iridiscente, for orchestra, sound objects & electroacoustics, 2009
  • Ton-Geographie IV for sound installation, violin, cello, flute, trombone & sound objects, 2007
  • Boletín y elegía de las Mitas, scenic cantata on the text by César Dávila Andrade, 2006-7
  • El Tiempo for 2 flutes, 2 clarinets, 2 cellos, 2 percussionists & electronics, 1999–2000
  • mini-ópera Los Enemigos, premiered: 31 October 1997 Karlsruhe, Germany.
  • The Spirit Catcher for cello & live electronics, 1993
  • La Seconde Ajouteé for 2 pianos. 1985
  • Fmelodies II for cello, percussion & tape, 1984
  • ...y ahora vamos por aquí... for 8 instruments & tape, 1977
  • ÜBUNGEN for violin & synthesizer, 1972
  • AYAYAYAYAY concrete music & electroacoustics, 1971
  • Writings

    Mesías Maiguashca Biographie

  • Maiguashca, Mesias. 1975. "Information zu Übungen für Violine, Klarinette und Violoncello." Feedback Papers 9 (Summer): 228–32.
  • Maiguashca, Mesias. 1985. "Zu FMELODIES" Neuland Jahrbuch 5:288–96.
  • Maiguashca, Mesias. 1987. "Espectro—armonía—melodía—timbre". Opus Magazine, no. 13 (June, edited by Arturo Rodas and translated by Ramiro Salvador Roldán): 10–19.
  • Maiguashca, Mesias. 1991. "Spectre—harmonie—mélodie—timbre." In Le timbre, métaphore pour la composition, edited by Jean-Baptiste Barrière, Catherine Delaruelle, and Anne Grange, translated by Esther Starkier and Alain Galliari, 402–11. Paris: Bourgois.
  • Discography

  • Computer Music Currents 5 (Wergo 20252):
  • Reading Castañeda (Wergo 20532):
  • FEEDBACK STUDIO KÖLN CD 2:
  • ORGEL MUSIK UNSERER ZEIT IV:
  • SurPlus Contemporáneos:

  • Mesías Maiguashca Mesas Maiguashca Ayayayay 1971 YouTube

    References

    Mesías Maiguashca Wikipedia