Suvarna Garge (Editor)

Merzbox

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Length
  
49:54:47

Producer
  
Merzbow

Release date
  
1991

Label
  
Extreme Records

Merzbox httpsimgdiscogscomJd8JVKIoOYBM6w9YuMUuDccos

Released
  
June 16, 2000 (2000-06-16)

Recorded
  
December 27, 1979 – March 30, 1997

Merzbox(2000)
  
Live at Radio 100(2000)

Artists
  
Merzbow, The Makers of the Dead Travel Fast, Scum

Genres
  
Noise music, Industrial music, Free improvisation

Similar
  
Merzbow albums, Noise music albums, Other albums

Merzbox is a box set compilation by the Japanese noise musician Merzbow. It consists of 50 CDs spanning Merzbow's career from 1979 to 1997. 30 discs are taken from long out of print releases, while 20 are composed mainly of unreleased material. The box also contains two CD-ROMs, six CD-sized round cards, six round stickers, a poster, a black long-sleeve T-shirt, a medallion, and the Merzbook, all packaged together in a "fetish" black rubber box. It is limited to 1000 numbered copies. A Merzbox Sampler was released in 1997.

Contents

The Merzbook, subtitled The Pleasuredome of Noise, is a 132-page hardcover book written by Brett Woodward with over 100 images. It contains an extensive biography, culled from previous interviews and articles, a new interview, and essays by Achim Wollscheid, Jim O'Rourke, Damion Romero, Eugene Thacker, and Jonathan Walker. Masami Akita provides extensive liner notes for each disc. The book was also released separately with the Merzrom included.

The Merzrom is an interactive multimedia CD-ROM, designed by Troy Innocent. A second CD-ROM contains various Extreme press and a catalog. The "Merzdallion" medallion was designed by Marcus Davidson. Art direction and design were by Doriana Corda. Audio mastering was by François Tétaz.

History

Extreme's original plan was to reissue Collaborative, their only vinyl release, for the label's tenth anniversary. There was then discussion of reissuing other early releases, with talk of a ten disc box, the number was finally set at 50 discs. The Merzbox was originally scheduled for release in late 1997, and available for pre-order, but kept getting delayed until it was finally released in 2000. It was officially launched on June 16, 2000 at Sónar, Barcelona, where Merzbow also performed.

Those who had pre-ordered received a two CD album called Decomposition with remixes of Eugene Thacker and Shane Fahey followed by the original tracks, the Merzbox Sampler, and two posters. These were then made available with purchase of the Merzbox for extra money.

The Merzbox was exhibited at Kunsthalle Wien, Vienna from April 4 to April 7, 2002. Merzbow performed opening and closing concerts. All 60 hours were webcast live.

In December 2002, Georgia Tech's student-run radio station WREK broadcast the entire 50-disc Merzbox without interruption. An article in Creative Loafing described the Merzbow Marathon as "what may be the most obscure and counterintuitive move in the history of radio."

Between the final recordings of the set and its release, Merzbow switched to using a laptop, having first acquired a Macintosh to work on the artwork for the set.

Masami Akita has stated in a 2009 interview that he has enough unreleased material for another 50 CD box. Between 2010 and 2013, he released four 10 box sets of unreleased raw material recorded from 1987 to 1997; Merzbient, Merzphysics, Merzmorphosis, and Duo. 2012 also saw the release of Lowest Music & Arts 1980–1983, a 10 LP box set that included some full-length albums only partially released in the Merzbox.

OM Electrique

The first noise recordings of Merzbow. Previously unreleased.

All tracks written by Masami Akita.

Personnel

  • Masami Akita – tape recorder, percussion, meditation, guitar, Merztronics, taped drums, voice, water

    • Metal Acoustic Music

    Earliest Merzbow recording available until the release of the Merzbox.

    All tracks written by Masami Akita.

    Notes

  • All tracks from Metal Acoustic Music cassette, Lowest Music & Arts, 1981

    • Personnel

  • Masami Akita – Merztronics, tape recorder, recorded percussion

    • Remblandt Assemblage

    First work using tape manipulation. Only a few copies distributed.

    All tracks written by Masami Akita.

    Notes

  • Mixed at Lowest Music & Arts, 1980
  • All tracks from Remblandt Assemblage cassette, Lowest Music & Arts, 1981

    • Personnel

  • Masami Akita – tapes, prepared acoustic guitar, noise, tabla, percussion, microphone, voice, radio, concret sounds, egg cutter

    • Collection Era Vol. 1

    The three Collection Era discs are compiled from the ten volume Collection series. The first five volumes were recorded for Ylem and consist of studio sessions with Kiyoshi Mizutani. However, Ylem went out of business before they could be released. Masami Akita then released them himself and recorded five more at home using previous Collection session recordings mixed with new material and effects.

    Notes

  • Mixed at Ylem/Gap Works, Tokyo, 3 June 1981
  • Tracks 1–2 from Collection 001 cassette, Lowest Music & Arts, 1981
  • Track 3 from Collection 002 cassette, Lowest Music & Arts, 1981

    • Personnel

  • Masami Akita – tapes, ring modulator, violin, tabla, voice, guitar, percussion, drums, radio
  • Kiyoshi Mizutani – drums on track 1, percussion on track 2, organ on track 3

    • Collection Era Vol. 2

    Note: The contents of CD 5 and CD 6 were switched (5 has eight tracks and 6 has seven), the info below is as it appears in the Merzbook.

    Notes

  • Mixed at Lowest Music & Arts, 1981
  • Tracks 1–4 from Collection 007 cassette, Lowest Music & Arts, 1981
  • Track 5 from Collection 009 cassette, Lowest Music & Arts, 1981
  • Tracks 6–7 from Collection 010 cassette, Lowest Music & Arts, 1982
  • Merztronics tape used on tracks 6–7

    • Personnel

  • Masami Akita – taped drums, tabla, guitar, tapes, Synare 3, percussion, ring modulated recorders, voice, endless tape, noise, rhythm box
  • Kiyoshi Mizutani – wood bass on track 6

    • Notes

  • Tracks 1–7 from Collection 008 cassette, Lowest Music & Arts, 1981
  • Track 8 from Tridal Production cassette, Lowest Music & Arts, 1982

    • Personnel

  • Masami Akita – guitar, tape, damaged tape recorder, bass guitar, Dr. Rhythm, ring modulator, percussion, rubber guitar, violin, tape loops, Synare 3, tabla, drums, synthesizer
  • Kiyoshi Mizutani – guitar on track 1, piano on track 4, violin on tracks 7–8

    • Paradoxa Paradoxa

    The first Merzbow live performance.

    Notes

  • Mastered from original live recording
  • Track 1 from Paradoxa Paradoxa cassette, Lowest Music & Arts, 1982
  • Track 2 previously unreleased

    • Personnel

  • Masami Akita – Merztronix, tape, solar organ on track 2, violin, Dr. Rhythm, alto saxophone, radio, feedback
  • Kiyoshi Mizutani – solar organ on track 1, violin, tape, piano
  • Masahiro Kurose – live recording

    • Material Action for 2 Microphones

    "Material Action" was a term for using household objects to make quiet sounds, which were then amplified, inspired by John Cage's "Cartridge Music". The term itself was taken from Otto Muehl. This recording was used as raw material for other works such as Material Action 2 N.A.M.

    Notes

  • Mixed at Lowest Music & Arts Studio, 1981
  • All tracks from Material Action for 2 Microphones cassette, Lowest Music & Arts, 1981

    • Personnel

  • Masami Akita – condenser microphone, environmental percussion, scratched sound, tapes, turntable, radio
  • Kiyoshi Mizutani – condenser microphone, percussion, additional synthesizer

    • Yantra Material Action

    Originally intended to be the first Merzbow LP, but it went unreleased. Six months later the label then asked again to release the LP, but Akita decided to record new material – which became Material Action 2 N.A.M. Includes reworks of past recordings with added effects and new instrumentation. The liner notes were to have been written by Fred Frith, who heard the tape and liked it.

    All tracks written by Masami Akita.

    Notes

  • Mixed at Junktion Music Works, 1981
  • All tracks from Yantra Material Action cassette, Lowest Music & Arts, 1983

    • Personnel

  • Masami Akita – tapes, junks, noise, percussion, radio, drums, guitar
  • Kiyoshi Mizutani – percussion, guitar, keyboards, synthesizer, tapes
  • H. Kawagishi – sound engineering

    • Solonoise

    Solonoise means "Solar-Noise", inspired by Georges Bataille's The Solar Anus.

    All tracks written by Masami Akita.

    Notes

  • Tracks 1–2 from Solonoise 1 cassette, Lowest Music & Arts, 1982
  • Track 3 from Solonoise 2 cassette, Lowest Music & Arts, 1982

    • Personnel

  • Masami Akita – electronics, ring modulator, violin, voice, treated tapes, acoustic guitar, Nil Vagina tape loop, treated percussion, Synare 3, TV, styrofoam
  • Kiyoshi Mizutani – violin, electric piano on track 1

    • Expanded Music

    Conceptual works manipulating various inputs using feedback processed audio mixer. Inspired by Stan Brakhage's scratched films.

    All tracks written by Masami Akita.

    Notes

  • Tracks 1-8 from Expanded Music 2 cassette, Lowest Music & Arts, 1982
  • Track 9 from Musick for Simulation World cassette, Lowest Music & Arts, 1983

    • Personnel

  • Masami Akita – TV test signal, feedback mixer, damaged tape recorder, Dr. Rhythm, tapes, percussion, synthesizer

    • Nil Vagina Tape Loops

    Featuring a four track tape recorder found in the street. A different sound was recorded on each track, and then played back randomly.

    All tracks written by Masami Akita.

    Personnel

  • Masami Akita – Sony 464 tape recorder, Nil Vagina tape loop, treated tapes, percussion, Synare 3, Dr. Rhythm

    • Notes

  • Track 1 from Solonoise 2 cassette, Lowest Music & Arts, 1982
  • Tracks 3–4 from Lowest Music 2 cassette, Lowest Music & Arts, 1982

    • Material Action 2 N.A.M

    The first Merzbow LP. The 2 in the title refers to Yantra Material Action, which was meant to be the first LP. Sounds include styrofoam and a typesetting machine (Kiyoshi Mizutani worked at a typesetting company at the time). Includes raw material from Material Action for 2 Microphones.

    Notes

  • All tracks from Material Action 2 N.A.M. LP, Chaos, 1983

    • Personnel

  • Masami Akita – tapes, junk percussion, electro-acoustical noise, organ, tape collage, recording, mixing
  • Kiyoshi Mizutani – tapes, synthesizer, violin, machine noise
  • H. Kawagishi – engineering

    • Mechanization Takes Command

    First release on ZSF Produkt. Akita changed the name of his label since he wanted to release other artists. Featuring the Synare 3, which was later destroyed by Bara on stage in the late 90s.

    All tracks written by Masami Akita.

    Notes

  • Mixed at ZSF Produkt Studio, Asagaya March 1983
  • All tracks from Mechanization Takes Command cassette, ZSF Produkt, 1983

    • Personnel

  • Masami Akita – Pearl drum kit, various percussion, tapes, TV, Synare 3, voice, tabla, Dr. Rhythm, ring modulator, guitar, feedback, synthesizer, recorder, scrap metals, devices

    • Dying Mapa Tapes 1-2

    Title inspired by the Nyingmapa school of Tibetan Buddhism. Made with different equipment and instruments than other recordings of the same period. Featuring instruments recorded on tape, then slowed down or played backwards.

    Notes

  • Produced by Lowest Music & Arts, 1982
  • Tracks 1–4 from Dying Mapa I cassette, Aeon, 1983
  • Track 5 from Dying Mapa II cassette, Aeon, 1983

    • Personnel

  • Masami Akita – tapes, radio, ring modulator, percussion, noise, rhythm box, guitar
  • Kiyoshi Mizutani – violin, percussion

    • Notes

  • Produced by Lowest Music & Arts, 1982
  • Track 1 from Dying Mapa II cassette, Aeon, 1983
  • Tracks 2–3 from Dying Mapa III cassette, Aeon, 1983

    • Personnel

  • Masami Akita – tapes, radio, ring modulator, percussion, noise, rhythm, junk electronics, TV, guitar, bass
  • Kiyoshi Mizutani – violin, percussion

    • Agni Hotra

    Originally intended to be the second Merzbow LP, but it went unreleased. Includes outtakes from Ushi-Tra, which is from the same period. Loops were included on Loop Panic Limited.

    Notes

  • Tracks 1–4 from first Agni Hotra master
  • Track 5 from second Agni Hotra master
  • Track 6 appeared with different mix on Ushi-Tra cassette, Cause & Effect, 1985
  • Track 7 from Ushi-tra recording session

    • Personnel

  • Masami Akita – distorted tape loops, metals, recorder, tapes, tape reel, percussion, shakujo, bells, noise

    • Pornoise 1kg Vol. 1

    In the 80s Masami Akita had a mail art project called Pornoise, in which he made collages using discarded magazines – in particular pornographic magazines – taken from the trash. These were then sent along with his cassettes, the idea being that his art was like cheap mail order pornography. Pornoise/1kg was released as part of these activities, the 1kg refers to the total weight of the original package. The voice on "Night Noise White" is taken from the "Halt Tape".

    All tracks written by Masami Akita.

    Notes

  • All tracks from Pornoise/1kg cassette box, ZSF Produkt, 1984

    • Personnel

  • Masami Akita – distorted Sony 464, feedback mixer, radio, loop tapes, Synare 3, rhythm box, ring modulator, devices
  • Kiyoshi Mizutani – taped typesetting machine noise and taped synthesizer on tracks 2–4 with distorted process

    • Pornoise 1kg Vol. 2

    Field recordings on "Dynamite Don Don" include street sounds recorded from a moving bicycle, and a house being demolished across from Akita's apartment.

    All tracks written by Masami Akita.

    Notes

  • All tracks from Pornoise/1kg cassette box, ZSF Produkt, 1984

    • Personnel

  • Masami Akita – distorted Sony 464, feedback mixer, loop tapes, Synare 3, ring modulator, field recording tapes, devices

    • Pornoise 1kg Vol. 3

    The voice on "UFO vs British Army" is taken from the "Halt Tape". Some other samples are from horror films.

    All tracks written by Masami Akita.

    Notes

  • All tracks from Pornoise/1kg cassette box, ZSF Produkt, 1984

    • Personnel

  • Masami Akita – distorted Sony 464, feedback mixer, loop tapes, Synare 3, ring modulator, devices

    • Pornoise Extra

    Additional tracks from the Pornoise 1kg sessions. Original release had different track titles.

    All tracks written by Masami Akita.

    Notes

  • All tracks from Pornoise/Extra cassette, ZSF Produkt, 1985

    • Personnel

  • Masami Akita – feedback mixer, radio, loop tapes, Synare 3, rhythm box, ring modulator, distorted Sony 464, devices
  • Kiyoshi Mizutani – sampled electric piano

    • Sadomasochismo/Lampinak

    Includes unused tracks for Batztoutai with Memorial Gadgets

    All tracks written by Masami Akita.

    Notes

  • Tracks 1–3 from Sadomasochismo cassette, ZSF Produkt, 1985
  • Tracks 4–6 from The Lampinak cassette, ZSF Produkt, 1985

    • Personnel

  • Masami Akita – various metal percussion, chain, loops, noise electronics, Synare 3, tapes

    • Mortegage/Batztoutai Extra

    Original recordings for the Batztoutai with Memorial Gadgets album. Includes samples from François Bayle, Conlon Nancarrow, Ivo Malec, Luc Ferrari.

    All tracks written by Masami Akita.

    Notes

  • Track 1 appeared edited on Batztoutai with Memorial Gadgets LP, RRRecords, 1986
  • Track 2 previously unreleased
  • Track 3 appeared in different order on Batztoutai with Memorial Gadgets LP

    • Personnel

  • Masami Akita – tapes, voice, electronics, scrap metals, percussion, field recordings

    • Enclosure/Libido Economy

    First of two cassettes made with raw material from Ecobondage, Vratya Southward being the second.

    All tracks written by Masami Akita.

    Notes

  • Tracks 1–3 from Enclosure cassette, ZSF Produkt, 1987
  • Track 5 from Enkele Gemotiveerde Produktiemedewerkers compilation, Midas Music, 1990
  • Track 6 from Network 77 compilation, Network 77, 1990

    • Personnel

  • Masami Akita – bowed instruments with piano wires, ring modulator, tapes, feedback mixer, effects, percussion, turntable

    • Vratya Southward

    Second cassette made with raw material from Ecobondage. "Electric Red Desart" includes a field recording of the Menkake gyōretsu (面掛行列?, mask procession) festival at the Goryō shrine in Kamakura. Masami Akita posted photos of the procession on his blog in 2010.

    All tracks written by Masami Akita.

    Notes

  • Tracks 1–2 from Vratya Southward cassette, ZSF Produkt, 1987
  • Track 3 previously unreleased

    • Personnel

  • Masami Akita – cymbals, various percussion, electronics, paper pipe, tapes, plastic, voice, flute, toy marimba, scratch records, electric violin on tracks 1–2; feedback mixer, piano strings on metal box on track 3

    • Live in Khabarovsk, CCCP – I'm Proud by Rank of the Workers

    First two of three performances. First performance was stopped for being "too wild", so they then played more conventionally. Includes Batztoutai material on backing tape, and Russian radio.

    Notes

  • Recorded live at Jazz-on-Amur '88, Khabarovsk, Russia
  • Live PA recordings by Russian staff
  • Remastered from original live recording
  • Different versions appeared on Live in Khabarovsk, CCCP LP, ZSF Produkt, 1988

    • Personnel

  • Masami Akita – electric bowed instruments, tape, radio on track 1; drums, tape on track 2
  • Kiyoshi Mizutani – piano, low feedback US MP guitar on track 1; piano, guitar on track 2

    • Storage

    Due to issues with sound quality, the recording was edited for the LP release. The full-length recording is released here for the first time. The working title for the album was War Storage, which is now used for the track titles.

    Notes

  • All tracks from Storage LP, ZSF Produkt, 1988

    • Personnel

  • Masami Akita – bowed instruments with piano wires, percussion, tapes, effects, guitar
  • Kiyoshi Mizutani – submitted raw material on track 2

    • Fission Dialogue

    Unreleased tracks from Ecobondage and Storage period.

    All tracks written by Masami Akita.

    Personnel

  • Masami Akita – cymbals, various percussion, electronics, voice, byan, bowed instruments, paper pipe on tracks 1–2; noise electronics, turntable, scrap metals on track 3

    • Collaborative

    Essay by Jonathan Walker from the original LP is reprinted in the Merzbook.

    Notes

  • Track 1 recorded at ZSF Produkt on 8 March 1988
  • Track 2 produced 1988
  • Track 3 recorded at ZSF Produkt (live) on 1 May 1988
  • All tracks from Collaborative LP, Extreme, 1988

    • Personnel

  • Masami Akita – tapes, metals, scratch, guitar, mixing on track 3
  • Kiyoshi Mizutani – samples, guitar, balalaika, byan on track 3
  • Achim Wollscheid – raw materials on track 1, production on track 2

    • Crocidura Dsi Nezumi

    "Unplugged noise" made using household objects; violin sound is violin bow on plastic cassette case or wood, acoustic guitar is a rubber band, Tibetan trumpet is a toilet paper tube, electrical sounds are made with metal. "Environmental drums" are the floor, gas stove, the spring of a table lamp.

    Names are taken from the Latin names of the Dsinezumi shrew, Japanese stoat, and Japanese least weasel. Other titles were inspired by Frank Zappa's song "The Return of the Son of Monster Magnet" and Sun Ra's album Strange Strings.

    All tracks written by Masami Akita.

    Notes

  • Tracks 1-2 from Crocidura Dsi Nezumi cassette, ZSF Produkt and Banned Production, 1988
  • Track 3 previously unreleased

    • Personnel

  • Masami Akita – environmental drums, bowed instruments, paper pipe, plastic, woods, flute, insects, effects on tracks 1–2; bowed instruments, motor, noise electronics on track 3

    • KIR Transformation

    From a concert with Achim Wollscheid: first Merzbow played, then Wollscheid played using a recording of Merzbow's set, then Merzbow and Wollscheid played together.

    All tracks written by Masami Akita and Achim Wollscheid.

    Notes

  • Edited by Achim Wollscheid, 1997

    • SCUM Vol. 1

    SCUM was project to create new works out of previous Merzbow sessions using cut-ups, effects, and mixing. Name taken from the SCUM Manifesto. The track titles influenced by American post-war art. This was last LP record on ZSF Produkt.

    All tracks written by Masami Akita.

    Notes

  • Order of this CD is same as the original master tapes
  • Tracks 2–5 previously unreleased
  • All others from Scissors for Cutting Merzbow LP, ZSF Produkt, 1989

    • Personnel

  • Masami Akita – electronics, tapes, bowed instruments, percussion, metal junks, motor, piano wires, noise generator, drums, guitar, radio
  • Kiyoshi Mizutani – junks, effects on raw materials

    • SCUM Vol. 2

    All tracks written by Masami Akita.

    Notes

  • Order of this CD is same as the original master tapes
  • Track 4 previously unreleased
  • All others from Scissors for Cutting Merzbow LP, ZSF Produkt, 1989

    • Personnel

  • Masami Akita – electronics, tapes, bowed instruments, percussion, metal junks, motor, piano wires, noise generator, guitar, electric shaver, radio, effects
  • Kiyoshi Mizutani – guitar, junks, effects on raw materials

    • Severances

    Includes two covers, "Deaf Forever" by Motörhead and the Jimi Hendrix version of "Wild Thing".

    All tracks written by Masami Akita.

    Notes

  • Drum track of "Rap the Khabarovsk" was recorded live in Russia
  • All tracks from Severances cassette, Discordia/Concordia, 1989

    • Personnel

  • Masami Akita – tapes, turntables, electronix, drum kit, percussion, voice, metal percussion, bowed instruments, electro-shaver, motor, self-made junk
  • Kiyoshi Mizutani – tape materials: guitar on tracks 1 and 3; keyboard, computer rhythm on track 2

    • Steel CUM

    The EP on Vertical Records was remixed and released without permission, with the cover made using one of Masami Akita's collages. "But a result of EP was fine. So, I'm agreed. But EP is still bootleg."

    All tracks written by Masami Akita.

    Notes

  • Mixed at ZSF Produkt Studio 1989
  • All tracks from Steel Cum cassette, ZSF Produkt, 1990
  • Some parts appeared on Steel Cum 7", Vertical, 1992

    • Personnel

  • Masami Akita – guitar, drums, tapes, electronics, metal bowed instruments, feedback mixer, turntable
  • Kiyoshi Mizutani – drums, guitar on some parts

    • Cloud Cock OO Grand

    During the European tour in 1989, Masami Akita could only bring simple equipment, and created a new live electronics style, different from his acoustical and tape based studio work, leading to the harsh noise Merzbow became known for in the 1990s. Cloud Cock OO Grand was the first example of this style, Merzbow's first digital recording, and the only CD on ZSF Produkt.

    All tracks written by Masami Akita.

    Notes

  • Mixed at ZSF Produkt Studio 17 April 1990
  • Track 4 includes live recordings at V2, 's-Hertogenbosch, and Diogenes, Nijmegen, September 1989
  • All tracks from Cloud Cock OO Grand CD, ZSF Produkt, 1990

    • Personnel

  • Masami Akita – tapes, noise electronics, metals, distorted DBX, turntable, loops, bowed instruments, metal harp, short wave
  • Reiko Azuma – bowed instruments on track 4
  • Peter Duimelinks – original live recordings

    • Newark Hellfire, Live at WFMU, USA

    Radio session from Merzbow's first American tour.

    Notes

  • Live recording by WFMU
  • Remastered from original recording at ZSF Produkt Studio
  • An excerpt appeared on Great American Nude / Crash for Hi-Fi CD, Alchemy, 1991

    • Personnel

  • Masami Akita – feedback audio mixer, metals, electronics, electric shaver
  • Reiko Azuma – metals, bowed instruments

    • Hannover Cloud

    Features outtakes from Hannover Interruption and Cloud Cock OO Grand. "Rocket Bomber" uses raw materials from Sadomasochismo.

    All tracks written by Masami Akita.

    Notes

  • Tracks 1–2 outtakes from Hannover Interruption LP, Dradomel, 1990
  • Track 3 outtake from Cloud Cock OO Grand CD, ZSF Produkt, 1990
  • Track 4 different mix appeared on Cloud Cock OO Grand

    • Personnel

  • Masami Akita – noise electronics, metals, tapes

    • Stacy Q, Hi-Fi Sweet Leaf

    Originally made as raw material for "Crash for Hi-Fi", "Wing Over", and "Another Crash for High Tide". Includes the use of a scratched Cloud Cock OO Grand CD.

    All tracks written by Masami Akita.

    Notes

  • All tracks no editing

    • Personnel

  • Masami Akita – noise electronics, tapes, scratched CD, radio, sound effect records, guitar

    • Music for True Romance Vol. 1

    Backing tracks made for True Romance, a performance art project with Seido and Bara.

    All tracks written by Masami Akita.

    Notes

  • Tracks 1–4 made for Blood Orgy of the She Dolls soundtrack, 1992
  • Track 5 made for "Isis and Secret Army Hyper Vivisection" performance at MOMA, Kyoto, 1993

    • Personnel

  • Masami Akita – tapes, electronics, disks

    • Brain Ticket Death

    Track 4 samples Brainticket's self-titled song from their album Cottonwoodhill. It's also a reference to Nurse with Wound, who used the same bit on Brained by Falling Masonry.

    All tracks written by Masami Akita.

    Personnel

  • Masami Akita – noise electronics, metals, turntable, bass, guitar

    • Sons of Slash Noise Metal

    Tracks 1 and 3 were made as raw material for recordings of the same period. Track 2 is a remix of a fragment.

    All tracks written by Masami Akita.

    Notes

  • All tracks remastered from original mother tape, no editing

    • Personnel

  • Masami Akita – metals, noise electronics, scratched CD, radio, tapes

    • Exotic Apple

    Includes Arthur Lyman samples. Yuuri Sunohara is a director, producer, model etc. for Kinbiken/Right Brain. "Apple Rock" includes unused material originally made for Flying Testicle.

    All tracks written by Masami Akita.

    Notes

  • Track 1 from Melt compilation, Work In Progress, 1992
  • Track 2 from Land of the Rising Noise compilation, Charnel House, 1993

    • Personnel

  • Masami Akita – tapes, noise electronix, metals, guitar, EMS Synthi A, Roland TR-606

    • Liquid City

    Originally intended to be part of a CD+CD-ROM called Scatologic Baroque, but it was canceled. The material for the CD-ROM was use for the book Anal Baroque. Part of the "World Trilogy" with Magnesia Nova and Green Wheels. "Liquid City 17-1-95" was recorded on the same day as the Great Hanshin earthquake. "Tiabguls" is a Throbbing Gristle tribute.

    All tracks written by Masami Akita.

    Notes

  • Track 3 from Entertainment Through Pain compilation, RRRecords, 1995

    • Personnel

  • Masami Akita – noise electronics, metals, EMS, voice

    • Red Magnesia Pink

    Outtakes from Red 2 Eyes, Magnesia Nova, and Pinkream.

    All tracks written by Masami Akita.

    Personnel

  • Masami Akita – EMS Synthi 'A', noise electronics, metal, filters, voice

    • Marfan Syndrome

    "Marfan Syndrome for Blue" is first track to use EMS synthesiser. Track 2 is a reference to Claes Oldenburg, who creates oversized sculptures of everyday objects, including soft sculptures.

    All tracks written by Masami Akita.

    Notes

  • Track 1 appeared with different mix on Eternal Blue Extreme compilation, Somnus, 1994
  • Track 4 appeared edited on Coruscanto by Reiko Azuma, Nekoisis, 1995
  • All others previously unreleased

    • Personnel

  • Masami Akita – noise electronics, EMS, Synare 3, metals, rubber bass guitar, telephone signal, tape, voice
  • Reiko Azuma – voice on tracks 1 and 5

    • Rhinogradentia

    Named after a fictitious order of mammals. Masami Akita performed solo twice as Zecken, playing this style.

    All tracks written by Masami Akita.

    Notes

  • Remixed in 1997

    • Personnel

  • Masami Akita – noise electronics, EMS, audio generator, filters

    • Space Mix Travelling Band

    Tracks 1–2 are based on four channel tape: two channels recorded in 1994 and used on tracks of the same period, and two channels of EMS recorded in 1996. Additional EMS and Moog overdub and final mix in 1997.

    All tracks written by Masami Akita.

    Notes

  • Raw materials of tracks recorded during 1994–1996
  • Track 3 different mix used as raw material for Brisbane–Tokyo Interlace with John Watermann, Cold Spring, 1996

    • Personnel

  • Masami Akita – noise electronics, EMS, Moog, metals, voice, tapes

    • Motorond

    Track 1 was most recent live performance when Merzbox was compiled.

    Notes

  • All remixed at ZSF Produkt Studio, April 1997
  • Track 2 last 10 minutes appeared on Non Stop Noise Party, Hond in de Goot, 2000

    • Personnel

  • Masami Akita – noise electronics, Novation Bass Station, metals, pressure pedal
  • Bara – voice

    • Annihiloscillator

    Selection of recent tracks when Merzbox was compiled. Track 3 is a reference to Marguerite Yourcenar's Dark Brain of Piranesi, an essay about Giovanni Battista Piranesi's Carceri prints.

    All tracks written by Masami Akita.

    Notes

  • Raw material for track 2 recorded live in California, 1995
  • Track 4 appeared on Merzbow/Kadef split 10", Dreizehn, 1997

    • Personnel

  • Masami Akita – metal, noise electronix, EMS on tracks 1–2, Theremin on tracks 1–4, Moog on track 4
  • Reiko Azuma – noise on track 2
  • Bara – voice on track 2

    • Songs

    1Tael of a Saeghors4:50
    2The Shadows of Mde Velo's Story2:35
    3Row Boat2:12

    References

    Merzbox Wikipedia
    (Text) CC BY-SA


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