Mephistopheles

Etymology

The word may derive from the Hebrew מֵפִיץ (mêp̄îṣ) which means "scatterer, disperser", and tophel, short for ט֫פֶל שֶׁ֫קֶר (tōp̄el šeqer) which means "plasterer of lies". The name can also be a combination of three Greek words: μή (mḗ) as a negation, φῶς (phō̃s) meaning "light", and φιλις "philis" meaning "loving", making it mean "not-light-loving", possibly parodying the Latin "Lucifer" or "light-bearer".

Inside the Faust legend

The name Mephistopheles is associated with the Faust legend of a scholar, based on the historical Johann Georg Faust. In the legend, Faust wagers his soul with Mephistopheles.

The name appears in the late 16th century Faust chapbooks. In the 1725 version, which Goethe read, Mephostophiles is a devil in the form of a greyfriar summoned by Faust in a wood outside Wittenberg.

From the chapbooks, the name entered Faustian literature. Many authors have used it, from Christopher Marlowe to Goethe. In the 1616 edition of The Tragical History of Doctor Faustus, Mephostophiles became Mephistophilis.

Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz' Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito's Mefistofele (1868), Klaus Mann's Mephisto, and Franz Liszt's Mephisto Waltzes.

Interpretations

Although Mephistopheles appears to Faustus as a demon – a worker for Lucifer – critics claim that he does not search for men to corrupt, but comes to serve and ultimately collect the souls of those who are already damned. Farnham explains, "Nor does Mephistophiles first appear to Faustus as a devil who walks up and down on earth to tempt and corrupt any man encountered. He appears because he senses in Faustus’ magical summons that Faustus is already corrupt, that indeed he is already 'in danger to be damned'."

Mephistopheles is already trapped in his own hell by serving the Devil. He warns Faustus of the choice he is making by "selling his soul" to the Devil: "Mephistophilis, an agent of Lucifer, appears and at first advises Faust not to forgo the promise of heaven to pursue his goals”. Farnham adds to his theory, "...[Faustus] enters an ever-present private hell like that of Mephistophiles".

Outside the Faust legend

Shakespeare mentions "Mephistophilus" in the Merry Wives of Windsor (Act I, Scene I, line 128), and by the 17th century the name became independent of the Faust legend. According to Burton Russell, "That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms." Mephistopheles is also featured as the lead antagonist in Goethe's Faust, and in the unpublished scenarios for the Walpurgis night he and Satan appear as two separate characters.