Name Matthew Shenoda Role Poet | Awards American Book Awards | |
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Books Somewhere Else, Tahrir Suite: Poems |
Matthew Shenoda and John Carlos Perea at P4P
Matthew Shenoda is an Egyptian poet, writer, and professor based in the United States.
Contents
- Matthew Shenoda and John Carlos Perea at P4P
- Furious Flower presents Kwame Dawes and Matthew Shenoda
- Life
- Awards
- Books
- Anthologies
- Reviews
- References
Furious Flower presents Kwame Dawes and Matthew Shenoda
Life
Raised in California, Matthew Shenoda is a writer and educator whose poems and writings have appeared in a variety of newspapers, journals, radio programs and anthologies. He has been twice nominated for a Pushcart Prize and his work has been supported by the California Arts Council and the Lannan Foundation among others.
His debut collection of poems, Somewhere Else (Coffee House Press), was named one of 2005's debut books of the year by Poets & Writers Magazine and was winner of a 2006 American Book Award. He is also the author of Seasons of Lotus, Seasons of Bone (BOA Editions Ltd.), editor of Duppy Conqueror: New & Selected Poems by Kwame Dawes, and author of Tahrir Suite: Poems (TriQuarterly Books/Northwestern University Press).
Shenoda lectures widely and has taught extensively in the fields of ethnic studies and creative writing. The former Assistant Provost for Equity & Diversity and faculty in the School of Critical Studies at California Institute of the Arts, Shenoda also served as Associate Dean of the School of Fine and Performing Arts at Columbia College Chicago and is currently Dean of Academic Diversity, Equity, and Inclusion and Professor of English and Creative Writing at Columbia College Chicago. Additionally, Shenoda has served on the Board of Directors of several arts and education organizations and is a founding editor of the African Poetry Book Fund.
Awards
Books
Anthologies
Reviews
Matthew Shenoda's Somewhere Else is today's poetry--filled with the immediacy of contemporary concerns of the diasporic identity. As Shenoda brings alive the images of the ancient, pre-Islamic Coptic community of Egypt and transports them into the American landscape and consciousness, one can see him challenging the political rhetoric of a world divided into "us" and "them."