Occupation(s) Musician, composer Name Matt Mitchell Instruments Piano Role Composer | Years active Late 1990s–present Genres Jazz Website mattmitchell.us | |
Born July 19, 1975 (age 48) ( 1975-07-19 ) Albums Vista Accumulation, A History of Madness, Fiction Music group Thinking Plague (1999 – 2004) Similar People Ches Smith, Mario Pavone, Rudresh Mahanthappa, Tyshawn Sorey, Tim Berne | ||
Matt mitchell
Matthew Mitchell (born July 19, 1975) is an American jazz pianist and composer. He is also part of the faculty of the New York-based Center for Improvisational Music.
Contents
- Matt mitchell
- Dedication matt mitchell at the stone
- Early life
- Later life and career
- Playing style
- Compositions
- Awards
- Discography
- References
Dedication matt mitchell at the stone
Early life
Mitchell was born on July 19, 1975. He grew up in Exton, Pennsylvania. He first played the piano aged six, and composed from the age of 10. He had lessons in jazz and theory at a university from the age of 12. At this stage he was influenced by pianists Keith Jarrett and Herbie Hancock.
Later life and career
Mitchell attended Indiana University for three years and then, in the late 1990s, he completed a master's degree at the Eastman School of Music and settled in New York. In 1999, he contacted saxophonist Tim Berne for some of his scores, but did not pursue the contact further at that point. Mitchell had various jobs in New York, but chose to return to Philadelphia. He then worked in a library for nine years, before leaving when he had too many gigs to fit in.
In 2011, Mitchell had a sextet named Central Chain. In 2012, Mitchell introduced a new trio, containing Chris Tordini on bass and Dan Weiss on drums. In the early 2010s, Mitchell was also part of Berne's Snakeoil band, and John Hollenbeck's Large Ensemble and Claudia Quintet.
In 2014, Mitchell joined Rudresh Mahanthappa's band, and recorded with the saxophonist later that year.
Mitchell has written and published several collections of études.
Playing style
A New York Times reviewer commented in 2011 that Mitchell "feels close to the consensus language of straight-ahead jazz but wants to get beyond it. He does it with hands moving in independent parts, with polyrhythms, with music that approaches the technical level of études but that churns and whirls and leaves spaces for broad interpretation." The following year, another observed that "Mitchell has his guideposts as an improviser, including Paul Bley and Andrew Hill, pioneers of stubborn poise and self-containment".
Compositions
Mitchell commented that "I aim to think compositionally when improvising and think improvisationally when composing – trying to expand what is possible in both scenarios."
Awards
Mitchell was awarded a Pew Fellowships in the Arts in 2012.
Discography
An asterisk (*) indicates that the year is that of release.