Mary Hutton (poet)

Early life 1794-1831

In the preface to her third collection, Mrs Hutton, born Mary Taylor, relates how she was a twin and the only one in a family of twelve children to suffer from scurvy. When her family moved to London, Mary's health forced her to remain in Wakefield. Some years later, she left for Sheffield and there met and married Michael Hutton, a cutler some twenty-five years older with two children from a previous marriage. Her husband was in poor health and later on found he had been defrauded by the Benefit society to which he had been paying contributions.

Needing to contribute to their finances, Hutton wrote a letter in 1830 to John Holland, a prominent city author, appealing for help in publishing a volume of her poetry. Holland agreed to raise subscriptions on her behalf and records, in the preface he wrote for it, how he decided to meet Mary in person. He found her living in Butcher's Buildings, Norris Field, “the wife of a pen-knife cutler, whose lot, it seems, had constituted no exception to the occasional want of employment and paucity of income, so common with many of his class.” Titled Sheffield Manor and Other Poems, the bulk of the pieces there are of the descriptive, topographical kind such as Holland himself had composed at his debut. Early publicity emphasised Mary’s status as “wife of a poor pen-knife cutter in Sheffield”.

History

Working Class Women Poetry describes the works of the voices behind the machinery and factories of the Victorian era. Critic Megan Timney argues that working class women poets engaged with nineteenth century class politics and their simple use of diction and themes resonated with. This poetry calls for equality in the workplace, fair compensation and the improvement of working conditions. In Mary Hutton and The Development of a Working-Class Women’s Political Poets, author Meagan Timney examines how working-class women of the Victorian era in Britain were deemed unimportant or unrecognized in comparison to working class males. As a result of this injustice, many female poets from this time period did not receive the proper recognition they deserved. Many women authors did not receive credit for their works since it was hard to trace an author to her work during this time. Only recently has their history been discovered. Timney argues that working class women poets engaged with nineteenth century class politics and their simple use of diction and themes resonated with Chartist poetry. In works written by Mary Hutton, she incorporated issues of the day during the 1830’s and 1840’s by politicizing both gender and class while carefully walking a line of legislative changes and political revolution. Other than Mary Hutton, there are other examples of poetry by other working-class women during the late 1800’s through the early 1900’s. Besides Hutton, there were also others who had their own stance on the treatment of the working-class. These women poets were helpful because of their influencing ideas for revolutionary change and the commitment to justice. Hutton, a Chartist Poet, focused on political subjects and observed the workings of justice and how women of the working class were treated. Working Class Women often were denied access to the reforms of the Chartist movement, thus denied the right to fight for their worker’s rights. Current research of Mary Hutton has opened doors for further research on female working poets like Hutton to be credited as equal to other working class writers. The importance of this poetry highlights the specifics of the working class during this time period, and how work matters to society.

A radical poetic

By the time of the preface to her next collection, The Happy Isle (1836), Hutton acknowledged labouring class support in the city “from a number of very respectable and worthy Mechanics, who think that they discern in my writings sufficient merit to justify their presentation to the world”. But, she continued, she would have preferred to publish in its place a 4-canto narrative poem set in the time of Henry VIII and titled “Sir Hubert de Vere”. Though some shorter narratives do appear in the book, contemporary issues are also highlighted. These include an outbreak of cholera, the new Poor Law Amendment Act 1834, and “A factory girl and her father”, a consideration of child labour in which Hutton contrasts British interference abroad with a national blindness to domestic issues.

Another poem deals with a widely reported case "of a poor girl who was taken before a Magistrate for weeping over her father's grave" - which, said a Scottish commentator in Tait's Magazine, "must surely be a new misdemeanour in England". Meagan Timney has commented on the political stance she takes that "Hutton’s poems on the Poor Law and poverty are strikingly aligned with the poetry of the Chartist movement in both her appropriations of images of slavery and her use of discourses on human rights and freedom".

The master theme is already announced in Hutton's title poem, “The Happy Isle”, in which she presents a Utopia which is the obverse of the present:

The third line quoted here takes up another item reported at the same time as the girl arrested for weeping at her father’s grave. In this case a parish overseer “had recommended a poor woman to sell the body of her child to the surgeons when she had applied to him for the means to bury it". Such were the results of the new poor law that Hutton and many other radical contemporaries were deploring. But even when dealing with a literary theme, as in “On reading Childe Harold's Pilgrimage", she tempers her sincere praise by going on to extend Byron's radical views into consideration of modern social issues in France and England. A further foreign theme, the suppression of the Polish November uprising, is carried forward into her next work too, Cottage Tales and Poems (1842).

Death and later reputation

After these publications, facts about Mary Hutton are hard to come by. In the 1851 census entry, she is listed as a widow aged 59 and her occupation is given as “Poetess.” John Holland later recorded that she died in Sheffield's Shrewsbury Hospital in the spring of 1859.

The poet has now been identified as an important figure in 19th century political writing by Ian Haywood in The Literature of Struggle: An Anthology of Chartist Fiction (1995), in which she is identified as "the only woman author of Chartist Fiction.” More recently, John Goodridge’s Nineteenth-Century English Labouring-Class Poets: 1800–1900 (2005) collected five of Hutton’s poems and Meagan Timney has explored her radical poetics.