Residence Madrid, Spain | ||
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Born 1945 Bilbao, Spain Education Escuela Superior de Bellas Artes de San Fernando
The School of the Art Institute of Chicago
Corcoran School of the Arts and Design Employer Artist
Vice-president of MAV | ||
Marisa González (born 1945, Bilbao) has been a Spanish multimedia artist for over 40 years. She is considered a pioneer in Spain for the use of the new technologies in contemporary art. She works in distinct disciplines like photography, installations, video-art or net-art. She has been Vice President of MAV, Mujeres en las Artes Visuales (Women in the Visual arts) since 2010.
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Biography
Marisa González was born in 1945 in Bilbao, Spain where she studied piano. In 1967 she moved to Madrid to study in the Escuela Superior de Bellas Artes de San Fernando. Meanwhile, while studying in 1970, she organized the First Permanent Exhibition in the School of Fine Arts of Madrid where she participated with students and recognized professional artists of that period. She finished her studies in 1971.
That same year she moved to United States to complete a Master's degree at the School of the Art Institute of Chicago (SAIC) where she specialized in the use of new technologies applied to the artistic practices in the department of Generative Systems where she studied with the founder, Sonia Landy Sheridan.
In 1974, she joined the program for professional young artists at the education center of contemporary art in the Corcoran Gallery of Art of Washington DC, the Corcoran School of the Arts and Design. It is here where she developed her feminist project Violence Woman, together with her professor Mary Beth Edelson.
During her studies in US, she participated in the demonstrations against the War of Vietnam.
In 1977, she graduated with a BFA from the Corcoran School of the Arts and Design. The following year, she returned to Madrid to continue her artistic work and began her first individual exhibitions.
She was part of the first edition of the Contemporary Art Fair of ARCO in 1982 with artists like Paloma Navares and other artists of the Gallery Aele. Some years afterwards, she participated in the inaugural exhibition of the Museo Nacional Centro de Arte Reina Sofía (Madrid,1986) called Procesos: Culture and New Technologies together with her professor Sonia Landy Sheridan and other artists like Marina Abramović, John Cage, José María Yturralde, and Salvador Dalí, among others.
In 1992, she directed in the Circle of Fine Arts of Madrid a workshop of Contemporary Art called The poetic of technology. In the following year, together with her students, she made Station Fax/Fax Station, an interactive installation that works through Fax machines. This same year she began a series, Clónicos , in which she uses dolls in reference to the human body.
With the arrival of the new millennium, she initiated a project on the decadence of the industrial buildings of the 20th century called La Fábrica, that documents the disassembly of an old flour factory in Bilbao. Later, she would also document the disassembly of the Nuclear power plant Lemóniz Nuclear Plant that was never active.
Her last feminist projects show images of women from different cultures, following the same concept of her other projects, as a process of documentation. Between these projects are Ellas filipinas, El mensaje del Kanga and Burma. In 2012, she was the only artist invited to participate at the Venice Biennale of Architecture, in the exhibition Common Ground, curated by David Chipperfield, where she showed Ellas filipinas. She also participated in 2013 at the group exhibition Genealogías Feministas in the MUSAC of León together with other artists like Pilar Aymerich, Eugenia Balcells, Carmen Calvo or Eva Lootz between others.
In 2015, she made a retrospective exhibition, Registros Domesticados, at the space of Tabacalera Promoción del Arte of Madrid. and at the Contemporary Museum CGAC Centro de Arte Contemporaneo Gallego 2016.