Marcel Grandjany

Early life

Marcel Grandjany was born in Paris and began the study of the harp at the age of eight with Henriette Renié. At age eleven, he was admitted to the Conservatoire de Paris, where he studied with Alphonse Hasselmans, winning the coveted Premier Prix at age thirteen.

Career

At seventeen he made his debut with the Concerts Lamoureux Orchestra, and gave his first solo recital, winning immediate acclaim. He appeared with Maurice Ravel in Paris in 1913. His London debut was in 1922 and his New York debut in 1924. He appeared as soloist with major orchestras under the direction of Gabriel Pierné, Alfred Cortot, Walter Damrosch, Serge Koussevitzky, George Szell, Fritz Reiner and Vladimir Golschmann, among others.

From 1921 to 1926, he headed the harp department of the Fontainebleau Summer School. He moved to the United States in 1936 and was appointed head of the Harp Department at the Juilliard School in 1938, where he taught until his death in 1975. In 1943 he was chosen to organize the harp department of the Conservatoire de musique et d'art dramatique à Montréal, and for the next twenty years he traveled monthly from New York to Montréal. He was also head of the harp department at the Manhattan School of Music from 1956 to 1967. Notable students include American harpists Nancy Allen, Anne Adams, Catherine Gotthoffer, Emily L. Oppenheimer, Ruth Inglefield, Kathleen Bride, Karen Lindquist and Eileen Malone. He also taught Anna Clark, the second wife of William A. Clark; she was also his patron.

At the First International Harp Contest in Israel in 1959, Pierre Jamet of France proposed the formation of an international association of harpists. Grandjany undertook to see what he could do in the United States and chaired a committee of leading harpists. The Founding Committee met for the first time on 3 December 1962 in his apartment at 235 W. 71 St, Apartment 32. Over the years, he was a member of the Board of Directors, Regional Director, Chapter Chairman and President of the New York Chapter. He generously performed at AHS conferences; in 1964 at the first conference and in 1967, a solo recital which was his last public performance. He supported the educational goals of the Society vigorously and delighted in the American Harp Society's growth and community. He died in New York City.

Selected works

1. Rêverie
2. Nocturne
3. Barcarolle

1. Sally and Dinny Duet
2. Eleanor and Marcia Duet

1. Greetings
2. Zephyr
3. In Dancing Mood
4. A Butterfly
5. Deep River Interlude for 3 harps
6. The Pageant Begins
7. On a Western Ranch
8. Through the Meadows

1. Canon
2. Fughetta
3. Final

1. Le bon petit roi d'Yvetôt
2. Et ron ron ron, petit patapon

1. Legato
2. Phrasing
3. 4th Finger
4. Rhythm

1. Joyful Overture: In the Style of Purcell
2. Gigue: Remembrance of Kuhnau
3. Gavotte: Reverence to Lully
4. Siciliana: Aeolian Mode
5. Passepied: Homage to the Couperins
6. Bourrée: In the Style of Handel