Manoos

Plot

Shahu Modak plays the role of an honest policeman, Ganpat, who on his beat round meets a prostitute, Maina (Shanta Hublikar). He saves her when there is a police raid on the sex-workers. Over their several meetings he falls in love with her. He attempts Maina's rehabilitation by getting her out of that atmosphere by marrying her. In this endeavour he takes her to meet his mother to get her approval. The social disapproval brings misery. Modak resorts to drinks and descends into alcoholism. Maina is driven by guilt and is unable to bear the jeers and snide remarks. She finally kills her evil uncle and refuses Ganpat's help when arrested.

Cast

Review

Shantaram was "admired" as a visionary for his social reformist films like Padosi or Shejari in Marathi about Hindu/Muslim unity, Aadmi/Manoos for the topic of alcoholism as well as upliftment of women, and Duniya Na Mane/Kunku for women's emancipation. The film completed 75 years in 2014, and still "remains fresh". The film is stated to be "classic" along with his other two films Kunku (1937) and Padosi (Shejari) (1941), and cited as one of the "best social films" that became successful. It was appreciated by the audiences and commended by Charlie Chaplin.

Production

Shantaram had initially decided to take Shanta Apte as the sex-worker and had auditioned the music director Vasant Desai for the hero's role. Desai's screen test was successful, however, he was disappointed when Shantaram informed him that he was taking the newcomer Shahu Modak for the part. Modak's debut role had been as a child star opposite Shanta Apte in Shyam Sunder (1932), where he played the child Krishna. With Manoos/Aadmi he became a "top level star". Shantaram visited the red light areas of Bombay in order to achieve accurate sets, which were recreated by S. Fattelal at Prabhat Studios. Director Shyam Benegal stated in the news report that "it was hard to believe" the scenes were shot in a studio. A retired army officer was hired to give training to Modak and the other cast playing policemen. The training sessions turned out be vigorous and lengthy and Modak had to ask them to be stopped.

The film bore some similarity to Waterloo Bridge (1931), directed by James Whale.

Soundtrack

The music composer was Master Krishnarao and the lyricist was Anant Kanekar. The song, "Kashala Udyachi Baat- Hi Sarun Chalali Raat" (Why do you worry about tomorrow, the night is slipping away)' became popular. It contained a mix of six Indian languages, Marathi, Hindi, Tamil, Telugu, Bengali, Gujarati and Punjabi. According to Anil Damle, grandson of Vishnupant Govind Damle, the music composer Anil Biswas and other regional composers were hired to get "the correct lyrics and pronunciation".