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Maija Grotell

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Known for
  
Ceramics

Name
  
Maija Grotell

Role
  
Artist


Maija Grotell Grotell The Marks Project

Born
  
August 19, 1899
Helsinki, Finland

Nationality
  
Finnish (naturalized U.S. citizen, 1934)

Awards
  
Diploma di Colabrador, Barcelona International Exhibition (1929);Silver Medal, Paris International Exhibition (1937);Excellence in Teaching Award, the National Council on Education for the Ceramic Arts (1999, awarded posthumously)

Died
  
December 6, 1973, Pontiac, Michigan, United States

Education
  
New York State College of Ceramics

Radical Glazes, Monumental Forms, Ghetto Pots lecture Pt 1, 2-6-2016


Maija Grotell (August 19, 1899 – December 6, 1973) was a ceramics artist and teacher. She is sometimes described as the “mother of American ceramics”. Grotell was born in Helsinki, Finland, and emigrated to New York in 1927. After arriving in New York she studied at the New York State College of Ceramics at Alfred University. From 1927 until 1938 she taught at various positions in New York City, ultimately departing the city to take a position as head of the ceramics department at the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where one of her colleagues was the architect Eliel Saarinen. Grotell retired from Cranbrook in 1966. She died on December 6, 1973, in Pontiac, Michigan.

Contents

Maija Grotell Ceramics Today Maija Grotell

Grotell was considered to be an innovative and gifted teacher, and was known for her experiments in glaze technology. Indeed, at the request of Saarinen, she developed the glaze that was used on the ceramic exterior walls at the General Motors Technical Center. She won a number of awards during her career, including the Diploma di Colabrador at the Barcelona International Exhibition in 1929, the silver medal at the Paris International Exhibition (1937), and the Cranbrook Academy of Art Faculty Medal (1966). She also received the 1999 Excellence in Teaching Award (posthumous) from the National Council on Education for the Ceramic Arts. During her career she had solo shows at (among others) the Art Institute of Chicago (1950), the Cranbrook Museum (1952), the Joe and Emily Lowe Art Center of Syracuse University, and the Museum of Contemporary Crafts (1967). Her works are represented in the permanent collections of many museums.

Maija Grotell wwwstudiopotterorgarticlesimgart0006ajpg

Radical Glazes, Monumental Forms, Ghetto Pots lecture Pt 2, 2-6-2016


Other reading

Maija Grotell art0006cjpg

Maija Grotell: Works Which Grow From Belief, by Jeff Schlanger and Toshiko Takaezu (1996)

Maija Grotell Ceramics Today Maija Grotell

Ceramics Today Featured Artist

Studio Potter Magazine Book Review

References

Maija Grotell Wikipedia