Mahmoud Reda

Early life

Reda was born in Cairo on March 18, 1930. He was the eighth of ten children and his father was the head librarian at Cairo University. His older brother Ali was a dancer and through his influence (and that of Gene Kelly and Fred Astaire films) Mahmoud became interested in dance. Mahmoud Reda originally trained as a gymnast, representing Egypt in the 1952 Summer Olympics in Helsinki. He attended Cairo University where he received a degree in Political Economics. However, his main interest was dance and he joined an Argentinian dance troupe after graduating and toured Europe. While on tour in Paris he resolved to start his own dance troupe back in Egypt, but due to lack of funds he had to work as an accountant for Royal Dutch Shell. He joined the Heliolido Club in Cairo where he met Anglo-Egyptian baladi dancer Farida Fahmy who became his dancing partner. After the two performed in the Soviet Union in 1957 they decided to start a folk dancing troupe in Egypt with Ali Reda.

The Reda Troupe

When the Reda brothers and Fahmy founded the Reda Troupe in 1959 it consisted of only twelve dancers and twelve musicians. Reda's choreography combined traditional Egyptian folk dances with Western styles like ballet. Reda later described his style: "... when you bring them, the real folkloric dancers, put them on stage, they look odd, they look strange. Their costumes, they don’t know where to look, they don’t know, and if they do their things, it’s very monotonous. So what I call my choreography is not folkloric. It’s inspired by the folkloric. There is like 90 % extra put on the dance." Due to the social connections of Fahmy and her family, the normally stigmatized profession of dance was deemed acceptable by Cairo society and both men and women attended performances by the troupe. Ali Reda served as the troupe's artistic advisor while composer Ali Ismail penned the music for the troupe's dance routines.

Although the Reda Troupe was well known in Cairo society, initially it was not in Egypt as a whole. However, in 1961 that changed when Mahmoud Reda and Fahmy starred in the film Igazah nisf as-sinah along with the rest of the troupe. Directed by Ali Reda, the film was responsible for popularizing the Reda Troupe among ordinary Egyptians. The team followed this success with Gharam fi al-karnak in 1963. Having entered popular culture, the Reda Troupe began attracting a wider audience. In 1961 the Ministry of Culture decided to sponsor the group and it was incorporated into the government. In 1970, the troupe appeared in a third film Harami El-Waraqa. Reda stepped down as the principal dancer of the troupe in 1972, but still continued choreographing and directing performances. By this time, the troupe had grown to one hundred and fifty dancers, musicians and stage crew. Under Reda's direction, the Reda Troupe toured the world, giving performances at Carnegie Hall, and in China. They went on five international tours during his tenure, performing for various world leaders. In 1983, Fahmy retired from dance and left the troupe. In 1990, Reda retired as director of the Reda Troupe.

Later life

After his retirement, Reda continued to teach dance workshops in Egypt and internationally. His former students include Keti Sharif, Randa Kamel and Dina Talaat.

Personal life

Reda married Farida Fahmy's older sister Nadeeda Fahmy in 1955. She served as the costume designer for the Reda Troupe until her death from rheumatic heart in 1960. His second wife is a Yugoslavian ballet dancer. His daughter Sherine Reda was formerly married to singer Amr Diab.