Name Lucy Clifford Role Novelist | Parents John Lane Children Ethel Clifford | |
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Died April 21, 1929, London, United Kingdom Movies The Old Woman in the Woods, Eve's Lover Similar People William Kingdon Clifford, Roy Del Ruth, Darryl F Zanuck | ||
the new mother by lucy clifford the pear drum the scariest classic horror readings ever
Lucy Clifford (2 August 1846 – 21 April 1929), better known as Mrs. W. K. Clifford, was an English novelist and journalist, and the wife of philosopher William Kingdon Clifford.
Contents
- the new mother by lucy clifford the pear drum the scariest classic horror readings ever
- the new mother by lucy clifford simply scary performed by heather ordover
- Biography
- Selected writings
- References
the new mother by lucy clifford simply scary performed by heather ordover
Biography
Lucy Clifford was born Lucy Lane in London, the daughter of John Lane of Barbados. She married the mathematician and philosopher William Kingdon Clifford in 1875. After his death in 1879, she earned a prominent place in English literary life as a novelist, and later as a dramatist. Her best-known story, Mrs Keith's Crime (1885), was followed by several other volumes, such as Aunt Anne (1892). She also wrote The Last Touches and Other Stories (1892) and Mere Stories (1896); and a play, A Woman Alone (1898). She is perhaps most often remembered, however, as the author of The Anyhow Stories, Moral and Otherwise (1882), a collection of stories she had written for her children.
Lucy Clifford also wrote cinematic adaptations of her short stories and plays. At least two films were produced from her adaptations: The Likeness of the Night (1922) directed by Percy Nash, and Eve's Lover (1925) directed by Roy Del Ruth.
She had a wide circle of literary friends, amongst them Henry James. Her daughter Ethel Clifford (d. 1959), later Lady Dilke, having married Sir Fisher Wentworth Dilke, 4th Baronet (1877–1944) in 1905, was a published poet.
Lucy Clifford died in 1929, and was buried alongside her husband in Highgate Cemetery in London.
In 2004 Gowan Dawson described Lucy's efforts to uphold the reputation of Clifford after his death:
...Clifford's disconsolate widow and two young daughters had been left totally unprovided for, and, notwithstanding a subsequent Testimonial Fund and Civil List pension, it was necessary for Lucy Clifford, who now owned the copyright of her late husband's works, to maximise the potential sales of his posthumous publications not only by keeping Clifford in the public eye, but also by ensuring that it was a generally positive (and thus marketable) portrayal of him that was presented.