The Lower Rhenish Music Festival (German: Das Niederrheinische Musikfest) was one of the most important festivals of classical music, which happened every year between 1818 and 1958, with few exceptions, at Pentecost for 112 times.
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History
In the year 1817 Johann Schornstein, the musical director at Elberfeld, organized a music festival in his town, in which he was assisted by the musicians from Düsseldorf under their conductor Friedrich August Burgmüller. During this festival the idea was born by Schornstein and Burgmüller to repeat this event every year alternately between their cities. In the year 1821 the musicians from Cologne and 1925 from Aachen participated, but with the performance 1827 the responsible persons of Elberfeld decided to stop their commitment, because the town was not up to manage the rush of musicians and guests. This festival continued up to 1958 and took place 112 times. Only during the period of the Revolutions of 1848 in the German states and the First and Second World War the meeting was interrupted. After the last war in the year 1948 Cologne resigned out of this cycle of the music festival, whereas the cities Wuppertal, a fusion of Elberfeld and Barmen, and Duisburg acceded to this meeting. But in the year 1958 the festival was closed definitely, because in the meantime some other regional music festivals were founded.
At the beginning the Lower Rhenish Music Festival continued two days and from the year 1826 one day more, every year during Whitsuntide. Temporary in 1834 the king Frederick William III of Prussia interdicted this performance on Whitsun for religious reasons, but by the intercession of his nephew prince Frederick of Prussia, an art enthusiast and protector of the art societies of Düsseldorf, the festival regained permission with some restrictions.
Characteristics
From the beginning the Lower Rhenish Music Festival apprehended as a societal and cultural culmination on a highly artistically level. To the home and foreign guests, politicians, business people and members of the high nobility there were presented all the compositions, which played a significant role at that time. In addition to the local music directors many important conductors, composers and soloists were engaged as director of the festivals. Again and again the stage was used for the performance of world and national premieres and also for the presentation of new versions by known or unknown artists. The focus comprised the music of the last epochs of the Baroque music, the Viennese classical as well as the Romantic Music and later of the 20th-century classical music. There were performed the great symphonic poems, mass, oratorios, chorale, cantatas and here and there chamber music.
This implicated that sometimes the participation of more than 500 musicians. On one side the high number of musicians and the foreign guests connoted a lucrative revenue stream but on the other side also a logistical challenge and risk for the organization.
Chronology
In the following you will find a chronology of the Lower Rhenish Music Festival in detail, which was compiled from a selection of reliable sources and provides an overview.