Playwright Colley Cibber | ||
 | ||
Similar The Relapse - or - Virtue, The Rehearsal, The Plain Dealer, The Indian Emperour, Marriage à la mode | ||
Love s last shift of us
Love's Last Shift, or The Fool in Fashion is an English Restoration comedy by Colley Cibber from 1696.
Contents
- Love s last shift of us
- Love s last shift performing at kid s in play program anniversary
- Character list
- Synopsis
- References
The play is regarded as an early herald of a shift in audience tastes away from the intellectualism and sexual frankness of Restoration comedy and towards the conservative certainties and gender role backlash of sentimental comedy. It is often described as "opportunistic" (Hume), containing as it does something for everybody: daring Restoration comedy sex scenes, sentimental reconciliations, and broad farce.
Love s last shift performing at kid s in play program anniversary
Character list
MEN
WOMEN.
Colley Cibber played Sir Novelty Fashion in the original 1688 production.
Synopsis
Love's Last Shift is the story of a last "shift" or trick that a virtuous wife, Amanda, is driven to, in order to reform and retain her out-of-control rakish husband Loveless. Loveless has been away for ten years, dividing his time between the brothel and the bottle, and no longer recognizes his wife when he returns to London. Acting the part of a high-class prostitute, Amanda invites Loveless into her luxurious house and treats him to the night of his dreams, confessing her true identity in the morning. Loveless is so impressed by her faithfulness that he immediately becomes a reformed character. A minor part which was a great success with the première audience is the fop Sir Novelty Fashion, written by Cibber for himself to play. Sir Novelty flirts with all the women, but is more interested in his own exquisite appearance and witticisms, and, writes Cibber modestly in his autobiography 45 years later, "was thought a good portrait of the foppery then in fashion".
The play was a great box office hit at the première run but has not stood the test of time. Theatre historians today remember it, if at all, because of John Vanbrugh's sequel The Relapse, or, Virtue in Danger, still a stage favourite, where the husband returns to polygamy.