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Louis Nicolas Clérambault

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Occupation
  
Composer and organist

Record label
  
Harmonia Mundi

Years active
  
1704-1749

Louis-Nicolas Clérambault indianapublicmediaorgharmoniafiles201210Loui

Born
  
19 December 1676 (
1676-12-19
)
Paris, France

Died
  
26 October 1749, Paris, France

Books
  
First Organ Book, First Organ Book: Organ - Method or Collection

Similar
  
Louis Marchand, Nicolas de Grigny, François Couperin, Jean‑François Dandrieu, André Campra

orph e by louis nicolas cl rambault


Louis-Nicolas Clérambault (19 December 1676 – 26 October 1749) was a French musician, best known as an organist and composer. He was born, and died, in Paris.

Contents

Louis nicolas cl rambault 1676 1749 exultet omnium motet de saint sulpice


Biography

Clérambault came from a musical family (his father and two of his sons were also musicians). While very young, he learned to play the violin and harpsichord and he studied the organ with André Raison. Clérambault also studied composition and voice with Jean-Baptiste Moreau.

Clérambault became the organist at the church of the Grands-Augustins and entered the service of Madame de Maintenon. After the death of Louis XIV and Guillaume-Gabriel Nivers, he succeeded the latter at the organ of the church of Saint-Sulpice and the royal house of Saint-Cyr, an institution for young girls from the poor nobility. He was responsible there for music, the organ, directing chants and choir, etc. It was in this post—it remained his after the death of Madame de Maintenon—that he developed the genre of the "French cantata" of which he was the uncontested master. In 1719 he succeeded his teacher André Raison at the organs of the church of the Grands-Jacobins.

His Motet du Saint Sacrement in G major is one of the first French works known to have been performed in Philadelphia.

Works

His important published work includes:

  • a large number of religious pieces with chants and choirs, (motets, hymns, Magnificat, Te Deum etc.);
  • more than 25 secular cantatas on subjects often inspired by Greco-Roman myths;
  • sonatas for violin and basso continuo:
  • a book of dance pieces for the harpsichord (1704) in which he adopted the tradition of the unmeasured prelude;
  • a book of organ pieces in two suites (1710) in which melodic charm wins out over religious spirit. These two collections seemed destined to begin a cycle of pieces in all keys but Clérambault never completed the cycle.
  • References

    Louis-Nicolas Clérambault Wikipedia