Lotta Crabtree

Early life

Her father, John Ashworth Crabtree, a book seller, left for San Francisco in 1851 to join those seeking fortune in the California Gold Rush. Lotta and her mother, Mary Ann (née Livesey) Crabtree, followed two years later, joining John in the boomtown of Grass Valley. While in Grass Valley, the Crabtree's ran a boarding house. Lotta soon attracted the attention of a neighbor, the dancer and actress Lola Montez, who encouraged Lotta's enthusiasm for the performance.

The Crabtree's moved again and set up another boarding house, this time in Rabbit Creek, forty miles north of Grass Valley. Soon after, Lotta made her first professional appearance at a tavern owned by Matt Taylor. She began touring throughout California, and Nevada, making a name for herself as a dancer, singer, and banjo player in the mining camps. In 1856, the family moved back to San Francisco. By 1859, she had become "Miss Lotta, the San Francisco Favorite". Lotta's mother served as her manager and collected all of Lotta's earnings in gold, carrying it in a large leather bag. When this became too heavy, it was transferred to a steamer trunk.

Later career

Having made a name for herself in California, in 1863 Lotta left to tour the East Coast, where she began acting in plays such as The Old Curiosity Shop, Uncle Tom's Cabin and Little Nell and the Marchioness. With her petite size, she became a favorite for her portrayals of children. The late 1860s would see the "Lotta Polka" and "Lotta Gallup" as quite the rage in America. At age 20 she was a national star. By 1875, Lotta was touring the nation with her own theatrical company. She achieved the height of her success in the 1870s and 1880s.

The 1880s saw her perennially as the highest paid actress in America, earning sums of up to $5,000 per week. Her mother Mary Ann was still managing Lotta's affairs: booking plays, finding locations, and organizing troupes of actors. When the steamer trunk became too heavy, she invested Lotta's earnings in local real estate, race horses and bonds. As well as investing, some of the money was used to support local - charities (the Massachusetts Society for Aiding Discharged Prisoners - est. 1846 - still receives annual grants) and build fountains. Lotta's Fountain, the most famous of these fountains, still stands at the intersection of Market and Kearny Streets in San Francisco, and is the site of meetings every April 18 marking the anniversary of the 1906 San Francisco earthquake.

Lotta traveled abroad with her mother and brothers. She learned French, visited museums and began painting. After her tour abroad, Lotta returned to San Francisco where she played at the California Theatre, reprising her role in Little Nell and the Marchioness by John Bowen. Having missed her while she was away, the city responded warmly to her return and treated her like their very own star.

In 1885, Lotta's mother had an 18-room summer cottage built in the Breslin Park section of Mount Arlington, New Jersey, on the shores of Lake Hopatcong. Called "Attol Tryst" ("Lotta" spelled backward), the house was designed by noted architect Frank Furness. Lotta gave parties, rode horses, and pursued her painting. It stands today and in recent years has been beautifully restored.

Retirement

She was forced to retire as a result of a fall in Wilmington, Delaware in May 1889. After recovering in Lake Hopatcong, she attempted a comeback in 1891 and decided to retire permanently from the stage. She later resisted calls for a farewell tour. At age 45, it was the perfect time to retire - she was the richest actress in America, the theatre was changing and she got out at the top. She made one final appearance in 1915 for "Lotta Crabtree Day" in San Francisco at the Panama-Pacific Exposition.

While Lotta apparently had her share of romance, her travel, lifestyle and mother made a long-term relationship difficult, and she never married. Following retirement, Lotta traveled, painted (including studying at Paris in 1912) and was active in charitable work. Late in her life, Lotta moved to Massachusetts and was owner of acreage in the southern part of the Squantum section of Quincy, immediately south of Boston, Massachusetts. It is said to have been purchased for the benefit and health of her brother (Ashworth) and for their horses. Much of the land was sold as house lots in the 1930s/40s. Children who walked to school through her land in those days often passed by two small markers of local granite set into the ground, engraved "Ruby Royal" and "Sonoma Girl" - two of the Crabtrees' horses. The stone for Ruby still exists on Livesey Road. Local street names include Ashworth Road, Livesey Road, Sonoma Road, and the shoreline Crabtree Road. Ashworth was a family surname, as was Livesey. A large cylindrical stone tower constructed nearby likely had a farm-related storage purpose. Further information may be available through the Quincy, Massachusetts Historical Society.

Lotta spent the last 15 years of her life at the Brewster Hotel which she had purchased in Boston, where she died September 25, 1924 at age 76 from undisclosed causes. In her obituary, the New York Times called her the "eternal child". She was described by critics as mischievous, unpredictable, impulsive, rattlebrained, teasing, piquant, rollicking, cheerful and devilish. She was interred at the Woodlawn Cemetery in Bronx, New York. She left an estate of some $4 million in a charitable trust for such causes as veterans, aging actors and animals. The estate ran into complications when a number of people unsuccessfully contested the will. The trust still exists today.

Memorials