Live at the Boarding House: The Complete Shows

Critical reception

On AllMusic, Jeff Tamarkin said, "Although OAITW was able to handle a traditional bluegrass number — vocal or instrumental — as well as anyone, the musicians brought a jam band sensibility and rock attitude to the proceedings, extending the instrumental segments with improvisations, something alien to bluegrass up to that point. By doing so, the quintet pretty much invented the concept of progressive bluegrass, taking the music even further from its starting point than the New Grass Revival had the year before while simultaneously paying homage to its founders."

In Relix, Jesse Jarnow wrote, "While it was Peter Rowan's sweet silvery holler and the quintet's close dynamics that sold the Stinson Beach supergroup to audiences, it was Jerry Garcia's presence that sold the band's live LP to hippies, and in turn linked banjos to beardos forevermore.... The real stars, though, are the infinitely warm recordings themselves... Inside a tangible stereo field, the quintet's instrumental mesh is every bit as blended as the harmonies — a high, lonesome wholeness forever haunting the hills of Marin."

Track listing

1. "On and On" (Bill Monroe)
2. "I'm On My Way Back to the Old Home" (Monroe)
3. "Catfish John" (Bob McDill, Allen Reynolds)
4. "Lonesome Fiddle Blues" (Vassar Clements)
5. "Land of the Navajo" (Peter Rowan)
6. "Down Where the River Bends" (Jack Anglin, George Peck, Johnnie Wright)
7. "I Ain't Broke but I'm Badly Bent" (H. Payne)
8. "Lost" (Buzz Busby, Cindy Davis)
9. "Kissimee Kid" (Clements)
10. "Lonesome L.A. Cowboy" (Rowan)
11. "Pig in a Pen" (traditional)
12. "Wild Horses" (Mick Jagger, Keith Richards)
13. "Midnight Moonlight" (Rowan)

1. "Muleskinner Blues" (Jimmie Rodgers, George Vaughn)
2. "Goin' to the Races" (Carter Stanley)
3. "Old and in the Way" (David Grisman)
4. "Old and in the Way Breakdown" (Jerry Garcia)
5. "Panama Red" (Rowan)
6. "Hard Hearted" (Jesse McReynolds, Jim McReynolds)
7. "That High Lonesome Sound" (Rowan)
8. "The Hobo Song" (Jack Bonus)
9. "Drifting Too Far from the Shore" (Charles E. Moody)
10. "Angel Band" (Jefferson Hascall, W.B. Bradbury)
11. "Wicked Path of Sin" (Monroe)
12. "Home Is Where the Heart Is" (Connie Gateley, Joe Talley)
13. "Uncle Pen" (Monroe)
14. "Orange Blossom Special" (Ervin T. Rouse)
15. "Blue Mule" (Rowan)

1. "Home Is Where the Heart Is" (Gateley, Talley)
2. "Love Please Come Home" (Leon Jackson)
3. "Down Where the River Bends" (Anglin, Peck, Wright)
4. "Kissimee Kid" (Clements)
5. "Pig in a Pen" (traditional)
6. "Uncle Pen" (Monroe)
7. "Panama Red" (Rowan)
8. "Midnight Moonlight" (Rowan)
9. "White Dove" (Stanley)
10. "Wild Horses" (Jagger, Richards)
11. "Orange Blossom Special" (Rouse)
12. "Old and in the Way" (Grisman)
13. "Lonesome Fiddle Blues" (Clements)

1. "On and On" (Monroe)
2. "Land of the Navajo" (Rowan)
3. "Catfish John" (McDill, Reynolds)
4. "'Til the End of the World Rolls 'Round" (Thomas Newton)
5. "Drifting Too Far from the Shore" (Moody)
6. "I'm Knocking on Your Door" (traditional)
7. "Old and in the Way Breakdown" (Garcia)
8. "You'll Find Her Name Written There" (Harold Hensley)
9. "Jerry's Breakdown" (Garcia)
10. "The Great Pretender" (Buck Ram)
11. "Working on a Building" (traditional)
12. "That High Lonesome Sound" (Rowan)
13. "Wicked Path of Sin" (Monroe)
14. "Blue Mule" (Rowan)

Personnel