List of works by Toyohara Chikanobu includes artwork created over many decades and in a range of formats.
Details about the woodblock prints of Toyohara Chikanobu are provided below in a specific format:
(1) the transliterated title employing Wiki-romanization criteria;(2) the title (enclosed in parentheses) of the work reproduced using the kanji and hiragana found in the title cartouche;(3) the number {enclosed in curly brackets} of prints in the series (where known), excluding the covers, the moku roku, and any introductory or complimentary pages;(4) the Gregorian calendar date(s) «enclosed in doubled angle brackets» calculated from the date found in the otodoke or in the vertical margins of the print, which showed the Meiji calendar year, month, and day that authorities accepted a notification of intent to publish;(5) a referral [enclosed in square brackets] to the section containing the publisher’s name and address;(6) an English translation of the title.A partial list of single-panel series in ōban yotsugiri-e format includes:
Chūshingura (忠臣蔵) {12} «1884» ChūshinguraA partial list of single-panel series in ōban yoko-e format includes:
Kanke jūni kagetsu no uchi (冠化十二ヶ月の内) {12} «1880» [24] Twelve Months at Home with the Royal LadiesKyōiku azuma bijin jūni kagetsu zen (教育東美人會十二ヶ月全) {12} The Education of Beautiful Women in Edo throughout the Whole YearHeike monogatari (平家物語) «1898» [3] The Tale of the HeikeAzuma fūzoku mokuroku (東風俗目録) {12} «1901» [15] An Annal of Eastern PastimesEdo nishiki (江戸錦) {36} «1903-5» [15] Edo BrocadeYōchi hana (幼稚花) «1905» [] Flowers of ChildhoodKyōiku rekishi gafu (教育歴史画布) {24} «1906» [4] Educational Pictorial Album of HistoryPrints in chūban yoko-e format include:
Zen'aku ryōtō kyōkun kagami (善悪両頭教訓鑑) «1882» [ ] Examples of Moral Precepts Employing the Two Heads of Good and EvilHoncho buyū kagami (本朝武勇鑑) «1882» [10] Models of Our Country's ValorPrints in chūban tate-e format include:
Miyako no hana iro (都の花色) «unk» probably a hikifuda (advertising circular) for cloth/clothing, published by Tōkyō hatsubaimoto (Tokyo sales agency)Prints in harimaze-e series include:
Tōkyō hana kurabe (東京花竸) «1879» [29] Comparing the Flowers of Tokyo.A partial list of single-panel series in ōban tate-e format includes:
Imayō bijin kurabe (今様美人竸) «1877» [27] Comparing Modern WomenSenchi hakkei (戰地八景) «1877» [] Eight Views of the WarKagoshima eimei den (鹿児島英名傳) «1877» [21] Reports of the Heroes of KagoshimaKagoshima yūfu den (鹿児島勇婦傳) «1877» [13] Reports of the Heroines of KagoshimaKagoshima chinbun (鹿児嶋珍聞) «1877» [25] Extraordinary News from KagoshimaHonchō kōtō ki (本朝皇統記) «1878» [25] The History of the Imperial Line of Our CountryAzuma sugata shiki no uta (東姿四季の詠) «1879–1881» [20] Compositions in the Eastern Style for the Four SeasonsEimei bushō no men (英銘武将之面) «1880» [12] Faces of Famous Military CommandersHana sugata bijin sama (花姿美人樣) «~1880» [8] Alluring Flowers as Beautiful WomenImayō bijin kagami (今様美人鏡) «1881» [22] Reflections of the Modern WomanTō kyōgen homare no wazogi (當狂言名譽俳優) «1882» [28] Hit Plays with Famous ActorsTōkyō meisho kurabe (東京名所竸) «1882» [12] Comparing the Famous Places of TokyoKaika kyōiku mari uta (開化教育鞠唄) «1883» [18] Songs of Enlightenment and EducationEiyū musha kagami (英雄 武者 鏡) «1883» [] Mirror of Heroic WarriorsMeiyo iro no sakiwake (名譽色咲分) «1883-4» [1] Honorable Flowers Blooming in Different ColorsTōkyō meisho (東京名所) «1884», [31] Famous Places in TokyoSetsugekka (雪月花) Snow, Moon, Flower Gempei seisuiki (源平盛衰記) «1885» [10] A Chronicle of the Rise and Fall of the Minamoto and the TairaAzuma nishiki chūya kurabe (東錦晝夜竸) «1886» [1, 10] {50} Brocade of the East, A Contrast of Day and NightAtari jutsu no kyōgen zukushi (當戌の狂言つくし) «1886» [ ] A Collection of This Season's KyōgenTokugawa kakei ryakki (徳川家系略記) «1886-7» [8] A Brief Account of the Tokugawa LineageTōshun sugatami kyō (當春姿見竸) «1887» [30] A full-length mirror comparison this springImayō tōkyō hakkei (今様東京八景) {8} «1888» [11] Eight Views of Tokyo TodayKaika bijin kurabe (開花美人競) «1889» [6] A Contest between Blossoms and Beautiful WomenAzuma fūzoku fuku zukushi (東風俗福つくし) {30} «1889–1890» [9] Customs of the Capital displayed by Homonyms of the word fukuAzuma fūzoku nenjū gyōji (東風俗年中行事) {12} «1890» [11] Annual Events and Customs in the CapitalNijūshi kō mitate e awase (二十四孝見立画合) {24} «1890-1» [2] A Contrasting Parody of The Twenty-four Filial ExemplarsBakin chojutsu (馬琴著述) {?} «1890-1» [6] Stories by BakinGentō shashin kurabe (幻燈寫心竸) {20} «1890-2» [7] Daydreams by Magic LanternFugaku shū (富嶽集) «1891» [1] A Collection of Scenes of Mt. FujiAzuma kagami (東鑑) «1892» [26] Mirror of the EastMitate jūnishi (見立十二支) {12} «1893-4» [6] A Contrasting Parody of the ZodiacNishin sensō zue (日 清戰爭圖繪) «1894» [] Pictures of the Sino-Japanese WarFujin sokuhatsu shukuzu (婦人束髪縮圖) «1895» [17] Reduced Drawings of Western-style Hairdos for WomenShiki no hana kyōgen mitate (四季の花狂言見立) «1895» [16] Comparing Dramas to Flowers of the Four SeasonsAzuma (あづま) {24} «1896,1904» [3,15] The EastJidai kagami (時代鑑) {50} «1896-8» [15] A Mirror of the AgesShin bijin (真美人) {36} «1897-8» [14] Truly Beautiful WomenTōkyō meisho (東京名所) «1897–1902» [23] Famous Places of TokyoKagoshima eimenden (鹿兒島英名傅) [21] Chronicles of the Glories of the Satsuma RevoltTwo of his well-known ōban tate-e diptych series include:
Meisho bijin kai (名所美人合) «1897-8» [15] An Exposition of Beautiful Women in Scenic PlacesNihon meijo totsu (日本名女咄) «1893» [5] Very Tall Stories about Famous Women of JapanA kakemono series exists:
Fusei fūzoku (浮世風俗) «1905» [] Everyday CustomsA partial list of triptych series includes:
Zensei kuruwa no nigiwai (全盛廓の賑ひ) «1879» [5] Popular and Prosperous Pleasure QuartersHonchō musha kagami (本朝武者鏡) «1881» [] A Mirror of Our Country's WarriorsEdo sunago nenjū gyōji (江戸砂子年中行事) «1885» [ ] Sands of Edo - Annual EventsChōyō no zu (重陽之圗) «1885» [6] Scenes from a Chrysanthemum FestivalTosei furi (渡世振) «1887» [ ] Modern LifeChōsen hen hō roku (朝鮮變報録) «1888» [] Record and Transcript of the Korea IncidentNikkō meisho (日光名所) «1888» [6] Famous Places of NikkōEdo fūzoku jūni kagetsu no uchi (江戸風俗十二ヶ月の内) «1889» [7] Daily Life in Edo Twelve Months a YearOnko azuma no hana (温故東の花) «1889-9» [ ] Looking into the Past: The Pride of the EastSetsugekka no uchi (雪月花の内) «1891» [32] Within Serene BeautySaigoku ga shū (西国雅集) «1892» [ ] A Collection of West Country EleganceNihon sankei no zu (日本三景の内) «1892» [ ] Three Famous views of JapanKokon yamato fūzoku no uchi (古今倭風俗之内) «1892-3» [6] Customs of Old and Modern JapanYamato fūzoku (大和風俗) «1892-3» [11] Customs and Manners of YamatoAzuma no fūzoku (あづま風俗) «1894» [] Daily Life of the EastChiyoda no o-oku (千代田の大奥) {42}«1894-6» [3] The Ladies' Chambers of Chiyoda PalaceImayo no bijin (今様の美人) «1895» [] Contemporary WomenJūni kagetsu no uchi (十二ヶ月の内) «1895» [] Twelve MonthsKachō fūgetsu (花鳥風月) «1895» [7] Beauties of NatureFujin shoreshiki no zu (婦人諸禮式の図) «1895-6» [23] Scenes of Various Women's CeremoniesTokugawa jidai kifujin (徳川時代貴婦人) «1896» [2] Ladies of the Tokugawa periodShichiyō no uchi (七曜之内) «1896» [11] The Seven Days of the WeekShōchikubai (松竹梅) «1896» [] Pine, Bamboo, and Plum (Three Friends of Winter)Nihon Rekishi Kyōkun Gaku (日本歴史教訓画) «1897» [] Pictoral Lessons of Japanese HistoryChiyoda no on-omote (千代田の御表) {33} «1898» [3] Chiyoda Palace: Outside the WallsJoreishiki ryaku zu (女禮式略の図) «1898» [9] Handbook of Ladies' EtiquetteIma to mukashi (今とむかし) «1898» [2] Then and NowTake no hitofushi (竹乃一節) «1898-1904» [15] Verses of the Middle Rank Azuma bijin (あずま美人) «1903» [] Beautiful Women of the EastChōsenhen hō (朝鮮變報) - A Report of the Korean DisturbanceRyūkō bijin (流行美人) «~1895-99» [] Fashionable BeautiesUeno kōen (上野公園) «1899» [2] Ueno ParkŌisotōri no zu (大磯通之圖) - Scenes of OisotōriKokon wafūzoku no uchi (古今倭風俗之内) - Then and Now: Daily Live in Ancient JapanHana no gosho (花之御所) - The Flower PalaceIn addition, his œuvre contains a very large number of three panel scenes with individual titles, not collated into series. One group of these could be assembled under the heading, "The Royal Household at Play", another could be grouped under "Scenes from the Kabuki", and a third under two sub-titles, "The Satsuma War" and the "The Sino-Japanese War.'
An album of twenty-five triptychs was published in 1877 by several artists, including Chikanobu, which brought to light the events of an important domestic insurrection (the Satsuma Rebellion).
A bound album in ōban tate-e format was conceived and assembled by the publisher, Matsuki Heikichi, under the title of “Kyōdō risshiki “ [Self-made Men Worthy of Emulation/Exemplars of Learning and Achievement] containing 50 prints (though 53 are known) by various artists including Chikanobu who produced two of the images: #16 Hagaku and # 43 Chikako. Although the publication dates of the prints in this series ranged from 1885 to 1890, Chikanobu’s two contributions to this effort are dated the fourth and fifth months of 1886.
Chikanobu's work was printed and disseminated by a variety of publishers.
[31] Furuchi Korekatsu[32] Kashiwagi Nobeichirō