Franz Schubert (31 January 1797 – 19 November 1828), a late Classical – early Romantic Viennese composer, left a very extended body of work notwithstanding his short life. He wrote some 1500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes a dozen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.
Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order. A revised edition appeared in German in 1978. Later editions of the catalogue contained minor updates.
Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). In the mean while also publications without opus number had started, for instance, from shortly after the composer's death, many songs in Diabelli's fifty "Nachlaß-Lieferung" (instalment from the heritage) editions.
There are two attempts to publish everything Schubert has composed in a single edition:
From 1884 to 1897 Breitkopf & Härtel published twenty-two series of Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe, known as the "Alte Gesamt-Ausgabe" (AGA, the former complete edition). From 1965 Dover Publications started to reprint this edition, and later it was made available at the IMSLP website.
The Neue Schubert-Ausgabe (NSA), also known as the New Schubert Edition (NSE), is published by Bärenreiter (Kassel). It proposes eighty-three volumes, in eight series. Publication of all volumes has been scheduled to conclude in 2016. Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany.
Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.
The 1951 first edition of the Deutsch catalogue attempted to list all dated works by Schubert in chronological order, assigning them a number from 1 to 965. Undated works were ordered in the range 966–992. Nos. 993–998 referred to manuscripts that had resurfaced shortly before the catalogue was printed.
Later versions of the catalogue adhered to the general principles that Deutsch numbers below 966 referred, in a chronological order, to compositions by Schubert with an established time of composition, and that the range 966–992 was reserved for his compositions with an uncertain date of composition. Thus "Die Taubenpost", the last Lied Schubert composed, was reassigned from D 957 No. 14 to D 965A, and D 993, an early piano composition, to D 2E.
Spurious and doubtful works (Anh. I)
Appendix I of the first edition of the catalogue contains only a single composition under the header Spurious and doubtful works, but however also points to some compositions with authentication issues elsewhere in the catalogue. The 1978 edition of the catalogue lists 32 spurious and doubtful works in its first Anhang (appendix), including some that were for that reason removed from the main catalogue.
Arrangements by Schubert (Anh. II)
The 1978 version of the catalogue lists 4 arrangements by Schubert in its second Anhang
Works of others composers copied by Schubert (Anh. III)
Appendix II in the first edition of the catalogue contains compositions by other composers copied by Schubert. In the 1978 edition the list was expanded and became Anhang III.
"Setting" vs. "version" distinction
the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number. The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: D 174 is described as two settings of the same text in the original catalogue, the second having become "D. deest" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in key signature and number of movements, the original D 567 and D 568 were ultimately published under the same D number as two versions of the same sonata.
D deest, Sketch of a composition "?" ['?'] for unspecified voices and orchestra (1811?, sketch)
D deest, Mass in C major (?) for mixed choir, two violins and organ (1811?, sketch?; lost or never written)
D deest, Theme of a dance composition (?) for piano (?) (1812?, sketch)
D deest, Trio "Scherz-Terzett" ['Mala musica, bona musica?'] for three altos (1812, doubtful)
D deest, Aria "?" ['?'] for bass and piano (?) (1812, sketch; also appears as "Allegretto in D major")
D deest, Fantasy in an unknown key for string quartet (1813, lost)
D deest, Fugue in an unknown key for piano or organ (1813, lost)
D deest, Fragment of a composition for violin (?) (1813, sketch; fragment)
D deest, Sketch of a composition for unspecified instrument(s) (1813, sketch)
D deest, Fugue in F major for piano (1813, sketch)
D deest, Piano piece (?) in F major (1813, sketch)
D deest, Themes to Two Minuets for piano (1813?, sketches)
D deest, Fragment of an instrumental composition for violin, viola and guitar (?) (1813?, fragment)
D deest, Song "?" ['?'] improvised for a play for voice and piano (1815?, lost?; possibly identical to D 284)
D deest, String Quartet in B-flat major (1816, lost)
D deest, Canon "Canon a trè" ['?'] in B-flat major for three voices (1816? fragment)
D deest, Four Dances in A major for piano (1816?, only incipits are extant)
D deest, Song "?" ['?'] in C major for voice and piano (1816, fragment)
D deest, Song "Die Nacht" ['Die Nacht bricht an, mit leisen Lüften sinket'] for voice and guitar (after 1816?, doubtful; accompaniment part by Franz Xaver Baron von Schlechta; voice part by Schubert?)
D deest, Sketch of a theme for unspecified instruments/voices "Themenentwurf" (1818, sketch)
D deest, Sketch of a theme in A minor for unspecified instruments/voices "Themenentwurf" (1818, sketch)
D deest, Ecossaise in G major, Ländler in F major and Ländler in F minor (?) for piano (1818, sketches)
D deest, Vocal composition "?" ['?'] for mixed choir (?) (1818?, fragment without text)
D deest, Accompaniment for a vocal composition "?" ['?'] (1821?, fragment)
D deest, Vocal composition "?" ['?'] for unspecified voices (1821?, fragment)
D deest, Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821)
D deest, Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821)
D deest, Fragment of a composition for unspecified instruments (1823, sketch)
D deest, Sketch of a composition for orchestra (?) (1823, piano sketch)
D deest, Piano Sonata in C-sharp major (1825?, lost or identical to D 568 1st version)
D deest, Canon ["?"] ['?'] in C major for five voices (1826?)
D deest, Song "?" ['?'] for voice and piano (ca. 1827, fragment; lost)
D deest, Imitation exercises in invertible counterpoint for unspecified instruments/voices (1828; three 2-part imitation exercises)
D deest, Song (?) "Seliges Genügen" ['?'] for unspecified voice(s)/instrument(s) (date unknown, lost)
D deest, Song (?) "...doch stärker ist die Mutterliebe" ['?'] for voice (?) and orchestra (date unknown, fragment; lost)
D deest, Overture in an unknown key for orchestra (date unknown, lost)
D deest, Fragment of a cantata (?) "?" ['?'] for unspecified soloists, choir and orchestra (date unknown, fragment without text)
D deest, Song (?) or piano piece (?) "Lieder für das Pianoforte" ['?'] for voice (?) and/or piano (?) (date unknown, lost)
D deest, String Sextet in an unknown key for three violins, viola, violoncello and double bass (date unknown, fragment; lost)
D deest, Trio "?" ['?'] in D major for unspecified voices (date unknown, fragment without text)
