Laugh and Get Rich

Plot

Sarah Austin (Edna May Oliver) runs a boarding house during the Depression, always on the verge of bankruptcy. Her husband, Joe (Hugh Herbert) is a shiftless person who has never understood the concept of work; he is constantly involving them in get-rich-quick schemes. Their daughter, Alice (Dorothy Lee), has her eyes set on poor young inventor, Larry Owens (Russell Gleason), but her mother wishes she would become involved with Bill Hepburn (John Harron), seemingly from a well-connected family.

Sarah's illusions about Bill, however, are dashed when Bill kidnaps Joe, whom he mistakes for Mr. Pennypacker. Shortly after this, Joe takes Sarah's life savings, which she has hidden in a lamp, and invests it in an oil well, conned into it by one of Sarah's boarders, Mr. Phelps (Robert Emmett Keane). When Sarah finds out, she is furious, so Joe goes out and takes a job as a ditch digger. However, much to everyone's surprise, the oil well actually strikes oil. Believing that they are rich, Sarah and Joe go visit Sarah's sister, Cassie Palfrey (Louise Mackintosh), who lives in an estate on Long Island.

While there, the oil well runs dry, and their newfound wealth evaporates. However, all is not lost, as they find out that one of Joe's inventions, a tire valve, has attracted an investor, and they will be making over $50,000 per year off the invention, a veritable fortune in 1931.

Cast

Source:Cast list as per AFI database, and Theiapolis.com

Production

"Board and Room" was the working title of the film during production.

Reception

Mordaunt Hall of The New York Times gave the film a good review, calling it, "...a pleasant little comedy of boarding house life, distinguished by the performance of Edna May Oliver as the head of the establishment."

Silver Screen magazine gave it a good, but not great, review, stating the film was "... a nice homey comedy ..." which was "entertaining, but not a laugh riot", and praised Herbert, but were less impressed by Oliver. Photoplay was a bit kinder, complimenting both Herbert and Oliver, and saying that the film was "Good for plenty of laughs", and that audience members would be "... agreeably surprised at the newness of the treatment and gags." Motion Picture Magazine was the most impressed, not only praising Herbert and Oliver, but also Dorothy Lee, John Harron, and Russell Gleason as well. They called the picture, "... one of the best little comedies to happen along in many a celluloid moon."