Jane Buchanan (m. ?–2004)
December 2, 2004, Tucson, Arizona, United States
Dee Buchanan, Barry Buchanan, Randy Buchanan, Jeff Buchanan
It Came from Hunger!: Tales of a Cinema Schlockmeister
Tommy Kirk, John Agar, Bill Thurman, Pat Delaney, Misty Rowe
Zontar, the Thing from Venus (Larry Buchanan, 1966)
Larry Buchanan (January 31, 1923 − December 2, 2004), born Marcus Larry Seale Jr., was a film director, producer and writer, who proclaimed himself a "schlockmeister." Many of his titles have landed on "worst movie" lists or in the public domain, but all at least broke even and many made a profit. He is perhaps most famous for the films In the Year 2889, The Eye Creatures, Zontar, the Thing from Venus, Curse of the Swamp Creature, It's Alive!, and Mars Needs Women. Buchanan chronicled his unusual life in the 1997 autobiography, "IT CAME FROM HUNGER!" The critically acclaimed book is the only authorized record of Buchanan's life.
- Zontar the Thing from Venus Larry Buchanan 1966
- Creature of destruction larry buchanan 1967
- Early life
- Later life death and legacy
Creature of destruction larry buchanan 1967
Buchanan was born in Mexia, Texas in 1923. He was orphaned as a baby and was raised in Dallas in an orphanage. It was while growing up there that he became fascinated with the movies which were shown in the orphanage's theater. He considered becoming a minister early in life, but got into the movie industry instead.
Buchanan visited Hollywood and landed a job in the props department at 20th Century Fox. It was while working here where his film career got off the ground. He enlisted in the United States Army Signal Corps in order to learn how to direct. He was based in New York, which allowed him to act on stage in the evenings.
In the early 1950s Buchanan began producing, writing, editing, and acting in his own movies. The first was a one-reeler, The Cowboy in 1949, shot back in Dallas for $900. His first feature was Grubsteak (1952); he knew Stanley Kubrick from working around New York at this time and Kubrick offered to be cinematographer but wanted more money than Buchanan was willing to pay. Buchanan worked as an assistant to director George Cukor on The Marrying Kind (1952).
Epilogue: Larry Buchanan's 1997 autobiography "IT CAME FROM HUNGER!" has recently been re-issued as a soft cover book on Amazon. A rich and engaging tapestry of Buchanan's arduous journey from Texas orphanage to Hollywood director has been regarded as the Bible to the life and wacky world of low budget filmmaking.
Buchanan is perhaps best known for exploitation, science fiction, and other genre films, including Free, White and 21, High Yellow, The Naked Witch (made for $8,000), The Loch Ness Horror, and Mistress of the Apes. Among Buchanan's work, eight direct-to-television films he wrote, produced, and directed under his own Azalea Films production entity in the mid- and late-1960s, for American International Pictures, still generate a good degree of fan adoration. The titles − The Eye Creatures, Zontar, The Thing from Venus, Creature of Destruction, Mars Needs Women, In the Year 2889, Curse of the Swamp Creature, Hell Raiders, and It's Alive! − were largely remakes of AIP films from a decade earlier. Buchanan's instructions from AIP were: "We want cheap color pictures, we want half-assed names in them, we want them eighty minutes long and we want them now".
In 1964 Buchanan created The Trial of Lee Harvey Oswald, which presented an alternate history in which John F. Kennedy and Lee Harvey Oswald both survived Kennedy's assassination. In 1984 he produced Down on Us, which charged that the United States government was responsible for the deaths of Jimi Hendrix, Jim Morrison and Janis Joplin.
Among the notable features of Buchanan movies were:
Later life, death, and legacy
Buchanan's autobiography is entitled It Came from Hunger: Tales of a Cinema Schlockmeister.
After he died in 2004 in Tucson, Arizona, a long obituary in the New York Times summarized his work thus: "One quality united Mr. Buchanan's diverse output: It was not so much that his films were bad; they were deeply, dazzlingly, unrepentantly bad. His work called to mind a famous line from H. L. Mencken, who, describing President Warren G. Harding's prose, said, 'It is so bad that a sort of grandeur creeps into it.'"
He left behind an entire career of poorly made films, many of which have become cult films for being "so-bad-they're-good."