Girish Mahajan (Editor)

La vestale

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Written
  
1805

Composer
  
Gaspare Spontini

First performance
  
15 December 1807

Language
  
French

La vestale wwwoperanewscomuploadedImagesOperaNewsMagazi

Librettist
  
Victor-Joseph Étienne de Jouy

Similar
  
Olimpie, Agnes von Hohenstaufen, Médée, Il pirata, Poliuto

Gaspare spontini la vestale overture


La vestale (The Vestal Virgin) is an opera composed by Gaspare Spontini to a French libretto by Étienne de Jouy. It takes the form of a tragédie lyrique in three acts. It was first performed on 15 December 1807 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier, and is regarded as Spontini's masterpiece. The musical style shows the influence of Gluck and looks forwards to the works of Berlioz, Wagner and French Grand Opera.

Contents

La vestale gaspare spontini 1993


Composition history

Spontini had finished La vestale by the summer of 1805 but had faced opposition from leading members of the Opéra and rivalry from fellow composers. The premiere was made possible with the help of Spontini's patron, the Empress Josephine, but only after being rearranged by Jean-Baptiste Rey and Louis-Luc Loiseau de Persuis. La vestale was an enormous success, enjoying over two hundred performances by 1830.

Performance history

Its fame soon spread abroad; it first appeared on the Italian stage in Naples in 1811, and it was performed in Stockholm in 1823. It was premiered in the United States in French at Théâtre d'Orléans in New Orleans on 17 February 1828. Important 20th-century revivals include the 1954 production at La Scala with Maria Callas in the title role, which was the first opera staging by the famous film director Luchino Visconti. La vestale is famous in historical terms but is only very infrequently performed. Two of its arias (translated to Italian and recorded by Maria Callas and Rosa Ponselle), "Tu che invoco" and "O Nume tutelar", are better known than the work as a whole. In recognition of its role in the development of Richard Wagner's third opera, Rienzi, it was performed in concert form in Dresden's Semperoper in the Summer of 2013, conducted by Gabriele Ferro and starring Francisco Araiza as Cinna, Maria Agresta as Julia, and baritone Christopher Magiera as Licinius.

Synopsis

Place: Rome About 269 BC

Act 1

Returning to Rome after a victorious campaign, Licinius finds his beloved Julia has become a priestess of Vesta. Although Julia attempts to avoid going to Licinius's triumph, she is delegated to present him with a wreath. He tells her that he intends to kidnap and reclaim her.

Act 2

In the temple of Vesta, Julia guards the eternal flame and prays to be freed of temptation. Licinius arrives; during their rapturous reconciliation, the flame expires. Licinius is advised by Cinna to flee. Julia is interrogated by the High Priest but refuses to name Licinius. She is sentenced to death for licentiousness.

Act 3

Despite the pleas of Licinius, Julia is to be buried alive; even when he admits his intrusion to the Temple, Julia claims not to recognise him. A thunderstorm ensues, during which lightning reignites the sacred flame. Recognising this as a sign from the Gods, the High Priest and Vestal Priestess release Julia who is then married to Licinius.

Recordings

  • Maria Vitale, Elena Nicolai, Renato Gavarini, Alfredo Fineschi, Giuliano Ferrein, Albino Gagi – Chorus and Orchestra della Rai di Roma, conducted by Fernando Previtali (Warner Fonit, 1951)
  • Rosalind Plowright, Gisella Pasino, Francisco Araiza, Bavarian Radio Chorus, Munich Radio Orchestra, conducted by Gustav Kuhn (Orfeo, 1991)
  • Karen Huffstodt, Denise Graves, Anthony Michaels-Moore, Dimitri Kavrakos, Chorus and Orchestra of La Scala, conducted by Riccardo Muti (Sony, 1993)
  • References

    La vestale Wikipedia