Composer Jacques Offenbach | Language French | |
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Similar La permission de dix he, Tromb‑al‑ca‑zar - ou Les criminels, Pépito, La bonne d'enfant, Il signor Fagotto | ||
Jacques offenbach la rose de saint flour carr 1856
La rose de Saint-Flour is a one-act opérette with music by Jacques Offenbach to a French libretto by Michel Carré, first performed in 1856.
Contents
Entre les deux mon coeur balnce de la rose de saint flour jacques offenbach
Performance history
The premiere was on 12 June 1856 the Salle Lacaze, Paris, and the work shared its second performance on a bill with the "pièce de circonstance" Les Dragées de baptême, celebrating the christening of the Prince Imperial. The characters in the piece use Auvergnat accents in their dialogue and songs; Pradeau was pure Auvergnat and scored a hit as the jealous coppersmith. The work was much revived over the next twenty years and staged in Vienna. It was performed in England as The Rose of Auvergne, and a full translation with production details published.
Synopsis
The scene is a cabaret run by Pierrette in Saint-FlourAlone, Pierrette bemoans her broken cooking-pot and decides to borrow one when she goes out to buy groceries. She muses on her two admirers, the cobbler Chapailloux and the coppersmith Marcachu. As it is the festival of Saint-Pierre, and there will be dancing that night, she longs for a new pair of shoes with sequins to dance in, and a new unbreakable pot.
Marcachu brings in as a token of his love a new cooking-pot for Pierrette, hanging it by the fireplace with a bunch of flowers in, and leaves. Chapailloux next creeps in and puts his present of shoes on the table.
When Pierrette returns a tiff with Marcachu turns into a fight. They prepare the soup, into which unexpected ingredients are placed. When Chapailloux arrives, they eat and discover the contents of the soup, including one of Pierrette's shoes. Another fight ensues, and Marcachu storms off with his marmite.
Pierrette decides she would be better off with Chapailloux and he hesitantly agrees. Chapailloux gives his hand to Pierrette just as Marcachu re-enters to make up for all the damage, giving Pierrette a new chair, crockery and the cooking-pot.
A bourrée is heard as the signal for dancing. Marcachu concedes, hoping he might be, "comm' dans la Dame blanche" god-father to their children. They dance and sing "Nous n'étions ni homm's ni femmes – Nous étions tous Auvergnats!" ("We are neither men nor women – we are Auvergnats!").